Thomas Crombez
Biographic Data
| ID | 5400334 |
|---|---|
| NAME | Thomas Crombez |
| GIVEN NAMES | Thomas |
| FAMILY NAME | Crombez |
| SIGNATURE | CROMBEZ T |
| AFFILIATIONS | Real Academia Española |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Cross-Genre Authorship Verification Using Unmasking
In this paper we will stress-test a recently proposed technique for computational authorship verification, ‘‘unmasking'', which has been well received in the literature. The technique envisages an experimental set-up commonly referred to as ‘‘authorship verification'', a task generally deemed more difficult than so-called ‘‘authorship attribution''. We will apply the technique to authorship verification across genres, an extremely complex text ca…
Het anti-theater van Antonin Artaud. Een onderzoek naar de veralgemeende artistieke transgressie, toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio
What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ult…
Cross-Genre Authorship Verification Using Unmasking
In this paper we will stress-test a recently proposed technique for computational authorship verification, ‘‘unmasking'', which has been well received in the literature. The technique envisages an experimental set-up commonly referred to as ‘‘authorship verification'', a task generally deemed more difficult than so-called ‘‘authorship attribution''. We will apply the technique to authorship verification across genres, an extremely complex text ca…
Het anti-theater van Antonin Artaud. Een onderzoek naar de veralgemeende artistieke transgressie, toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio
What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ult…
Cross-Genre Authorship Verification Using Unmasking
In this paper we will stress-test a recently proposed technique for computational authorship verification, ‘‘unmasking'', which has been well received in the literature. The technique envisages an experimental set-up commonly referred to as ‘‘authorship verification'', a task generally deemed more difficult than so-called ‘‘authorship attribution''. We will apply the technique to authorship verification across genres, an extremely complex text ca…
1896-1948 (1 works) · 20th century (1 works) · Art (1 works) · Artaud, Antonin (1 works) · Artificial Intelligence (1 works) · Authorship attribution (1 works) · Authorship Attribution and Profiling (1 works) · Categorization (1 works) · Computer Science (1 works) · Criticism and interpretation (1 works)