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Paul Barolsky

Biographic Data

ID524445
NAMEPaul Barolsky
GIVEN NAMESPaul
FAMILY NAMEBarolsky
SIGNATUREBAROLSKY P
AFFILIATIONSUniversity of Virginia
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS1
WORKS AS AUTHOR24
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2025
H-INDEX1
  • "The Double Duplicity of Bronzino's London "Allegory

    Paul Barolsky•ARTICLE•Arion•2025

  • A Ridiculous Painting by Paolo Veronese

    Paul Barolsky•ARTICLE•Arion•2025

  • Botticelli

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Leonardo da Vinci

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2020

    Leonardo da Vinci: A Closer Look. Alan Donnithorne. London: Royal Collection Trust, 2019. 204 pp. £29.95. - Leonardo's Paradox: Word and Image in the Making of Renaissance Culture. Joost Keizer. London: Reaktion Books, 2019. 232 pp. £25. - Volume 73 Issue 2

  • Eros Visible

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2018

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Botticelli, “Venere e Marte”

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Michelangelo’s Tomb for Julius II

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2017

    Michelangelo’s Tomb for Julius II: Genesis and Genius. Christoph Luitpold Frommel. With Claudia Echinger-Maurach, Antonio Forcellino, and Maria Forcellino. Los Angeles: J. Paul Getty Museum, 2014. 368 pp. $79.95. - Volume 70 Issue 4

  • In a New Light

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2016

    In a New Light: Giovanni Bellini’s St. Francis in the Desert. Susannah Rutherglen and Charlotte Hale. London: D Giles Limited, 2015, in association with The Frick Collection. 232 pp. $55. - Volume 69 Issue 1

  • Michelangelo’s Christian Mysticism

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2015

    Michelangelo’s Christian Mysticism: Spirituality, Poetry, and Art in Sixteenth-Century Italy. Sarah Rolfe Prodan. Cambridge: Cambridge University Press, 2014. xvi + 252 pp. + 16 color pls. $95. - Volume 68 Issue 2

  • Leonardo, Michelangelo, and the Art of the Figure

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Ovid and the Metamorphoses of Modern Art from Botticelli to Picasso

    Paul Barolsky•BOOK•Ovid and the Metamorphoses of…•2014

    "Written in the spirit of Ovid, this lively and erudite book traces the art derived from Ovid's Metamorphoses from the Renaissance up to the present day. The Metamorphoses has been more widely illustrated than any other book except the Bible; for centuries, great artists have drawn, painted, and sculpted its stories, the artists often responding not only to Ovid's work but to one another's in their depictions. Paul Barolsky, a specialist in Itali…

  • In Michelangelo’s Mirror

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2014

    Morten Steen Hansen. In Michelangelo’s Mirror: Perino Del Vaga, Daniele Da Volterra, Pellegrino Tibaldi. University Park: Pennsylvania State University Press, 2013. xvi + 218 pp. $94.95. ISBN: 978-0-271-05640-1. - Volume 67 Issue 1

  • The History of Florence in Painting

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2014

    Antonella Fenech Kroke, ed. The History of Florence in Painting. In collaboration with Cyril Gerbron, Stefano Calonaci, and Neville Rowley. New York: Abbeville Press, 2013. 496 pp. $235. ISBN: 978-0-7892-1145-3. - Volume 67 Issue 3

  • The Genius of Michelangelo's "Creation of Adam" and the Blindness of Art History

    Paul Barolsky•ARTICLE•Source Notes in the History of Art•2013•Cited by: 1

  • The Cambridge Companion to Giotto

    Paul Barolsky•ARTICLE•Renaissance Quarterly•2005

    Anne Derbes and Mark Sandona, eds The Cambridge Companion to Giotto. Cambridge and New York: Cambridge University Press 2004. xxii + 313 pp. + 46 b/w pls. index. illus. bibl. $95. ISBN: 0-521-77007-6. - Volume 58 Issue 1

  • Daniele da Volterra

    Paul Barolsky•CHAPTER•2003

  • The Religious Symbolism of Michelangelo

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2003

    Edgar Wind. The Religious Symbolism of Michelangelo: The Sistine Ceiling. Ed. Elizabeth Sears. Oxford and New York: Oxford University Press, 2000. lii + 240 pp. + 193 b/wpls. index, illus. bibl. $99. ISBN: 0-19-817-429-2. - Volume 56 Issue 2

  • As in Ovid, So in Renaissance Art

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•1998

    This essay is a prolegomenon to the general study of Ovid's relations to Renaissance art and art theory. As is well known, the Metamorphoses determined the subjects of numerous works of art during the Renaissance. What is not sufficiently appreciated, however, is the extent to which the ancient poet's sense of "metamorphosis" as a figure of poesis, making or "poetry," helped shape Renaissance notions of poetic transformation in the visual arts. T…

  • Sydney J. Freedberg and the Literature of Art

    Open Access•Paul Barolsky•ARTICLE•Renaissance Studies•1997

  • Why Mona Lisa Smiles and Other Tales by Vasari

    Open Access•Giancarlo Maiorino, Paul Barolsky•ARTICLE•Renaissance Quarterly•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Cellini, Vasari, and the Marvels of Malady

    Paul Barolsky•ARTICLE•Sixteenth Century Journal•1993

  • Andrea del Castagno and His Patrons

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•1993

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Michelangelo's Nose

    Gregory L Lucente, Paul Barolsky•ARTICLE•Italica•1992

  • Infinite Jest

    Lindsay Waters, Paul Barolsky•ARTICLE•Italica•1980

  • The Genius of Michelangelo's "Creation of Adam" and the Blindness of Art History

    Paul Barolsky•ARTICLE•Source Notes in the History of Art•2013•Cited by: 1

  • Infinite Jest

    Lindsay Waters, Paul Barolsky•ARTICLE•Italica•1980

  • Michelangelo's Nose

    Gregory L Lucente, Paul Barolsky•ARTICLE•Italica•1992

  • Cellini, Vasari, and the Marvels of Malady

    Paul Barolsky•ARTICLE•Sixteenth Century Journal•1993

  • Andrea del Castagno and His Patrons

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•1993

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Why Mona Lisa Smiles and Other Tales by Vasari

    Open Access•Giancarlo Maiorino, Paul Barolsky•ARTICLE•Renaissance Quarterly•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Sydney J. Freedberg and the Literature of Art

    Open Access•Paul Barolsky•ARTICLE•Renaissance Studies•1997

  • As in Ovid, So in Renaissance Art

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•1998

    This essay is a prolegomenon to the general study of Ovid's relations to Renaissance art and art theory. As is well known, the Metamorphoses determined the subjects of numerous works of art during the Renaissance. What is not sufficiently appreciated, however, is the extent to which the ancient poet's sense of "metamorphosis" as a figure of poesis, making or "poetry," helped shape Renaissance notions of poetic transformation in the visual arts. T…

  • Daniele da Volterra

    Paul Barolsky•CHAPTER•2003

  • The Religious Symbolism of Michelangelo

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2003

    Edgar Wind. The Religious Symbolism of Michelangelo: The Sistine Ceiling. Ed. Elizabeth Sears. Oxford and New York: Oxford University Press, 2000. lii + 240 pp. + 193 b/wpls. index, illus. bibl. $99. ISBN: 0-19-817-429-2. - Volume 56 Issue 2

  • The Cambridge Companion to Giotto

    Paul Barolsky•ARTICLE•Renaissance Quarterly•2005

    Anne Derbes and Mark Sandona, eds The Cambridge Companion to Giotto. Cambridge and New York: Cambridge University Press 2004. xxii + 313 pp. + 46 b/w pls. index. illus. bibl. $95. ISBN: 0-521-77007-6. - Volume 58 Issue 1

  • The Genius of Michelangelo's "Creation of Adam" and the Blindness of Art History

    Paul Barolsky•ARTICLE•Source Notes in the History of Art•2013•Cited by: 1

  • Ovid and the Metamorphoses of Modern Art from Botticelli to Picasso

    Paul Barolsky•BOOK•Ovid and the Metamorphoses of…•2014

    "Written in the spirit of Ovid, this lively and erudite book traces the art derived from Ovid's Metamorphoses from the Renaissance up to the present day. The Metamorphoses has been more widely illustrated than any other book except the Bible; for centuries, great artists have drawn, painted, and sculpted its stories, the artists often responding not only to Ovid's work but to one another's in their depictions. Paul Barolsky, a specialist in Itali…

  • In Michelangelo’s Mirror

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2014

    Morten Steen Hansen. In Michelangelo’s Mirror: Perino Del Vaga, Daniele Da Volterra, Pellegrino Tibaldi. University Park: Pennsylvania State University Press, 2013. xvi + 218 pp. $94.95. ISBN: 978-0-271-05640-1. - Volume 67 Issue 1

  • The History of Florence in Painting

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2014

    Antonella Fenech Kroke, ed. The History of Florence in Painting. In collaboration with Cyril Gerbron, Stefano Calonaci, and Neville Rowley. New York: Abbeville Press, 2013. 496 pp. $235. ISBN: 978-0-7892-1145-3. - Volume 67 Issue 3

  • Michelangelo’s Christian Mysticism

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2015

    Michelangelo’s Christian Mysticism: Spirituality, Poetry, and Art in Sixteenth-Century Italy. Sarah Rolfe Prodan. Cambridge: Cambridge University Press, 2014. xvi + 252 pp. + 16 color pls. $95. - Volume 68 Issue 2

  • Leonardo, Michelangelo, and the Art of the Figure

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • In a New Light

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2016

    In a New Light: Giovanni Bellini’s St. Francis in the Desert. Susannah Rutherglen and Charlotte Hale. London: D Giles Limited, 2015, in association with The Frick Collection. 232 pp. $55. - Volume 69 Issue 1

  • Michelangelo’s Tomb for Julius II

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2017

    Michelangelo’s Tomb for Julius II: Genesis and Genius. Christoph Luitpold Frommel. With Claudia Echinger-Maurach, Antonio Forcellino, and Maria Forcellino. Los Angeles: J. Paul Getty Museum, 2014. 368 pp. $79.95. - Volume 70 Issue 4

  • Eros Visible

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2018

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Botticelli, “Venere e Marte”

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Botticelli

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Leonardo da Vinci

    Open Access•Paul Barolsky•ARTICLE•Renaissance Quarterly•2020

    Leonardo da Vinci: A Closer Look. Alan Donnithorne. London: Royal Collection Trust, 2019. 204 pp. £29.95. - Leonardo's Paradox: Word and Image in the Making of Renaissance Culture. Joost Keizer. London: Reaktion Books, 2019. 232 pp. £25. - Volume 73 Issue 2

  • "The Double Duplicity of Bronzino's London "Allegory

    Paul Barolsky•ARTICLE•Arion•2025

  • A Ridiculous Painting by Paolo Veronese

    Paul Barolsky•ARTICLE•Arion•2025

Art (22 works) · Art history (18 works) · Renaissance and Early Modern Studies (11 works) · History (7 works) · History (7 works) · Humanities (6 works) · Literature (5 works) · Mathematics (5 works) · Philosophy (5 works) · The Renaissance (5 works)

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