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Matthew Bernstein

Biographic Data

ID5364050
NAMEMatthew Bernstein
GIVEN NAMESMatthew
FAMILY NAMEBernstein
SIGNATUREBERNSTEIN M
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR1995
H-INDEX1
  • A Tale of Three Cities

    Matthew Bernstein•ARTICLE•Cinema Journal•1995

    In Scarlet Street (Universal, 1945), a bourgeois bank bookkeeper/amateur painter named Christopher Cross (Edward G. Robinson) initiates an extramarital relationship with a prostitute, Kitty (Joan Bennett), kills her when he discovers her infidelity, and watches her lover/pimp, Johnny (Dan Duryea), die for the crime. Cross is never brought to trial, and the film ends as he wanders the streets, tortured by his obsession with Kitty. The film is a de…

  • Matthew Bernstein Responds

    Matthew Bernstein•ARTICLE•Cinema Journal•1994•Cited by: 1

  • Hollywood's Semi-Independent Production

    Matthew Bernstein•ARTICLE•Cinema Journal•1993•Cited by: 2•References: 1

    An independent producer in movies is as much of a free soul as the individual in other lines of work who sets up his own shop or store. He's motivated by the same reasons. He wants to do things in his own way in his own sweet time and at his own cost. He faces the same hazards too. He must buck the big interests-or, if he goes along with them, he can do it only by sharing the profits. Nevertheless, because he often gambles on things the entrepren…

  • Hollywood's Semi-Independent Production

    Matthew Bernstein•ARTICLE•Cinema Journal•1993•Cited by: 2•References: 1

    An independent producer in movies is as much of a free soul as the individual in other lines of work who sets up his own shop or store. He's motivated by the same reasons. He wants to do things in his own way in his own sweet time and at his own cost. He faces the same hazards too. He must buck the big interests-or, if he goes along with them, he can do it only by sharing the profits. Nevertheless, because he often gambles on things the entrepren…

  • Matthew Bernstein Responds

    Matthew Bernstein•ARTICLE•Cinema Journal•1994•Cited by: 1

  • Hollywood's Semi-Independent Production

    Matthew Bernstein•ARTICLE•Cinema Journal•1993•Cited by: 2•References: 1

    An independent producer in movies is as much of a free soul as the individual in other lines of work who sets up his own shop or store. He's motivated by the same reasons. He wants to do things in his own way in his own sweet time and at his own cost. He faces the same hazards too. He must buck the big interests-or, if he goes along with them, he can do it only by sharing the profits. Nevertheless, because he often gambles on things the entrepren…

  • Matthew Bernstein Responds

    Matthew Bernstein•ARTICLE•Cinema Journal•1994•Cited by: 1

  • A Tale of Three Cities

    Matthew Bernstein•ARTICLE•Cinema Journal•1995

    In Scarlet Street (Universal, 1945), a bourgeois bank bookkeeper/amateur painter named Christopher Cross (Edward G. Robinson) initiates an extramarital relationship with a prostitute, Kitty (Joan Bennett), kills her when he discovers her infidelity, and watches her lover/pimp, Johnny (Dan Duryea), die for the crime. Cross is never brought to trial, and the film ends as he wanders the streets, tortured by his obsession with Kitty. The film is a de…

Art (3 works) · Humanities (3 works) · Cinema and Media Studies (2 works) · Art history (1 works) · Cultural Competency in Health Care (1 works) · Cultural Industries and Urban Development (1 works) · Economics (1 works) · Geography (1 works) · Health, psychology, and well-being (1 works) · Hollywood (1 works)

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