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Susanna Hast

Biographic Data

ID529320
NAMESusanna Hast
GIVEN NAMESSusanna
FAMILY NAMEHast
SIGNATUREHAST S
AFFILIATIONSIndependent Scholar, Helsinki, Finland
ORCID0000-0002-4370-4388
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS21
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX3
  • Making feminist sense of militarisation of the mind

    Susanna Hast, Noora Kotilainen et al.•ARTICLE•Critical Studies on Security•2024•Cited by: 1•References: 4

    Non peer reviewed

  • Synching the martial body: Poetic encounters with Finnish cadets

    Susanna Hast•ARTICLE•Critical Military Studies•2022•Cited by: 3•References: 30

    In this paper, I engage poetically with embodied experiences of Finnish cadets in physical training, bringing the study of body technique, social emotions and militarism together. I focus on the cadets' experiences in collective movement, in particular when synchronizing and attuning with each other. I identify three bodies – minded, machine and combat – as descriptions of being part of the synching collective. I propose that the interviewed Finn…

  • You Cannot Take War Out of the Soldier

    Open Access•Susanna Hast•ARTICLE•Qualitative Inquiry•2021

    This article is an experimentation in poetry on the topic of combat and killing derived from interview data. Such writing is called many things, but I named it documentary poetry which, regardless of its origins, is a manifestation of the indeterminacy and autonomy of art. I have taken the words of Finnish military cadets, poetic in themselves, and exhausted the possibilities of translation by abandoning accuracy for the sake of sensual precision…

  • Autopsy of a militarized body: Introducing the short documentary Nothing too Bad

    Susanna Hast•ARTICLE•Critical Military Studies•2019•Cited by: 3•References: 1

    Nothing too Bad became an 11-minute documentary about me and my father, a briefcase and militarism. It is aimless and elusive, yet directed by a curiosity about the power of emotion, and the power of bodies and other materialities. How a story makes an identity, and how an identity makes a story. This is a companion text to an unpublished video, or maybe even its replacement. As scary as it is, I want to share a personal story of how militarism t…

  • Introduction: The Return of Spheres of Influence

    Iain Ferguson, Susanna Hast•ARTICLE•Geopolitics•2018•Cited by: 6

    In March 2014, when Russia annexed Crimea, relations between Moscow and the West descended into their deepest crisis since the end of the Cold War. For the rest of that year and into the next, the

  • Bodily States on Screen: Gendering Spheres of Influence inHouse of Cards

    Susanna Hast•ARTICLE•Geopolitics•2018•Cited by: 2•References: 32

    This article elaborates how the political television drama House of Cards presents the state as a gendered human body, anthropomorphised in the United States’ presidential couple Frank and Claire Underwood and Russia’s President Viktor Petrov for popular consumption. In an attempt to bring gender into conversation with the concept of sphere of influence, the article shows the tensions between militarist masculinity and queer subjectivity. In Hous…

  • Spheres of Influence in International Relations: History, Theory and Politics

    Susanna Hast•BOOK•Spheres of Influence in…•2016

  • Sounds of silence: Reflections on Songwriting and International Relations

    Susanna Hast•ARTICLE•Critical Military Studies•2016•Cited by: 6•References: 1

    Writing orbits what cannot be said, and it struggles to express what we cannot articulate (Inayatullah 2011, 8).What if there was a form other than academic writing that would express the insights

  • Introduction: The Return of Spheres of Influence

    Iain Ferguson, Susanna Hast•ARTICLE•Geopolitics•2018•Cited by: 6

    In March 2014, when Russia annexed Crimea, relations between Moscow and the West descended into their deepest crisis since the end of the Cold War. For the rest of that year and into the next, the

  • Sounds of silence: Reflections on Songwriting and International Relations

    Susanna Hast•ARTICLE•Critical Military Studies•2016•Cited by: 6•References: 1

    Writing orbits what cannot be said, and it struggles to express what we cannot articulate (Inayatullah 2011, 8).What if there was a form other than academic writing that would express the insights

  • Synching the martial body: Poetic encounters with Finnish cadets

    Susanna Hast•ARTICLE•Critical Military Studies•2022•Cited by: 3•References: 30

    In this paper, I engage poetically with embodied experiences of Finnish cadets in physical training, bringing the study of body technique, social emotions and militarism together. I focus on the cadets' experiences in collective movement, in particular when synchronizing and attuning with each other. I identify three bodies – minded, machine and combat – as descriptions of being part of the synching collective. I propose that the interviewed Finn…

  • Autopsy of a militarized body: Introducing the short documentary Nothing too Bad

    Susanna Hast•ARTICLE•Critical Military Studies•2019•Cited by: 3•References: 1

    Nothing too Bad became an 11-minute documentary about me and my father, a briefcase and militarism. It is aimless and elusive, yet directed by a curiosity about the power of emotion, and the power of bodies and other materialities. How a story makes an identity, and how an identity makes a story. This is a companion text to an unpublished video, or maybe even its replacement. As scary as it is, I want to share a personal story of how militarism t…

  • Bodily States on Screen: Gendering Spheres of Influence inHouse of Cards

    Susanna Hast•ARTICLE•Geopolitics•2018•Cited by: 2•References: 32

    This article elaborates how the political television drama House of Cards presents the state as a gendered human body, anthropomorphised in the United States’ presidential couple Frank and Claire Underwood and Russia’s President Viktor Petrov for popular consumption. In an attempt to bring gender into conversation with the concept of sphere of influence, the article shows the tensions between militarist masculinity and queer subjectivity. In Hous…

  • Making feminist sense of militarisation of the mind

    Susanna Hast, Noora Kotilainen et al.•ARTICLE•Critical Studies on Security•2024•Cited by: 1•References: 4

    Non peer reviewed

  • Spheres of Influence in International Relations: History, Theory and Politics

    Susanna Hast•BOOK•Spheres of Influence in…•2016

  • Sounds of silence: Reflections on Songwriting and International Relations

    Susanna Hast•ARTICLE•Critical Military Studies•2016•Cited by: 6•References: 1

    Writing orbits what cannot be said, and it struggles to express what we cannot articulate (Inayatullah 2011, 8).What if there was a form other than academic writing that would express the insights

  • Introduction: The Return of Spheres of Influence

    Iain Ferguson, Susanna Hast•ARTICLE•Geopolitics•2018•Cited by: 6

    In March 2014, when Russia annexed Crimea, relations between Moscow and the West descended into their deepest crisis since the end of the Cold War. For the rest of that year and into the next, the

  • Bodily States on Screen: Gendering Spheres of Influence inHouse of Cards

    Susanna Hast•ARTICLE•Geopolitics•2018•Cited by: 2•References: 32

    This article elaborates how the political television drama House of Cards presents the state as a gendered human body, anthropomorphised in the United States’ presidential couple Frank and Claire Underwood and Russia’s President Viktor Petrov for popular consumption. In an attempt to bring gender into conversation with the concept of sphere of influence, the article shows the tensions between militarist masculinity and queer subjectivity. In Hous…

  • Autopsy of a militarized body: Introducing the short documentary Nothing too Bad

    Susanna Hast•ARTICLE•Critical Military Studies•2019•Cited by: 3•References: 1

    Nothing too Bad became an 11-minute documentary about me and my father, a briefcase and militarism. It is aimless and elusive, yet directed by a curiosity about the power of emotion, and the power of bodies and other materialities. How a story makes an identity, and how an identity makes a story. This is a companion text to an unpublished video, or maybe even its replacement. As scary as it is, I want to share a personal story of how militarism t…

  • You Cannot Take War Out of the Soldier

    Open Access•Susanna Hast•ARTICLE•Qualitative Inquiry•2021

    This article is an experimentation in poetry on the topic of combat and killing derived from interview data. Such writing is called many things, but I named it documentary poetry which, regardless of its origins, is a manifestation of the indeterminacy and autonomy of art. I have taken the words of Finnish military cadets, poetic in themselves, and exhausted the possibilities of translation by abandoning accuracy for the sake of sensual precision…

  • Synching the martial body: Poetic encounters with Finnish cadets

    Susanna Hast•ARTICLE•Critical Military Studies•2022•Cited by: 3•References: 30

    In this paper, I engage poetically with embodied experiences of Finnish cadets in physical training, bringing the study of body technique, social emotions and militarism together. I focus on the cadets' experiences in collective movement, in particular when synchronizing and attuning with each other. I identify three bodies – minded, machine and combat – as descriptions of being part of the synching collective. I propose that the interviewed Finn…

  • Making feminist sense of militarisation of the mind

    Susanna Hast, Noora Kotilainen et al.•ARTICLE•Critical Studies on Security•2024•Cited by: 1•References: 4

    Non peer reviewed

Political science (6 works) · Art (4 works) · Aesthetics (3 works) · Gender, Security, and Conflict (3 works) · Law (3 works) · Politics (3 works) · Psychology (3 works) · Sociology (3 works) · European and Russian Geopolitical Military Strategies (2 works) · Gender Studies (2 works)

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