Jasmine Elizabeth Johnson
Biographic Data
| ID | 5235761 |
|---|---|
| NAME | Jasmine Elizabeth Johnson |
| GIVEN NAMES | Jasmine Elizabeth |
| FAMILY NAME | Johnson |
| SIGNATURE | JOHNSON J E |
| AFFILIATIONS | Brandeis University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
A Politics of Tenderness
BLACK GIRL: Linguistic Play opens to a scene: an airy stage with four raised black boxes of varying heights and lengths positioned throughout. Furthest upstage, a chalk board is mounted; neon drawi
Casualties
West African dance classes are sites of social and choreographic reproduction. They depend on difference, mistranslation, and choreographic failure rather than sameness
Queens’ diaspora
This article examines Fela!, the Broadway show about Nigerian musical icon Fela Anikulapo Kuti (1938–1997). Anchored by interviews conducted with its cast members, critical viewings of the musical, and a consideration of Kuti's performance repertoire, it reads Fela! through the terms of dance, diaspora, and sexuality. The Queens – Kuti's performance collaborators and wives – raise important questions about movement, nation-making, and authenticit…
A Politics of Tenderness
BLACK GIRL: Linguistic Play opens to a scene: an airy stage with four raised black boxes of varying heights and lengths positioned throughout. Furthest upstage, a chalk board is mounted; neon drawi
Queens’ diaspora
This article examines Fela!, the Broadway show about Nigerian musical icon Fela Anikulapo Kuti (1938–1997). Anchored by interviews conducted with its cast members, critical viewings of the musical, and a consideration of Kuti's performance repertoire, it reads Fela! through the terms of dance, diaspora, and sexuality. The Queens – Kuti's performance collaborators and wives – raise important questions about movement, nation-making, and authenticit…
Queens’ diaspora
This article examines Fela!, the Broadway show about Nigerian musical icon Fela Anikulapo Kuti (1938–1997). Anchored by interviews conducted with its cast members, critical viewings of the musical, and a consideration of Kuti's performance repertoire, it reads Fela! through the terms of dance, diaspora, and sexuality. The Queens – Kuti's performance collaborators and wives – raise important questions about movement, nation-making, and authenticit…
Casualties
West African dance classes are sites of social and choreographic reproduction. They depend on difference, mistranslation, and choreographic failure rather than sameness
A Politics of Tenderness
BLACK GIRL: Linguistic Play opens to a scene: an airy stage with four raised black boxes of varying heights and lengths positioned throughout. Furthest upstage, a chalk board is mounted; neon drawi
Art (2 works) · Biology (2 works) · Sociology (2 works) · Aesthetics (1 work) · Animal science (1 work) · Dance (1 work) · Diaspora (1 work) · Diaspora, migration, transnational identity (1 work) · Diversity and Impact of Dance (1 work) · Ecology (1 work)