Sally Banes

Biographic Data

ID5370231
NAMESally Banes
GIVEN NAMESSally
FAMILY NAMEBanes
SIGNATUREBANES S
AFFILIATIONSState University of New York
VERIFIEDNo
TOTAL WORKS33
TOTAL CITATIONS6
WORKS AS AUTHOR32
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2020
H-INDEX1

  • Which Culture

    Sally BanesCHAPTERGreenwich Village 19632020

  • The Senses in Performance

    Sally Banes, André LepeckiEDITORBOOKSenses in Performance2012

    1. Introduction: The Performance of the Senses Part I: Theory and Practice 2. Rasaesthetics 3. Olfactory Performances 4. Unearthing Kinesthesia 5. Senses and Silence in Actor Training and Performance 6. Making Sense of Food in Performance Part II: History 7. Edible Performance 8. Incense & Decadents 9. Touching Realism Part III: Contemporary Performance 10. Guiding Somatic Responses Within Performative Structures 11. Containment + Contamination 1…

  • Senses in Performance

    André Lepecki, Sally BanesBOOKSenses in Performance2012

    Featuring contributions from some of the leading names in the field, including Richard Schechner and Phillip Zarrilli, this title investigates the role of all five senses in relation to performance, covering essays that examine both Western and non-Western performance, traditional and contemporary

  • Cunningham, Balanchine, and Postmodern Dance

    Sally Banes, Nicola Carroll et al.ARTICLEDance Chronicle2006Cited by: 1

  • Where they danced

    Sally BanesARTICLEDance Chronicle2002References: 1

  • Where they danced

    Sally BanesARTICLEDance Chronicle2002References: 3

  • Olfactory Performances

    Sally BanesARTICLETDR/The Drama Review2001

    For a century at least, in Western cultures, strong odors were mostly regarded as “bad”, stinks to be done away with. Banes finds that performing artists are attempting to restore the sense of smell to the theatrical experience. She anatomizes the rhetoric and practice of “aroma design” in theatrical representation and looks at smell as a paradigm of “liveness.”

  • II. Beardsley, Expression and Dance

    Open AccessNicola Carroll, Noël Carroll et al.ARTICLEDance Research Journal1999

  • Talking Women

    Open AccessSally BanesARTICLEDance Research Journal1999References: 6

  • Subversive Expectations

    Open AccessSally BanesBOOKSubversive expectations1998

  • II. Expression, Rhythm and Dance

    Open AccessNicola Carroll, Noël Carroll et al.ARTICLEDance Research Journal1998

  • Greenwich Village 1963

    Saundra Goldman, Sally BanesARTICLETDR/The Drama Review1995

  • Mark Morris

    Marcia B Siegel, Joan Acocella et al.ARTICLETDR/The Drama Review1995

  • Greenwich Village 1963

    Leslie Fishbein, Sally BanesARTICLEJournal of American History1995

    Journal Article Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body. By Sally Banes. (Durham: Duke University Press, 1993. x, 308 pp. Cloth, $49.95, ISBNO-8223-1357-X. Paper, $17.95, ISBN 0-8223-1391-X.) Get access Leslie Fishbein Leslie Fishbein Rutgers University Douglass Campus, New Brunswick, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 81, Issue …

  • Greenwich Village 1963

    Sally BanesBOOKGreenwich Village 19631993

  • Democracy's Body

    Sally BanesBOOKDemocracy's Body1993

  • Will the Real… Please Stand up

    Sally BanesARTICLETDR/The Drama Review1990

  • "Terpsichore" Combat Continued

    Sally BanesARTICLETDR/The Drama Review1989

  • Terpsichore in Combat Boots

    Sally Banes, Susan M Manning et al.ARTICLETDR/The Drama Review1989

    To keep this reply brief I will dispense with a detailed account of various quotations taken out of context and of numerous historical and critical inaccuracies. (To cite only one procedural instance, Manning repeatedly refers to a rewritten or revised introduction to the I987 edition of Terpsichore in Sneakers; but as any reader can immediately tell-especially since it is spelled out in the 1987 preface-the 1980 introduction stands intact, and t…

  • Russian Drama from Its Beginnings to the Age of Pushkin

    Sally Banes, Simon KarlinskyARTICLEPerforming Arts Journal1988

  • Modernist Dogma and Post-Modern Rhetoric

    Susan M Manning, Susan Manning et al.ARTICLETDR/The Drama Review1988

  • What the Critics Say about Tanztheater

    Burt Supree, Deborah Jowitt et al.ARTICLEThe Drama Review TDR1986Cited by: 3

    Burt Supree, Deborah Jowitt, Nancy Goldner, Anna Kisselgoff, Arlene Croce, Marcia B. Siegel, George Jackson, Sally Banes, Janice Ross, Mindy Aloff, Martin Bernheimer, Alan M. Kriegsman, What the Critics Say about Tanztheater, The Drama Review: TDR, Vol. 30, No. 2 (Summer, 1986), pp. 80-84

  • Democracy's Body

    Laurie Lassiter, Sally BanesARTICLEPerforming Arts Journal1985

  • Fedor Lopukhov

    Open AccessElizabeth Souritz, Lynn Visson et al.ARTICLEDance Research Journal1985

    Elizabeth Souritz's book Soviet Choreographers in the 1920s (first published in the U.S.S.R. as Khoreograficheskoe iskusstvo dvadtsatykh godov [Moscow: Iskusstvo, 1979) is presently in preparation for publication by Dance Horizons. The book focuses on one particular aspect of Soviet choreography in the 1920s – the changes within the ballet institution, that is, the state lyric theaters. Although her main purpose is to excavate the choreography it…

  • Working and Dancing

    Open AccessNicola Carroll, Noël Carroll et al.ARTICLEDance Research Journal1982

    Professor Beardsley's paper is distinguished by his customary clarity. Many of the distinctions he draws will undoubtedly be useful not only for dance theoreticians, but for dance critics as well. Nevertheless, the way that these distinctions are placed in the service of a putative characterization of what constitutes a dance “moving” seems to us problematic. This brief note will be devoted to exploring the adequacy of Professor Beardsley's propo…