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M Wendy Hennequin

Biographic Data

ID5400329
NAMEM Wendy Hennequin
GIVEN NAMESM Wendy
FAMILY NAMEHennequin
SIGNATUREHENNEQUIN M W
AFFILIATIONSTennessee State University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS3
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Knapp, Jeffrey. Shakespeare Only. Chicago

    M Wendy Hennequin•ARTICLE•Kritikon Litterarum•2020

  • Stories of Women in the Middle Ages

    M Wendy Hennequin•ARTICLE•Sixteenth Century Journal•2020

  • Reading and Writing in Medieval England

    M Wendy Hennequin•ARTICLE•Sixteenth Century Journal•2020

  • Harry Potter and the Legends of Saints

    M Wendy Hennequin•ARTICLE•Journal of Religion and Popular…•2013•Cited by: 2•References: 1

    Along with its other generic borrowings, the Harry Potter series uses tropes and plot structures from medieval hagiography. Rowling most significantly uses hagiographical plot structures during the confrontations between Harry and Voldemort in the second and fourth novels, and the confrontation between Neville and Voldemort in The Deathly Hallows. The first re-enacts the story of St. George; the second is constructed as a passio; and the third co…

  • The Shakespeare Handbook

    M Wendy Hennequin•ARTICLE•Sixteenth Century Journal•2011

  • We've Created a Monster

    M Wendy Hennequin•ARTICLE•English Studies•2008•Cited by: 1•References: 3

  • Harry Potter and the Legends of Saints

    M Wendy Hennequin•ARTICLE•Journal of Religion and Popular…•2013•Cited by: 2•References: 1

    Along with its other generic borrowings, the Harry Potter series uses tropes and plot structures from medieval hagiography. Rowling most significantly uses hagiographical plot structures during the confrontations between Harry and Voldemort in the second and fourth novels, and the confrontation between Neville and Voldemort in The Deathly Hallows. The first re-enacts the story of St. George; the second is constructed as a passio; and the third co…

  • We've Created a Monster

    M Wendy Hennequin•ARTICLE•English Studies•2008•Cited by: 1•References: 3

  • We've Created a Monster

    M Wendy Hennequin•ARTICLE•English Studies•2008•Cited by: 1•References: 3

  • The Shakespeare Handbook

    M Wendy Hennequin•ARTICLE•Sixteenth Century Journal•2011

  • Harry Potter and the Legends of Saints

    M Wendy Hennequin•ARTICLE•Journal of Religion and Popular…•2013•Cited by: 2•References: 1

    Along with its other generic borrowings, the Harry Potter series uses tropes and plot structures from medieval hagiography. Rowling most significantly uses hagiographical plot structures during the confrontations between Harry and Voldemort in the second and fourth novels, and the confrontation between Neville and Voldemort in The Deathly Hallows. The first re-enacts the story of St. George; the second is constructed as a passio; and the third co…

  • Knapp, Jeffrey. Shakespeare Only. Chicago

    M Wendy Hennequin•ARTICLE•Kritikon Litterarum•2020

  • Stories of Women in the Middle Ages

    M Wendy Hennequin•ARTICLE•Sixteenth Century Journal•2020

  • Reading and Writing in Medieval England

    M Wendy Hennequin•ARTICLE•Sixteenth Century Journal•2020

Art (6 works) · History (4 works) · History (4 works) · Medieval Literature and History (4 works) · Art history (3 works) · Computer Science (3 works) · Literature (3 works) · Philosophy (3 works) · Sociology (3 works) · Ancient history (2 works)

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