Dan Isaac
Biographic Data
| ID | 5382897 |
|---|---|
| NAME | Dan Isaac |
| GIVEN NAMES | Dan |
| FAMILY NAME | Isaac |
| SIGNATURE | ISAAC D |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1965 |
| LATEST PUBLICATION YEAR | 1971 |
| H-INDEX | 0 |
Theatre of Fact
Scarcely any political question arises in the United States that is not resolved, sooner or later, into a judicial question. Alexis de Toqueville Theatre of Fact, like a fast sock in the jaw from, the thirties, has forced its way onto the American stage again. But unlike its noisy brawling predecessor, the Living Newspaper, which was fathered by the Federal Theatre out of the fertile discontent of the depression, this present brand of Theatre of …
Dionysus in 69
I Come from Ohio
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Ronald Tavel: Ridiculous Playwright
PAULETTE. What a situation! Hey, are you a real gibbon? MAIS OUI. That's my God-gibbon destiny, dearie. Gorilla Queen A genuine work of art will, by necessity, undermine the social structure and the moral cadre on which our existences are postulated. For a real work of art is, by definition, an act of truth, and our social structure is a lie. Ron Tavel, “The Theatre of the Ridiculous” Some of the youngest wave of playwrights, who are not quite as…
Charles Ludlam/Norma Desmond/Laurette Bedlam: An Interview
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Big Daddy's Dramatic Word Strings
SOMETIMES YOU CAN BE TOO successful. Tennessee Williams was just that when he created the character of Big Daddy, who so dominates the second act of Cat on a Hot Tin Roof that Elia Kazan would not direct the play unless the third act were rewritten.1 The original version sent Big Daddy offstage at the end of the second act and allowed him only to groan in pain from the wings during the third. Kazan simply did not want to lose a character who gene…
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Big Daddy's Dramatic Word Strings
SOMETIMES YOU CAN BE TOO successful. Tennessee Williams was just that when he created the character of Big Daddy, who so dominates the second act of Cat on a Hot Tin Roof that Elia Kazan would not direct the play unless the third act were rewritten.1 The original version sent Big Daddy offstage at the end of the second act and allowed him only to groan in pain from the wings during the third. Kazan simply did not want to lose a character who gene…
I Come from Ohio
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ronald Tavel: Ridiculous Playwright
PAULETTE. What a situation! Hey, are you a real gibbon? MAIS OUI. That's my God-gibbon destiny, dearie. Gorilla Queen A genuine work of art will, by necessity, undermine the social structure and the moral cadre on which our existences are postulated. For a real work of art is, by definition, an act of truth, and our social structure is a lie. Ron Tavel, “The Theatre of the Ridiculous” Some of the youngest wave of playwrights, who are not quite as…
Charles Ludlam/Norma Desmond/Laurette Bedlam: An Interview
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dionysus in 69
Theatre of Fact
Scarcely any political question arises in the United States that is not resolved, sooner or later, into a judicial question. Alexis de Toqueville Theatre of Fact, like a fast sock in the jaw from, the thirties, has forced its way onto the American stage again. But unlike its noisy brawling predecessor, the Living Newspaper, which was fathered by the Federal Theatre out of the fertile discontent of the depression, this present brand of Theatre of …
Art (3 works) · Philosophy (3 works) · Psychology (3 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Political science (2 works) · Psychoanalysis (2 works) · American Sports and Literature (1 works) · Archaeology (1 works)