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William Turpin

Biographic Data

ID5365786
NAMEWilliam Turpin
GIVEN NAMESWilliam
FAMILY NAMETurpin
SIGNATURETURPIN W
AFFILIATIONSSwarthmore College
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS5
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Ovid, Amores (Book 1)

    Open Access•William Turpin•BOOK•Ovid, Amores (Book 1)•2016

    From Catullus to Horace, the tradition of Latin erotic poetry produced works of literature which are still read throughout the world. Ovid’s Amores, written in the first century BC, is arguably the best-known and most popular collection in this tradition. This book contain embedded audio files of the original text read aloud by Aleksandra Szypowska. Born in 43 BC, Ovid was educated in Rome in preparation for a career in public services before fin…

  • Ovid's New Muse

    Open Access•William Turpin•ARTICLE•The Classical Quarterly•2014•Cited by: 1•References: 7

    Amores 1.1, as usually understood, ends in a way that seems a little flat: after an amusing account of how falling in love made him turn from epic to elegy, the poet concludes by ponderously invoking an elegiac muse. In this note I will argue that the ending is more entertaining, and more significant: the muse invoked in the last couplet, who is to inspire the poems to come, is none other than Corinna herself

  • The Epicurean Parasite

    Open Access•William Turpin•ARTICLE•Ramus•1998•References: 12

    We have learned a great deal in recent years about reading Horace's satires; there is now widespread agreement that the speaker of the satires is himself a character within them, a persona. Such a persona may be most effective when it has obvious connections with its creator, but that fact does not preclude the exaggeration of reality, or even its complete inversion. For Horace the implications of this approach are exciting: instead of a poet dis…

  • Res Gestae 34.1 and the settlement of 27 b.c

    Open Access•William Turpin•ARTICLE•The Classical Quarterly•1994•Cited by: 1•References: 5

    Augustus' account of the events of 28 and 27 b.c . is maddeningly vague. In part the problem is simply that his individual phrases are ambiguous, but a more fundamental difficulty is the very nature of the Res Gestae itself. The idea of publishing such a self-satisfied account of one's own doings is so alien to our modern sensibilities that we tend to read the Res Gestae as though Augustus were capable of saying almost anything. We have concluded…

  • Imperial Subscriptions and the Administration of Justice

    Open Access•William Turpin•ARTICLE•The Journal of Roman Studies•1991•Cited by: 3•References: 5

    Scholars have given much attention to the procedure for submitting private petitions to the Roman emperor. Literary sources suggest that emperors spent a lot of time answering petitions from private individuals, and papyri and inscriptions offer tangible evidence that this was so. But our richest evidence is provided by the Roman legal sources, which preserve over 2,500 of the replies written by the emperors, at least in theory, beneath the petit…

  • Foreign Relations, Yes; Foreign Policy, No

    William Turpin, William N Turpin•ARTICLE•Foreign Policy•1972

  • Imperial Subscriptions and the Administration of Justice

    Open Access•William Turpin•ARTICLE•The Journal of Roman Studies•1991•Cited by: 3•References: 5

    Scholars have given much attention to the procedure for submitting private petitions to the Roman emperor. Literary sources suggest that emperors spent a lot of time answering petitions from private individuals, and papyri and inscriptions offer tangible evidence that this was so. But our richest evidence is provided by the Roman legal sources, which preserve over 2,500 of the replies written by the emperors, at least in theory, beneath the petit…

  • Ovid's New Muse

    Open Access•William Turpin•ARTICLE•The Classical Quarterly•2014•Cited by: 1•References: 7

    Amores 1.1, as usually understood, ends in a way that seems a little flat: after an amusing account of how falling in love made him turn from epic to elegy, the poet concludes by ponderously invoking an elegiac muse. In this note I will argue that the ending is more entertaining, and more significant: the muse invoked in the last couplet, who is to inspire the poems to come, is none other than Corinna herself

  • Res Gestae 34.1 and the settlement of 27 b.c

    Open Access•William Turpin•ARTICLE•The Classical Quarterly•1994•Cited by: 1•References: 5

    Augustus' account of the events of 28 and 27 b.c . is maddeningly vague. In part the problem is simply that his individual phrases are ambiguous, but a more fundamental difficulty is the very nature of the Res Gestae itself. The idea of publishing such a self-satisfied account of one's own doings is so alien to our modern sensibilities that we tend to read the Res Gestae as though Augustus were capable of saying almost anything. We have concluded…

  • Foreign Relations, Yes; Foreign Policy, No

    William Turpin, William N Turpin•ARTICLE•Foreign Policy•1972

  • Imperial Subscriptions and the Administration of Justice

    Open Access•William Turpin•ARTICLE•The Journal of Roman Studies•1991•Cited by: 3•References: 5

    Scholars have given much attention to the procedure for submitting private petitions to the Roman emperor. Literary sources suggest that emperors spent a lot of time answering petitions from private individuals, and papyri and inscriptions offer tangible evidence that this was so. But our richest evidence is provided by the Roman legal sources, which preserve over 2,500 of the replies written by the emperors, at least in theory, beneath the petit…

  • Res Gestae 34.1 and the settlement of 27 b.c

    Open Access•William Turpin•ARTICLE•The Classical Quarterly•1994•Cited by: 1•References: 5

    Augustus' account of the events of 28 and 27 b.c . is maddeningly vague. In part the problem is simply that his individual phrases are ambiguous, but a more fundamental difficulty is the very nature of the Res Gestae itself. The idea of publishing such a self-satisfied account of one's own doings is so alien to our modern sensibilities that we tend to read the Res Gestae as though Augustus were capable of saying almost anything. We have concluded…

  • The Epicurean Parasite

    Open Access•William Turpin•ARTICLE•Ramus•1998•References: 12

    We have learned a great deal in recent years about reading Horace's satires; there is now widespread agreement that the speaker of the satires is himself a character within them, a persona. Such a persona may be most effective when it has obvious connections with its creator, but that fact does not preclude the exaggeration of reality, or even its complete inversion. For Horace the implications of this approach are exciting: instead of a poet dis…

  • Ovid's New Muse

    Open Access•William Turpin•ARTICLE•The Classical Quarterly•2014•Cited by: 1•References: 7

    Amores 1.1, as usually understood, ends in a way that seems a little flat: after an amusing account of how falling in love made him turn from epic to elegy, the poet concludes by ponderously invoking an elegiac muse. In this note I will argue that the ending is more entertaining, and more significant: the muse invoked in the last couplet, who is to inspire the poems to come, is none other than Corinna herself

  • Ovid, Amores (Book 1)

    Open Access•William Turpin•BOOK•Ovid, Amores (Book 1)•2016

    From Catullus to Horace, the tradition of Latin erotic poetry produced works of literature which are still read throughout the world. Ovid’s Amores, written in the first century BC, is arguably the best-known and most popular collection in this tradition. This book contain embedded audio files of the original text read aloud by Aleksandra Szypowska. Born in 43 BC, Ovid was educated in Rome in preparation for a career in public services before fin…

Classical Antiquity Studies (5 works) · Art (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works)

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