Sien Uytterschout
Biographic Data
| ID | 5400693 |
|---|---|
| NAME | Sien Uytterschout |
| GIVEN NAMES | Sien |
| FAMILY NAME | Uytterschout |
| SIGNATURE | UYTTERSCHOUT S |
| AFFILIATIONS | Ghent University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
A Late Nineteenth-Century Belgian Parody of The Raven
This contribution calls attention to what was probably the first Belgian authored adaptation/translation of Edgar Allan Poe’s famous poem. Published in L’Escholier, a students’ journal, in 1894, La Buse was the work of the aspiring poet Francis Bohan (pseud. of Thomas Braun, 1876–1961). He turned Poe’s poem into a spoof reflecting his own preoccupations as a first-year student and as the representative of a distinguished family
Mens Sana in Corpore Sano? Interiority and Peripheral Insanity in Patrick McGrath's “Ground Zero” (2005)
In the authors’ reading of Patrick McGrath’s novella “Ground Zero”, the geopolitical consequences of 9/11 are not only shown to resonate in the protagonists’ domestic sphere, unsettling their comfortable vie intérieure, but they are also literally inscribed in the human mind. Focalized through a narrator active as a psychiatrist, McGrath's story invokes a quasi-unmediated subjectivity that seems unchallenged. As it turns out, however, the medical…
The Flemish Connection
The two case studies in this essay call attention to the Ghent newspaper Ghendtsche Post-tydingen (1667–1723) as a neglected source of information, not only on English theatrical matters but also—and primarily—on the political significance of such news items. Evidently, Ghendtsche Post-tydingen evinced a lively interest in developments both on the macro level (i.e. national and international politics) and on the micro level (i.e. socio-cultural n…
An Extremely Loud Tin Drum
Research Article| January 01 2010 AN EXTREMELY LOUD TIN DRUM: A COMPARATIVE STUDY OF JONATHAN SAFRAN FOER’s EXTREMELY LOUD AND INCREDIBLY CLOSE and GÜNTER GRASS’s THE TIN DRUM Sien Uytterschout Sien Uytterschout Ghent University Search for other works by this author on: This Site Google Comparative Literature Studies (2010) 47 (2): 185–199. https://doi.org/10.5325/complitstudies.47.2.0185 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn …
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An Extremely Loud Tin Drum
Research Article| January 01 2010 AN EXTREMELY LOUD TIN DRUM: A COMPARATIVE STUDY OF JONATHAN SAFRAN FOER’s EXTREMELY LOUD AND INCREDIBLY CLOSE and GÜNTER GRASS’s THE TIN DRUM Sien Uytterschout Sien Uytterschout Ghent University Search for other works by this author on: This Site Google Comparative Literature Studies (2010) 47 (2): 185–199. https://doi.org/10.5325/complitstudies.47.2.0185 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn …
The Flemish Connection
The two case studies in this essay call attention to the Ghent newspaper Ghendtsche Post-tydingen (1667–1723) as a neglected source of information, not only on English theatrical matters but also—and primarily—on the political significance of such news items. Evidently, Ghendtsche Post-tydingen evinced a lively interest in developments both on the macro level (i.e. national and international politics) and on the micro level (i.e. socio-cultural n…
Mens Sana in Corpore Sano? Interiority and Peripheral Insanity in Patrick McGrath's “Ground Zero” (2005)
In the authors’ reading of Patrick McGrath’s novella “Ground Zero”, the geopolitical consequences of 9/11 are not only shown to resonate in the protagonists’ domestic sphere, unsettling their comfortable vie intérieure, but they are also literally inscribed in the human mind. Focalized through a narrator active as a psychiatrist, McGrath's story invokes a quasi-unmediated subjectivity that seems unchallenged. As it turns out, however, the medical…
A Late Nineteenth-Century Belgian Parody of The Raven
This contribution calls attention to what was probably the first Belgian authored adaptation/translation of Edgar Allan Poe’s famous poem. Published in L’Escholier, a students’ journal, in 1894, La Buse was the work of the aspiring poet Francis Bohan (pseud. of Thomas Braun, 1876–1961). He turned Poe’s poem into a spoof reflecting his own preoccupations as a first-year student and as the representative of a distinguished family
Art (3 works) · History (3 works) · Art history (2 works) · Law (2 works) · Literature (2 works) · Psychology (2 works) · Adaptation (eye (1 work) · Agency (philosophy (1 work) · Algorithm (1 work) · Archaeology (1 work)