Ingrid Stevens
Biographic Data
| ID | 5226870 |
|---|---|
| NAME | Ingrid Stevens |
| GIVEN NAMES | Ingrid |
| FAMILY NAME | Stevens |
| SIGNATURE | STEVENS I |
| AFFILIATIONS | Tshwane University of Technology |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Hysterical Representation in the Art of Mary Sibande
The character, Sophie, a domestic worker who is invariably deeply immersed in fantasy, appears throughout Mary Sibande’s oeuvre (ranging from Long Live the Dead Queen (2009), to the series, The Purple Shall Govern (2013, 2014)). Sophie is employed by the artist in order to engage with patriarchal and apartheid representations of black femininity, where it is particularly Sophie’s body which registers the traumatic impact of these systems. We cont…
Inventing the ‘vernacular’
This article investigates the notion of the ‘contemporary vernacular’ in the visual arts and how this is invented or developed in response to certain national imperatives, as delineated in Hobsbawm & Ranger (1983), Fine (2004) and Bowe (1993). It then examines the sociopolitical factors that give rise to the need for the invention of the ‘contemporary vernacular’ and the characteristics of such ‘vernacular’ arts, and clarifies this theoretical ex…
Art and Life at the Graskop Hotel
Billboards, beautiful things and crafts in context
Art criticism
Postmodernism, structuralism, post-structuralism, deconstruction and art criticism
(1996). Postmodernism, structuralism, post-structuralism, deconstruction and art criticism. de arte: Vol. 31, No. 54, pp. 32-42
Inventing the ‘vernacular’
This article investigates the notion of the ‘contemporary vernacular’ in the visual arts and how this is invented or developed in response to certain national imperatives, as delineated in Hobsbawm & Ranger (1983), Fine (2004) and Bowe (1993). It then examines the sociopolitical factors that give rise to the need for the invention of the ‘contemporary vernacular’ and the characteristics of such ‘vernacular’ arts, and clarifies this theoretical ex…
Postmodernism, structuralism, post-structuralism, deconstruction and art criticism
(1996). Postmodernism, structuralism, post-structuralism, deconstruction and art criticism. de arte: Vol. 31, No. 54, pp. 32-42
Art criticism
Billboards, beautiful things and crafts in context
Art and Life at the Graskop Hotel
Inventing the ‘vernacular’
This article investigates the notion of the ‘contemporary vernacular’ in the visual arts and how this is invented or developed in response to certain national imperatives, as delineated in Hobsbawm & Ranger (1983), Fine (2004) and Bowe (1993). It then examines the sociopolitical factors that give rise to the need for the invention of the ‘contemporary vernacular’ and the characteristics of such ‘vernacular’ arts, and clarifies this theoretical ex…
Hysterical Representation in the Art of Mary Sibande
The character, Sophie, a domestic worker who is invariably deeply immersed in fantasy, appears throughout Mary Sibande’s oeuvre (ranging from Long Live the Dead Queen (2009), to the series, The Purple Shall Govern (2013, 2014)). Sophie is employed by the artist in order to engage with patriarchal and apartheid representations of black femininity, where it is particularly Sophie’s body which registers the traumatic impact of these systems. We cont…
Art (6 works) · Literature (4 works) · Philosophy (3 works) · Criticism (2 works) · Cultural Industries and Urban Development (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Psychoanalysis (2 works) · Psychology (2 works)