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J E Pontara

Biographic Data

ID53076
NAMEJ E Pontara
GIVEN NAMESJ E
FAMILY NAMEPontara
SIGNATUREPONTARA J E
AFFILIATIONSStockholm University
ORCID0000-0003-1731-0366
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS4
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2024
H-INDEX1
  • ‘You Want Drama? Go to the Opera!’

    J E Pontara•ARTICLE•Music, Sound, and the Moving Image•2024

    This article addresses the role played by opera in fiction film by drawing attention to the action film Mission: Impossible – Rogue Nation (Christopher McQuarrie, 2015). Giacomo Puccini’s Turandot (1926) is treated here in a way that makes it appear as something more than a diegetic background and energy reinforcement for action scenes. By taking into consideration Daniel Yacavone’s (2012; 2014) view of film as a combination of a construction and…

  • Cool Nature

    Open Access•Anna Albrektson, Mikael Ahlund et al.•ARTICLE•1700-tal: Nordic Journal for…•2022

    In this essay, an interdisciplinary group of researchers sets out to address the period 1780-1840 in Sweden in a new way, by placing nature at its centre. With the help of ecocritical and transcultural theory, combined with renewed attention to the Swedish fine arts, learned discourses, and practices, we suggest a new approach to these revolutionary decades. The perceived dissonance, the interplay between climatic conditions and cultural template…

  • The Phenomenal Side of the Operatic Performance

    Open Access•J E Pontara•ARTICLE•Open Library of Humanities•2021

    During recent decades, scholars have paid attention to the ways in which marketing strategies surrounded the participation of professional opera singers in 1930s/1940s Hollywood films. Opera singers used cinema to promote themselves as film stars, while Hollywood, in turn, made use of real-life celebrities in order to market films containing opera to a wider audience. Recent cinema, just like films from this earlier period, reflects cross-promoti…

  • Digital Human Sciences

    Open Access•Frida Beckman, Jaqueline Berndt et al.•BOOK•Digital Human Sciences•2021•Cited by: 4•References: 30

    The ongoing digitization of culture and society and the ongoing production of new digital objects in culture and society require new ways of investigation, new theoretical avenues, and new multidisciplinary frameworks. In order to meet these requirements, this collection of eleven studies digs into questions concerning, for example: the epistemology of data produced and shared on social media platforms; the need of new legal concepts that regulat…

  • Digital Human Sciences

    Open Access•Frida Beckman, Jaqueline Berndt et al.•BOOK•Digital Human Sciences•2021•Cited by: 4•References: 30

    The ongoing digitization of culture and society and the ongoing production of new digital objects in culture and society require new ways of investigation, new theoretical avenues, and new multidisciplinary frameworks. In order to meet these requirements, this collection of eleven studies digs into questions concerning, for example: the epistemology of data produced and shared on social media platforms; the need of new legal concepts that regulat…

  • The Phenomenal Side of the Operatic Performance

    Open Access•J E Pontara•ARTICLE•Open Library of Humanities•2021

    During recent decades, scholars have paid attention to the ways in which marketing strategies surrounded the participation of professional opera singers in 1930s/1940s Hollywood films. Opera singers used cinema to promote themselves as film stars, while Hollywood, in turn, made use of real-life celebrities in order to market films containing opera to a wider audience. Recent cinema, just like films from this earlier period, reflects cross-promoti…

  • Digital Human Sciences

    Open Access•Frida Beckman, Jaqueline Berndt et al.•BOOK•Digital Human Sciences•2021•Cited by: 4•References: 30

    The ongoing digitization of culture and society and the ongoing production of new digital objects in culture and society require new ways of investigation, new theoretical avenues, and new multidisciplinary frameworks. In order to meet these requirements, this collection of eleven studies digs into questions concerning, for example: the epistemology of data produced and shared on social media platforms; the need of new legal concepts that regulat…

  • Cool Nature

    Open Access•Anna Albrektson, Mikael Ahlund et al.•ARTICLE•1700-tal: Nordic Journal for…•2022

    In this essay, an interdisciplinary group of researchers sets out to address the period 1780-1840 in Sweden in a new way, by placing nature at its centre. With the help of ecocritical and transcultural theory, combined with renewed attention to the Swedish fine arts, learned discourses, and practices, we suggest a new approach to these revolutionary decades. The perceived dissonance, the interplay between climatic conditions and cultural template…

  • ‘You Want Drama? Go to the Opera!’

    J E Pontara•ARTICLE•Music, Sound, and the Moving Image•2024

    This article addresses the role played by opera in fiction film by drawing attention to the action film Mission: Impossible – Rogue Nation (Christopher McQuarrie, 2015). Giacomo Puccini’s Turandot (1926) is treated here in a way that makes it appear as something more than a diegetic background and energy reinforcement for action scenes. By taking into consideration Daniel Yacavone’s (2012; 2014) view of film as a combination of a construction and…

Art (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Drama (2 works) · Law (2 works) · Literature (2 works) · Opera (2 works) · Political science (2 works) · Social science (2 works)

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