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Anneli Bowie

Biographic Data

ID5226949
NAMEAnneli Bowie
GIVEN NAMESAnneli
FAMILY NAMEBowie
SIGNATUREBOWIE A
AFFILIATIONSUniversity of Johannesburg
ORCID0000-0001-6409-3734
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Political Cartoons as Burkean Frames of Acceptance

    Anneli Bowie•ARTICLE•Visual Communication Quarterly•2023

    While political cartoons have been read as criticism in Kenneth Burke’s burlesque rejection frame, this paper presents an alternative reading, to consider their potential for expressing attitudes of acceptance via comic framing. A Burkean vocabulary for studying cartoons is provided, including the mechanism of perspective by incongruity, the attitudinal alignments of acceptance and rejection, the genres of comic framing and burlesque, as well as …

  • Visualising the Generic Techno-Imaginary

    Anneli Bowie•ARTICLE•de arte•2023•References: 18

    This article interrogates the visual language surrounding the South African Fourth Industrial Revolution (4IR) agenda, by rhetorically analysing stock images used in a prominent 4IR publication. This study serves to contribute to the ongoing critical discussion surrounding the general legitimacy and local propriety of the global 4IR narrative, which has been enthusiastically adopted by the South African government to guide techno-development poli…

  • “Not Our Revolution”

    Anneli Bowie•ARTICLE•Communicatio•2022

    This article offers a thematic review of criticism directed at high-level public discourse surrounding the South African Fourth Industrial Revolution (4IR) agenda. While the South African adoption of the World Economic Forum's 4IR strategy for economic growth and skills development has been met with widespread enthusiasm, it has also attracted considerable criticism. This article thus seeks to offer insight into the debate surrounding the legitim…

  • Towards a Grammar of Design Motives

    Anneli Bowie•ARTICLE•Design and Culture•2020•References: 3

    Designers routinely justify or substantiate their design decisions and need to persuade various stakeholders that their verbalized rationales are legitimate and appropriate. This paper thus starts from the assumption that verbal justification, as a major part of any design process, may be interrogated from a rhetorical perspective. Furthermore, insofar as designers are socialized to provide “proper” justifications for their design actions, their …

No prominent works on this page.

  • Towards a Grammar of Design Motives

    Anneli Bowie•ARTICLE•Design and Culture•2020•References: 3

    Designers routinely justify or substantiate their design decisions and need to persuade various stakeholders that their verbalized rationales are legitimate and appropriate. This paper thus starts from the assumption that verbal justification, as a major part of any design process, may be interrogated from a rhetorical perspective. Furthermore, insofar as designers are socialized to provide “proper” justifications for their design actions, their …

  • “Not Our Revolution”

    Anneli Bowie•ARTICLE•Communicatio•2022

    This article offers a thematic review of criticism directed at high-level public discourse surrounding the South African Fourth Industrial Revolution (4IR) agenda. While the South African adoption of the World Economic Forum's 4IR strategy for economic growth and skills development has been met with widespread enthusiasm, it has also attracted considerable criticism. This article thus seeks to offer insight into the debate surrounding the legitim…

  • Political Cartoons as Burkean Frames of Acceptance

    Anneli Bowie•ARTICLE•Visual Communication Quarterly•2023

    While political cartoons have been read as criticism in Kenneth Burke’s burlesque rejection frame, this paper presents an alternative reading, to consider their potential for expressing attitudes of acceptance via comic framing. A Burkean vocabulary for studying cartoons is provided, including the mechanism of perspective by incongruity, the attitudinal alignments of acceptance and rejection, the genres of comic framing and burlesque, as well as …

  • Visualising the Generic Techno-Imaginary

    Anneli Bowie•ARTICLE•de arte•2023•References: 18

    This article interrogates the visual language surrounding the South African Fourth Industrial Revolution (4IR) agenda, by rhetorically analysing stock images used in a prominent 4IR publication. This study serves to contribute to the ongoing critical discussion surrounding the general legitimacy and local propriety of the global 4IR narrative, which has been enthusiastically adopted by the South African government to guide techno-development poli…

Law (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Art (2 works) · Computer Science (2 works) · Criticism (2 works) · Language, Metaphor, and Cognition (2 works) · Legitimacy (2 works) · Linguistics (2 works)

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