Richard A Walsh
Biographic Data
| ID | 5369992 |
|---|---|
| NAME | Richard A Walsh |
| GIVEN NAMES | Richard A |
| FAMILY NAME | Walsh |
| SIGNATURE | WALSH R A |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1960 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
The Horror, The Horror: What Kind of (Horror) Movie is the Apocalypse
The Apocalypse, its interpreters, and apocalyptic films make much of monstrous evils and violent ends. Apocalyptic does so in order to prevent community members’ failure/apostasy. The fear of such failure is Apocalypse’s first horror feature. Because its final fantasy is of an absolute Empire, the Apocalypse is also inseparable from cinematic horror. This end—or its seductive preview in text/vision—is the horror of possession/absorption, a common…
Fiction in the Quantum Universe
Maryland: A History 1632-1974
Robert Johnson, Proprietary and Royal Governor of South Carolina
The Writings of Christopher Gadsden, 1746-1805
Charleston's Sons of Liberty: A Study of the Artisans, 1763-1789
The Horror, The Horror: What Kind of (Horror) Movie is the Apocalypse
The Apocalypse, its interpreters, and apocalyptic films make much of monstrous evils and violent ends. Apocalyptic does so in order to prevent community members’ failure/apostasy. The fear of such failure is Apocalypse’s first horror feature. Because its final fantasy is of an absolute Empire, the Apocalypse is also inseparable from cinematic horror. This end—or its seductive preview in text/vision—is the horror of possession/absorption, a common…
Charleston's Sons of Liberty: A Study of the Artisans, 1763-1789
Robert Johnson, Proprietary and Royal Governor of South Carolina
The Writings of Christopher Gadsden, 1746-1805
Maryland: A History 1632-1974
Fiction in the Quantum Universe
The Horror, The Horror: What Kind of (Horror) Movie is the Apocalypse
The Apocalypse, its interpreters, and apocalyptic films make much of monstrous evils and violent ends. Apocalyptic does so in order to prevent community members’ failure/apostasy. The fear of such failure is Apocalypse’s first horror feature. Because its final fantasy is of an absolute Empire, the Apocalypse is also inseparable from cinematic horror. This end—or its seductive preview in text/vision—is the horror of possession/absorption, a common…
History (4 works) · Art (3 works) · History (3 works) · Aeronautics (1 works) · American Constitutional Law and Politics (1 works) · American History and Culture (1 works) · Apostasy (1 works) · Architecture, Design, and Social History (1 works) · Astronomy (1 works) · Cinema and Media Studies (1 works)