L Uzielli
Biographic Data
| ID | 53416 |
|---|---|
| NAME | L Uzielli |
| GIVEN NAMES | L |
| FAMILY NAME | Uzielli |
| SIGNATURE | UZIELLI L |
| AFFILIATIONS | University of Florence |
| ORCID | 0000-0002-0195-4936 |
| VERIFIED | Yes |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 28 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 3 |
Combining engineering and wood science for the conservation of artworks
Since 2004, the wooden support of Mona Lisa has been studied by an international research team formed by specialists of wood science and optical measurements, interacting closely with curators and restorers, to evaluate the climatic specifications adopted for the then new climate-controlled display case, assess the risk of propagation of a historical crack affecting the Panel, suggest possible improvements to the Panel’s framing, and improve the …
An Innovative Method Based on In Situ Deformometric Monitoring to Support Decisions for the Structural Restoration of a Historic Panel Painting
This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo…
Coupling numerical and experimental methods to characterise the mechanical behaviour of the Mona Lisa
Hygromechanical study of a 16th century painted wooden panel
A method to assess the hygro-mechanical behaviour of original panel paintings, through in situ non-invasive continuous monitoring, to improve their conservation
Experimental study of the hygromechanical behaviour of a historic painting on wooden panel
Strains in gesso on painted wood panels during humidity changes and cupping
Locating contact areas and estimating contact forces between the "Mona Lisa" wooden panel and its frame
Long-term hygromechanical monitoring of Wooden Objects of Art (WOA)
Wood science and conservation
Drying shrinkage and mechanical properties of poplar wood (Populus alba L.) across the grain
Mechanical study of a support system for cupping control of panel paintings combining crossbars and springs
The Deformometric Kit
Mechanical response of wooden boards subjected to humidity step variations
Mechanical response of wooden boards subjected to humidity step variations
Strains in gesso on painted wood panels during humidity changes and cupping
Experimental study of the hygromechanical behaviour of a historic painting on wooden panel
Drying shrinkage and mechanical properties of poplar wood (Populus alba L.) across the grain
Locating contact areas and estimating contact forces between the "Mona Lisa" wooden panel and its frame
Long-term hygromechanical monitoring of Wooden Objects of Art (WOA)
An Innovative Method Based on In Situ Deformometric Monitoring to Support Decisions for the Structural Restoration of a Historic Panel Painting
This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo…
A method to assess the hygro-mechanical behaviour of original panel paintings, through in situ non-invasive continuous monitoring, to improve their conservation
Mechanical study of a support system for cupping control of panel paintings combining crossbars and springs
The Deformometric Kit
Mechanical response of wooden boards subjected to humidity step variations
Wood science and conservation
Drying shrinkage and mechanical properties of poplar wood (Populus alba L.) across the grain
Mechanical study of a support system for cupping control of panel paintings combining crossbars and springs
The Deformometric Kit
Long-term hygromechanical monitoring of Wooden Objects of Art (WOA)
Locating contact areas and estimating contact forces between the "Mona Lisa" wooden panel and its frame
Strains in gesso on painted wood panels during humidity changes and cupping
Experimental study of the hygromechanical behaviour of a historic painting on wooden panel
A method to assess the hygro-mechanical behaviour of original panel paintings, through in situ non-invasive continuous monitoring, to improve their conservation
Coupling numerical and experimental methods to characterise the mechanical behaviour of the Mona Lisa
Hygromechanical study of a 16th century painted wooden panel
Combining engineering and wood science for the conservation of artworks
Since 2004, the wooden support of Mona Lisa has been studied by an international research team formed by specialists of wood science and optical measurements, interacting closely with curators and restorers, to evaluate the climatic specifications adopted for the then new climate-controlled display case, assess the risk of propagation of a historical crack affecting the Panel, suggest possible improvements to the Panel’s framing, and improve the …
An Innovative Method Based on In Situ Deformometric Monitoring to Support Decisions for the Structural Restoration of a Historic Panel Painting
This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo…
Engineering (13 works) · Conservation Techniques and Studies (11 works) · Structural engineering (10 works) · Composite material (9 works) · Cultural Heritage Materials Analysis (9 works) · Materials Science (9 works) · Building materials and conservation (8 works) · Physics (7 works) · Painting (6 works) · Visual arts (6 works)