Ann-Marie Tully
Biographic Data
| ID | 5226903 |
|---|---|
| NAME | Ann-Marie Tully |
| GIVEN NAMES | Ann-Marie |
| FAMILY NAME | Tully |
| SIGNATURE | TULLY A |
| AFFILIATIONS | University of Johannesburg |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
Figuring the Animal Autobiography
Daniel Naudé's exhibition of photographic artworks, “African Scenery & Animals”, is discussed in this article, to consider the ways in which images of animal beings are mostly received as figurative vehicles for anthropocentric narratives. Naudé's particularised portraits of AfriCanis dogs and other domestic creatures are considered in relation to figurative anthropocentric analysis of the artworks that the artist's gallery and other reviewers ha…
Penumbra’
Actions speak louder than words in ‘The Alice Sequence’
The artist Wilma Cruise's exploration of Lewis Carroll's Alice in Wonderland (1865) as an iconic and thematic motif for her recent series of exhibitions, collectively titled ‘The Alice Sequence’ (2011–2012), presents a theoretically rich exploration of the human/ animal dialectic. This article explores key notions of inter-species communication and distinction that arise from Cruise's artistic exploration, also the practice-led component of her d…
Imagining nature (in our own image)
The rhetorical animal
Consistently throughout the tradition of Western philosophy, as well as materially speaking, animals have long been the most estranged and disempowered creatures on earth. Indeed, the Aristotelian and Cartesian theses proposed animals as being little more than automata. This derisive philosophical treatment has embedded itself in the vast majority of cultural practices and has erased the ancient agency of non-human creatures vis-à-vis human socie…
No prominent works on this page.
The rhetorical animal
Consistently throughout the tradition of Western philosophy, as well as materially speaking, animals have long been the most estranged and disempowered creatures on earth. Indeed, the Aristotelian and Cartesian theses proposed animals as being little more than automata. This derisive philosophical treatment has embedded itself in the vast majority of cultural practices and has erased the ancient agency of non-human creatures vis-à-vis human socie…
Imagining nature (in our own image)
Actions speak louder than words in ‘The Alice Sequence’
The artist Wilma Cruise's exploration of Lewis Carroll's Alice in Wonderland (1865) as an iconic and thematic motif for her recent series of exhibitions, collectively titled ‘The Alice Sequence’ (2011–2012), presents a theoretically rich exploration of the human/ animal dialectic. This article explores key notions of inter-species communication and distinction that arise from Cruise's artistic exploration, also the practice-led component of her d…
Figuring the Animal Autobiography
Daniel Naudé's exhibition of photographic artworks, “African Scenery & Animals”, is discussed in this article, to consider the ways in which images of animal beings are mostly received as figurative vehicles for anthropocentric narratives. Naudé's particularised portraits of AfriCanis dogs and other domestic creatures are considered in relation to figurative anthropocentric analysis of the artworks that the artist's gallery and other reviewers ha…
Penumbra’
Art (4 works) · Art history (4 works) · Exhibition (4 works) · Aesthetics (3 works) · Anthropocentrism (2 works) · Biology (2 works) · Global Maritime and Colonial Histories (2 works) · Hermeneutics and Narrative Identity (2 works) · Literature (2 works) · Philosophy (2 works)