María Vera Reyes
Biographic Data
| ID | 5400699 |
|---|---|
| NAME | María Vera Reyes |
| GIVEN NAMES | María Vera |
| FAMILY NAME | Reyes |
| SIGNATURE | REYES M V |
| AFFILIATIONS | Universidad de Huelva |
| ORCID | 0000-0002-6158-6960 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Memory and Utopia
In Memory and Utopia, Manus O’Dwyer offers a new insight into Valente’s poetics. Contrary to the view that Valente detached his verse from any kind of social or political commitment, O’Dwyer claims that the notions of void and self-negation are key to understand his desire to make his lines reach a broad community and recover the memory of the dead. The author delineates Valente’s poetic career on the basis on the identification between desolatio…
Michael Drayton’s Topographies
Michael Drayton’s interest in the history and geography of England and Wales marks the evolution of his poetic career before the publication of his major work, Poly-Olbion (1612–1622). This article analyses the relation between Drayton’s chorography and his first sonnet sequence, Ideas Mirrour (1594). In his 1590 poems, Drayton links the portrait of his beloved to that of his native landscape. The topographical sonnets that place Idea in the rive…
No prominent works on this page.
Memory and Utopia
In Memory and Utopia, Manus O’Dwyer offers a new insight into Valente’s poetics. Contrary to the view that Valente detached his verse from any kind of social or political commitment, O’Dwyer claims that the notions of void and self-negation are key to understand his desire to make his lines reach a broad community and recover the memory of the dead. The author delineates Valente’s poetic career on the basis on the identification between desolatio…
Michael Drayton’s Topographies
Michael Drayton’s interest in the history and geography of England and Wales marks the evolution of his poetic career before the publication of his major work, Poly-Olbion (1612–1622). This article analyses the relation between Drayton’s chorography and his first sonnet sequence, Ideas Mirrour (1594). In his 1590 poems, Drayton links the portrait of his beloved to that of his native landscape. The topographical sonnets that place Idea in the rive…
Art (2 works) · Literature (2 works) · Poetry (2 works) · Aesthetics (1 work) · Art history (1 work) · Brazilian cultural history and politics (1 work) · Cultural, Media, and Literary Studies (1 work) · Dictatorship (1 work) · Epistemology (1 work) · Historical Studies of British Isles (1 work)