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Jill Rappoport

Biographic Data

ID5396117
NAMEJill Rappoport
GIVEN NAMESJill
FAMILY NAMERappoport
SIGNATURERAPPOPORT J
AFFILIATIONSUniversity of Kentucky
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Romance’s Rival

    Jill Rappoport•ARTICLE•Nineteenth Century Contexts•2018

    Talia Schaffer’s erudite, eloquent study of the nineteenth-century marriage plot asks “What’s love got to do with it?” and takes seriously the possibility that for much of Victorian fiction, passio

  • Greed, Generosity, and other Problems with Unmarried Women's Property

    Jill Rappoport, Jill Rappoport Jill Rappoport•ARTICLE•Victorian Studies•2016

    This essay examines how blood ties motivate the financial choices of several unmarried women in Anthony Trollope’s fiction. It both proposes a model for interpreting female economic agency that does not depend primarily upon sexual economies and suggests the significance of married women’s property reform for relationships outside of marriage. The punitive plotlines I examine in The Eustace Diamonds, Phineas Finn, Phineas Redux , and Can You Forg…

  • Special Issue, INCS 2012

    Jill Rappoport, Mary Jean Corbett•ARTICLE•Nineteenth Century Contexts•2012

  • Conservation of Sympathy in Cranford

    Open Access•Jill Rappoport•ARTICLE•Victorian Literature and Culture•2008•References: 9

    By the mid-nineteenth century , British women had ample motivation for imagining forms of charity that did not require money. Property laws continued to deprive most married women of personal wealth and new statistics revealed a “surplus” of unmarried middle-class women lacking employment. Elizabeth Gaskell addressed these financial challenges by envisioning alternative forms of economic power for women. Her novella Cranford (1851–53) depicts a c…

No prominent works on this page.

  • Conservation of Sympathy in Cranford

    Open Access•Jill Rappoport•ARTICLE•Victorian Literature and Culture•2008•References: 9

    By the mid-nineteenth century , British women had ample motivation for imagining forms of charity that did not require money. Property laws continued to deprive most married women of personal wealth and new statistics revealed a “surplus” of unmarried middle-class women lacking employment. Elizabeth Gaskell addressed these financial challenges by envisioning alternative forms of economic power for women. Her novella Cranford (1851–53) depicts a c…

  • Special Issue, INCS 2012

    Jill Rappoport, Mary Jean Corbett•ARTICLE•Nineteenth Century Contexts•2012

  • Greed, Generosity, and other Problems with Unmarried Women's Property

    Jill Rappoport, Jill Rappoport Jill Rappoport•ARTICLE•Victorian Studies•2016

    This essay examines how blood ties motivate the financial choices of several unmarried women in Anthony Trollope’s fiction. It both proposes a model for interpreting female economic agency that does not depend primarily upon sexual economies and suggests the significance of married women’s property reform for relationships outside of marriage. The punitive plotlines I examine in The Eustace Diamonds, Phineas Finn, Phineas Redux , and Can You Forg…

  • Romance’s Rival

    Jill Rappoport•ARTICLE•Nineteenth Century Contexts•2018

    Talia Schaffer’s erudite, eloquent study of the nineteenth-century marriage plot asks “What’s love got to do with it?” and takes seriously the possibility that for much of Victorian fiction, passio

Art (3 works) · History (3 works) · History (3 works) · Literature: history, themes, analysis (3 works) · Gender Studies (2 works) · Gender Studies (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works)

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