Britt Mize
Biographic Data
| ID | 5400322 |
|---|---|
| NAME | Britt Mize |
| GIVEN NAMES | Britt |
| FAMILY NAME | Mize |
| SIGNATURE | MIZE B |
| AFFILIATIONS | Texas A&M University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Forms of Devotion in Early English Poetry
Beowulf—A Poem
The back cover copy of Andrew Scheil's Beowulf—A Poem states that the Past Imperfect series “presents concise critical overviews of the latest research” on its chosen topics, meant for interested readers who need an engaging, introductory-level treatment in “accessible language.” The second part of this objective, focused on audience, accurately describes Scheil's book, but the first part of the series description is explicitly not Scheil's goal.…
Beowulf Translation in the 1830s
The 1830s were the first fertile decade of Beowulf's translation history.1 After Humfrey Wanley's description of the poem and transcription of a few lines in 1705,2Beowulf's text received no further direct representation, in its own language or any other, for a century. The next specimen of its phrasing came in Sharon Turner's 1805 translation of several brief extracts into Modern English.3 Not until 1815 was the Old English text published, in th…
“The Game Crooks”
The Poetics of Old English
The Poetics of Old English TIFFANY BEECHY Farnham, Ashgate, 2010 x + 142 pp., ISBN: 978-0-7546-6917-3, £50.00 In The Poetics of Old English, Tiffany Beechy addresses the “poetic” quality of much Ol
Lexical and Textual Studies on Fulgens and Lucres
Henry Medwall's play Fulgens and Lucres (1490s; printed by John Rastell perhaps as early as 1512) is commonly accepted as the first English drama to circulate in print. This article takes up small-scale matters of language and text whose practical significance is chiefly lexicographical and editorial, but which also warrant special interest due to this linguistically transitional play's status as perhaps the inaugural attempt by an English printe…
The representation of the mind as an enclosure in Old English poetry
The frequent representation of the mind as a potentially secure enclosure in Old English poetry has unrecognized implications for interpretation. The mind as imagined by Anglo-Saxon poets exhibits both capabilities of an enclosure: containment and exclusion; but the most common image is one of containment, specifically of reified thoughts, knowledge or discourse as figurative treasure objects. This model's interaction with traditional value syste…
The representation of the mind as an enclosure in Old English poetry
The frequent representation of the mind as a potentially secure enclosure in Old English poetry has unrecognized implications for interpretation. The mind as imagined by Anglo-Saxon poets exhibits both capabilities of an enclosure: containment and exclusion; but the most common image is one of containment, specifically of reified thoughts, knowledge or discourse as figurative treasure objects. This model's interaction with traditional value syste…
The representation of the mind as an enclosure in Old English poetry
The frequent representation of the mind as a potentially secure enclosure in Old English poetry has unrecognized implications for interpretation. The mind as imagined by Anglo-Saxon poets exhibits both capabilities of an enclosure: containment and exclusion; but the most common image is one of containment, specifically of reified thoughts, knowledge or discourse as figurative treasure objects. This model's interaction with traditional value syste…
The Poetics of Old English
The Poetics of Old English TIFFANY BEECHY Farnham, Ashgate, 2010 x + 142 pp., ISBN: 978-0-7546-6917-3, £50.00 In The Poetics of Old English, Tiffany Beechy addresses the “poetic” quality of much Ol
Lexical and Textual Studies on Fulgens and Lucres
Henry Medwall's play Fulgens and Lucres (1490s; printed by John Rastell perhaps as early as 1512) is commonly accepted as the first English drama to circulate in print. This article takes up small-scale matters of language and text whose practical significance is chiefly lexicographical and editorial, but which also warrant special interest due to this linguistically transitional play's status as perhaps the inaugural attempt by an English printe…
“The Game Crooks”
Beowulf—A Poem
The back cover copy of Andrew Scheil's Beowulf—A Poem states that the Past Imperfect series “presents concise critical overviews of the latest research” on its chosen topics, meant for interested readers who need an engaging, introductory-level treatment in “accessible language.” The second part of this objective, focused on audience, accurately describes Scheil's book, but the first part of the series description is explicitly not Scheil's goal.…
Beowulf Translation in the 1830s
The 1830s were the first fertile decade of Beowulf's translation history.1 After Humfrey Wanley's description of the poem and transcription of a few lines in 1705,2Beowulf's text received no further direct representation, in its own language or any other, for a century. The next specimen of its phrasing came in Sharon Turner's 1805 translation of several brief extracts into Modern English.3 Not until 1815 was the Old English text published, in th…
Forms of Devotion in Early English Poetry
Medieval Literature and History (5 works) · Art (4 works) · Literature (4 works) · Poetry (4 works) · Computer Science (3 works) · Linguistics (3 works) · Philosophy (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works)