Luc Bergmans
Biographic Data
| ID | 5395308 |
|---|---|
| NAME | Luc Bergmans |
| GIVEN NAMES | Luc |
| FAMILY NAME | Bergmans |
| SIGNATURE | BERGMANS L |
| AFFILIATIONS | Sorbonne Université |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Indicible, insondable, inconsolable. Les rigueurs de l’écriture selon Patricia De Martelaere
Author and philosopher Patricia De Martelaere claimed not to read the reviews of her work, but practised literary criticism as reflection on the act of writing. Her philosophical considerations of language shed light on her literary work and her poetics. She shared Blanchot’s view on the goal of the writer, which is the expression of nothingness. This view may be clarified through the concept of modus significandi. De Martelaere’s radical critici…
Painting on Light
The names Albrecht Durer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, Durer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily g…
No prominent works on this page.
Painting on Light
The names Albrecht Durer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, Durer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily g…
Indicible, insondable, inconsolable. Les rigueurs de l’écriture selon Patricia De Martelaere
Author and philosopher Patricia De Martelaere claimed not to read the reviews of her work, but practised literary criticism as reflection on the act of writing. Her philosophical considerations of language shed light on her literary work and her poetics. She shared Blanchot’s view on the goal of the writer, which is the expression of nothingness. This view may be clarified through the concept of modus significandi. De Martelaere’s radical critici…
Art (2 works) · Archaeology (1 work) · Architecture and Art History Studies (1 work) · Art history (1 work) · Criticism (1 work) · Epistemology (1 work) · Exhibition (1 work) · German (1 work) · Historical and Linguistic Studies (1 work) · Historical and Literary Studies (1 work)