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Larry Starr

Biographic Data

ID5379045
NAMELarry Starr
GIVEN NAMESLarry
FAMILY NAMEStarr
SIGNATURESTARR L
AFFILIATIONSUniversity of Windsor
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS0
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2003
H-INDEX0
  • Gershwin Plays Gershwin

    Larry Starr, George Gershwin et al.•ARTICLE•American Music•2003

  • The Voice of Solitary Contemplation

    Larry Starr•ARTICLE•American Music•2002

    Aaron Copland's Music for the Theatre is typically cited as the work in which the composer revealed fully, for the first time, his authentic, personal, American voice.1 Certainly the brash opening of this 1925 work, with its drum roll, dissonant piano chords, and freely rhythmic fanfare for trumpets, heralds the arrival of a distinctive, utterly assured, and assuredly American musical personality (see ex. 1). This trumpet fanfare exemplifies char…

  • The Shadow Of A Smile

    Open Access•Larry Starr•ARTICLE•Journal of Popular Music Studies•1994

  • Ives, Gershwin, and Copland

    Larry Starr•ARTICLE•American Music•1994

    American culture is celebrated for its diversity and eclecticism. It is thus not surprising that studies of major American artists tend to emphasize the individuality and uniqueness of their subjects; the more commanding the figure, the more celebrated the idiosyncrasy of that figure's life and work. (Think of Whitman and Dickinson, of Frank Lloyd Wright, of Ives.) While this emphasis in American studies is understandable and helps illuminate imp…

  • A Union of Diversities

    William Brooks, Larry Starr•ARTICLE•American Music•1993

  • Copland on Compact Disc III

    Larry Starr•ARTICLE•American Music•1993

  • Copland on Compact Disc I

    Larry Starr•ARTICLE•American Music•1992

  • Copland on Compact Disc II

    Larry Starr•ARTICLE•American Music•1992

  • Porgy and Bess

    Larry Starr, George Gershwin•ARTICLE•American Music•1990

  • Toccata

    Larry Starr, Barbara Kolb•ARTICLE•American Music•1989

  • Chamber Symphony

    Larry Starr, Ellen Taaffe Zwilich•ARTICLE•American Music•1988

  • Training for safety in automated person-machine systems

    Larry Starr, Larry M Starr•ARTICLE•American Psychologist•1987

  • Training for safety in automated person^machine systems

    Larry Starr, Larry M Starr•ARTICLE•American Psychologist•1987

  • The Effects of Repeaters on Test Equating

    Open Access•Richard S Andrulis, Larry Starr et al.•ARTICLE•Educational and Psychological…•1978

    Test fairness implies that successive forms of a test are equivalent in all key areas; since most forms cannot be precisely equivalent it is necessary to equate for scores on the forms to be directly equivalent. The effect of repeaters was explored empirically in the context of test equating for this paper. Results indicate that the group taking the test at different time periods was not a random sample drawn from an underlying population. This e…

No prominent works on this page.

  • The Effects of Repeaters on Test Equating

    Open Access•Richard S Andrulis, Larry Starr et al.•ARTICLE•Educational and Psychological…•1978

    Test fairness implies that successive forms of a test are equivalent in all key areas; since most forms cannot be precisely equivalent it is necessary to equate for scores on the forms to be directly equivalent. The effect of repeaters was explored empirically in the context of test equating for this paper. Results indicate that the group taking the test at different time periods was not a random sample drawn from an underlying population. This e…

  • Training for safety in automated person-machine systems

    Larry Starr, Larry M Starr•ARTICLE•American Psychologist•1987

  • Training for safety in automated person^machine systems

    Larry Starr, Larry M Starr•ARTICLE•American Psychologist•1987

  • Chamber Symphony

    Larry Starr, Ellen Taaffe Zwilich•ARTICLE•American Music•1988

  • Toccata

    Larry Starr, Barbara Kolb•ARTICLE•American Music•1989

  • Porgy and Bess

    Larry Starr, George Gershwin•ARTICLE•American Music•1990

  • Copland on Compact Disc I

    Larry Starr•ARTICLE•American Music•1992

  • Copland on Compact Disc II

    Larry Starr•ARTICLE•American Music•1992

  • A Union of Diversities

    William Brooks, Larry Starr•ARTICLE•American Music•1993

  • Copland on Compact Disc III

    Larry Starr•ARTICLE•American Music•1993

  • The Shadow Of A Smile

    Open Access•Larry Starr•ARTICLE•Journal of Popular Music Studies•1994

  • Ives, Gershwin, and Copland

    Larry Starr•ARTICLE•American Music•1994

    American culture is celebrated for its diversity and eclecticism. It is thus not surprising that studies of major American artists tend to emphasize the individuality and uniqueness of their subjects; the more commanding the figure, the more celebrated the idiosyncrasy of that figure's life and work. (Think of Whitman and Dickinson, of Frank Lloyd Wright, of Ives.) While this emphasis in American studies is understandable and helps illuminate imp…

  • The Voice of Solitary Contemplation

    Larry Starr•ARTICLE•American Music•2002

    Aaron Copland's Music for the Theatre is typically cited as the work in which the composer revealed fully, for the first time, his authentic, personal, American voice.1 Certainly the brash opening of this 1925 work, with its drum roll, dissonant piano chords, and freely rhythmic fanfare for trumpets, heralds the arrival of a distinctive, utterly assured, and assuredly American musical personality (see ex. 1). This trumpet fanfare exemplifies char…

  • Gershwin Plays Gershwin

    Larry Starr, George Gershwin et al.•ARTICLE•American Music•2003

Art (11 works) · Art history (7 works) · Musicology and Musical Analysis (7 works) · Visual arts (5 works) · Acoustics (3 works) · Compact disc (3 works) · Computer Science (3 works) · Literature (3 works) · Music History and Culture (3 works) · Physics (3 works)

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