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Wilma Cruise

Biographic Data

ID5226835
NAMEWilma Cruise
GIVEN NAMESWilma
FAMILY NAMECruise
SIGNATURECRUISE W
AFFILIATIONSRecently she embarked on printmaking, working at the David Krut Print Workshop in collaboration with print master Jill Ross. Cruise is also the editor of Views and (re)views.
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS1
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Take a bow

    Open Access•Wilma Cruise•ARTICLE•Tydskrif vir letterkunde•2018•Cited by: 1

    Bentham’s query “[...] the question is not can they reason? Nor can they talk? But, Can they suffer?” (Bentham 8) drew attention away from language and the interior life of animals and focused it instead on the question of suffering. Just what suffering is left to the human to decide; a debate, which forms a large part of the discourse in the animal rights movement. But what happens if we were to return to the unanswered part of Bentham’s quote, …

  • Revisiting Alice

    Open Access•Wilma Cruise•ARTICLE•Journal of Literary Studies•2014

    Responding to the need to “think of unheard thoughts about animals” (Calarco 2008: 6) I explore the “question of the animal” through the art object. In so doing I interrogate the efficacy of art in effecting social change. I examine the problematic question of humankind's relationship to the animal by revisiting the children's tales Alice in Wonderland and Alice through the Looking Glass. In so doing I touch on questions such as sentience, anthro…

  • New York .03.07

    Wilma Cruise•ARTICLE•de arte•2007

    We landed a few days before the start of spring in a raging blizzard. New York was covered in white, which soon turned to a dirty brown. The snow banked up on either side of the streets and the pavements, and, depending on the temperature and time of day, alternated between rivulets of dirty water or freezing slabs of ice upon which it was almost impossible to walk. But it was not just the weather that overwhelmed me. The city assaulted me

  • Views and (re)views

    Wilma Cruise•ARTICLE•de arte•2007

  • On curating Earthworks/Claybodies

    Wilma Cruise•ARTICLE•de arte•2003

    "On curating Earthworks/Claybodies: an exhibition of ceramic sculpture." de arte, 38(68), pp. 57–58

  • La Biennale

    Wilma Cruise, Lucia Burger•ARTICLE•de arte•2002

  • Collections Update

    Wilma Cruise, Muffin Stevens et al.•ARTICLE•de arte•2001

  • Noise pollution at the 1999 FNB Vita Prize exhibition

    Wilma Cruise•ARTICLE•de arte•2000

  • Second Johannesburg Biennale 1997

    Wilma Cruise•ARTICLE•de arte•1998

  • Books

    Muffin Stevens, Wilma Cruise et al.•ARTICLE•de arte•1993

  • The 1991 Triennial

    Dick Leigh, Neville Dubow et al.•ARTICLE•de arte•1992

  • People and Places

    Wilma Cruise, Lize Van Robbroeck•ARTICLE•de arte•1989

    How do artists and art historians respond to people and places? In this new section we ask people in the art world who have travelled and pondered on art, architecture and humanity, to give us thei

  • Take a bow

    Open Access•Wilma Cruise•ARTICLE•Tydskrif vir letterkunde•2018•Cited by: 1

    Bentham’s query “[...] the question is not can they reason? Nor can they talk? But, Can they suffer?” (Bentham 8) drew attention away from language and the interior life of animals and focused it instead on the question of suffering. Just what suffering is left to the human to decide; a debate, which forms a large part of the discourse in the animal rights movement. But what happens if we were to return to the unanswered part of Bentham’s quote, …

  • People and Places

    Wilma Cruise, Lize Van Robbroeck•ARTICLE•de arte•1989

    How do artists and art historians respond to people and places? In this new section we ask people in the art world who have travelled and pondered on art, architecture and humanity, to give us thei

  • The 1991 Triennial

    Dick Leigh, Neville Dubow et al.•ARTICLE•de arte•1992

  • Books

    Muffin Stevens, Wilma Cruise et al.•ARTICLE•de arte•1993

  • Second Johannesburg Biennale 1997

    Wilma Cruise•ARTICLE•de arte•1998

  • Noise pollution at the 1999 FNB Vita Prize exhibition

    Wilma Cruise•ARTICLE•de arte•2000

  • Collections Update

    Wilma Cruise, Muffin Stevens et al.•ARTICLE•de arte•2001

  • La Biennale

    Wilma Cruise, Lucia Burger•ARTICLE•de arte•2002

  • On curating Earthworks/Claybodies

    Wilma Cruise•ARTICLE•de arte•2003

    "On curating Earthworks/Claybodies: an exhibition of ceramic sculpture." de arte, 38(68), pp. 57–58

  • New York .03.07

    Wilma Cruise•ARTICLE•de arte•2007

    We landed a few days before the start of spring in a raging blizzard. New York was covered in white, which soon turned to a dirty brown. The snow banked up on either side of the streets and the pavements, and, depending on the temperature and time of day, alternated between rivulets of dirty water or freezing slabs of ice upon which it was almost impossible to walk. But it was not just the weather that overwhelmed me. The city assaulted me

  • Views and (re)views

    Wilma Cruise•ARTICLE•de arte•2007

  • Revisiting Alice

    Open Access•Wilma Cruise•ARTICLE•Journal of Literary Studies•2014

    Responding to the need to “think of unheard thoughts about animals” (Calarco 2008: 6) I explore the “question of the animal” through the art object. In so doing I interrogate the efficacy of art in effecting social change. I examine the problematic question of humankind's relationship to the animal by revisiting the children's tales Alice in Wonderland and Alice through the Looking Glass. In so doing I touch on questions such as sentience, anthro…

  • Take a bow

    Open Access•Wilma Cruise•ARTICLE•Tydskrif vir letterkunde•2018•Cited by: 1

    Bentham’s query “[...] the question is not can they reason? Nor can they talk? But, Can they suffer?” (Bentham 8) drew attention away from language and the interior life of animals and focused it instead on the question of suffering. Just what suffering is left to the human to decide; a debate, which forms a large part of the discourse in the animal rights movement. But what happens if we were to return to the unanswered part of Bentham’s quote, …

Art (6 works) · Aesthetics (3 works) · Art history (3 works) · Geography (3 works) · Sociology (3 works) · Visual arts (3 works) · Business (2 works) · Computer Science (2 works) · Engineering (2 works) · Environmental Science (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae