Thomas S Grey
Biographic Data
| ID | 5396341 |
|---|---|
| NAME | Thomas S Grey |
| GIVEN NAMES | Thomas S |
| FAMILY NAME | Grey |
| SIGNATURE | GREY T S |
| AFFILIATIONS | Associate Professor of Music, Stanford University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Wagner in Context
The Cambridge Companion to Wagner
Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume s…
The Jewish question
No question has exercised the Wagner literature of the last fifteen or twenty years like that of Wagner's anti-Semitism. From a strictly biographical point of view, of course, there is no question: Wagner's well documented antagonism to the Jews as a presence in nineteenth-century Europe is a simple matter of record, although scholars can debate the exact origins, the shifting contours, or other "nuances" of his attitudes. The real question has t…
Commentary
Despite the apparent political subject matter of nineteenth-century opera, the aesthetic elements remained in the forefront. Practitioners, no less than audiences, placed more of a premium on factors relating to the operatic medium (style, vocal character, dramaturgical effect, and spectacle) than on political or social messages. Alternatively, such messages may have been embedded in issues of national style, apart from the implications of the dr…
Richard Wagner
1. The return of the prodigal son: Richard Wagner and Der Fliegende Hollander Thomas Grey 2. The sources and genesis of text Barry Millington 3. Text, action, and music in Der Fliegende Hollander Thomas Grey 4. Romantic opera as 'dramatic ballad': Der Fliegende Hollander and its generic contexts Thomas Grey 5. Landfall on stage: a brief production history Patrick Carnegy 6. Performance history David Breckbill 7. Canonising the Dutchman: Bayreuth,…
Brendel, (Karl) Franz
New German School
Hanslick, Eduard
No prominent works on this page.
Brendel, (Karl) Franz
New German School
Hanslick, Eduard
Richard Wagner
1. The return of the prodigal son: Richard Wagner and Der Fliegende Hollander Thomas Grey 2. The sources and genesis of text Barry Millington 3. Text, action, and music in Der Fliegende Hollander Thomas Grey 4. Romantic opera as 'dramatic ballad': Der Fliegende Hollander and its generic contexts Thomas Grey 5. Landfall on stage: a brief production history Patrick Carnegy 6. Performance history David Breckbill 7. Canonising the Dutchman: Bayreuth,…
Commentary
Despite the apparent political subject matter of nineteenth-century opera, the aesthetic elements remained in the forefront. Practitioners, no less than audiences, placed more of a premium on factors relating to the operatic medium (style, vocal character, dramaturgical effect, and spectacle) than on political or social messages. Alternatively, such messages may have been embedded in issues of national style, apart from the implications of the dr…
The Cambridge Companion to Wagner
Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume s…
The Jewish question
No question has exercised the Wagner literature of the last fifteen or twenty years like that of Wagner's anti-Semitism. From a strictly biographical point of view, of course, there is no question: Wagner's well documented antagonism to the Jews as a presence in nineteenth-century Europe is a simple matter of record, although scholars can debate the exact origins, the shifting contours, or other "nuances" of his attitudes. The real question has t…
Wagner in Context
Art (5 works) · History (5 works) · Musicology and Musical Analysis (5 works) · Philosophy (4 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Politics (3 works) · Theater, Performance, and Music History (3 works) · Aesthetics (2 works)