Bea Gassmann de Sousa
Biographic Data
| ID | 5227301 |
|---|---|
| NAME | Bea Gassmann de Sousa |
| GIVEN NAMES | Bea Gassmann |
| FAMILY NAME | de Sousa |
| SIGNATURE | DE SOUSA B G |
| AFFILIATIONS | University College London, United Kingdom |
| ORCID | 0000-0001-7502-3264 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
I’ll Be Your Mirror: Emma Wolukau-Wanambwa’s Science Fiction of Truth
Euro-modern colonisation produced many truths, which, despite having been recognised as false information, continue to shape the social order of today. Artist Emma Wolukau-Wanambwa's lifelong quest was to build a subjective artistic relationship with the physical traces of colonial disinformation, which still resonate in Ugandan art education. But sometimes it is impossible to make clean separations. The post-conceptual practice of the British–Ug…
The Family Archive as Political Site: Ben Enwonwu (1917–1994)
Contemporary discussions of Nigerian Twentieth-century art are located within the postcolonial discourse. The main point of contention is whether to situate Nigerian modernism before or after Independence in 1960 taking into account Euro-African cross-fertilisation during colonialism and in the post-Independence period. The private archive of Ben Enwonwu, an artist of national and international fame during the transition era, whose institutional …
No prominent works on this page.
The Family Archive as Political Site: Ben Enwonwu (1917–1994)
Contemporary discussions of Nigerian Twentieth-century art are located within the postcolonial discourse. The main point of contention is whether to situate Nigerian modernism before or after Independence in 1960 taking into account Euro-African cross-fertilisation during colonialism and in the post-Independence period. The private archive of Ben Enwonwu, an artist of national and international fame during the transition era, whose institutional …
I’ll Be Your Mirror: Emma Wolukau-Wanambwa’s Science Fiction of Truth
Euro-modern colonisation produced many truths, which, despite having been recognised as false information, continue to shape the social order of today. Artist Emma Wolukau-Wanambwa's lifelong quest was to build a subjective artistic relationship with the physical traces of colonial disinformation, which still resonate in Ugandan art education. But sometimes it is impossible to make clean separations. The post-conceptual practice of the British–Ug…
Art (2 works) · Aesthetics (1 works) · African history and culture studies (1 works) · Archaeology (1 works) · Art history (1 works) · Art History and Market Analysis (1 works) · Australian History and Society (1 works) · Colonialism (1 works) · Colonialism, slavery, and trade (1 works) · Context (archaeology (1 works)