Eileen Bowser
Biographic Data
| ID | 5369065 |
|---|---|
| NAME | Eileen Bowser |
| GIVEN NAMES | Eileen |
| FAMILY NAME | Bowser |
| SIGNATURE | BOWSER E |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 1993 |
| H-INDEX | 0 |
Music for Silent Films 1894-1929
The Brighton project
"The Reconstitution of "A Corner in Wheat
What is the correct version of A Corner in Wheat? This problem is a crucial one for the study of the development of parallel editing for contrast in the work of D. W. Griffith. In Notes on Eisenstein's essay, 'Dickens, Griffith, and the Film Today,' 'l I tried to show that the roots of some of Eisenstein's montage ideas existed in Griffith's Biograph films. My thesis was that, contrary to what Eisenstein had said, Griffith not only made a number …
Transcript of Discussion
John Kuiper, Jacques Ledoux, Wolfgang Klaue, A. Ruszkowski, Vladimir Petric, Bujor Ripeanu, James Kitses, Ted Perry, Margareta Akermark, Eileen Bowser, Howard Suber, Yon Barna, Peter Kubelka, Peter Morris, Thomas Cripps, , Keith Lucas, Vladimir Pogacic, Cosme Alves-Neto, Transcript of Discussion, Cinema Journal, Vol. 14, No. 2, Symposium on the Methodology of Film History (Winter, 1974-1975), pp. 47-63
No prominent works on this page.
Transcript of Discussion
John Kuiper, Jacques Ledoux, Wolfgang Klaue, A. Ruszkowski, Vladimir Petric, Bujor Ripeanu, James Kitses, Ted Perry, Margareta Akermark, Eileen Bowser, Howard Suber, Yon Barna, Peter Kubelka, Peter Morris, Thomas Cripps, , Keith Lucas, Vladimir Pogacic, Cosme Alves-Neto, Transcript of Discussion, Cinema Journal, Vol. 14, No. 2, Symposium on the Methodology of Film History (Winter, 1974-1975), pp. 47-63
"The Reconstitution of "A Corner in Wheat
What is the correct version of A Corner in Wheat? This problem is a crucial one for the study of the development of parallel editing for contrast in the work of D. W. Griffith. In Notes on Eisenstein's essay, 'Dickens, Griffith, and the Film Today,' 'l I tried to show that the roots of some of Eisenstein's montage ideas existed in Griffith's Biograph films. My thesis was that, contrary to what Eisenstein had said, Griffith not only made a number …
The Brighton project
Music for Silent Films 1894-1929
Art (3 works) · Cinema and Media Studies (3 works) · History (2 works) · Humanities (2 works) · Theater, Performance, and Music History (2 works) · 3D Modeling in Geospatial Applications (1 works) · Biology (1 works) · Computer Science (1 works) · Digital and Traditional Archives Management (1 works) · History (1 works)