Jonathan Cross
Biographic Data
| ID | 5400736 |
|---|---|
| NAME | Jonathan Cross |
| GIVEN NAMES | Jonathan |
| FAMILY NAME | Cross |
| SIGNATURE | CROSS J |
| AFFILIATIONS | University of Liverpool |
| VERIFIED | No |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 21 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1965 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 1 |
The Cambridge companion to Verdi
"This Companion provides an accessible biographical, theatrical, and social-cultural background for Verdi's music, examines in detail important general aspects of its style and method of composition, and discusses stylistic themes in reviews of representative works. Aspects of Verdi's milieu, style, creative process, and critical reception are explored in essays by highly reputed specialists. Individual chapters address themes in Verdi's life, hi…
The Cambridge Companion to Mendelssohn
The Companion to Mendelssohn, is written by leading scholars in the field. In fourteen chapters they explore the life, work, and reception of a composer-performer once thought uniquely untroubled in life and art alike, but who is now broadly understood as one of the nineteenth century's most deeply problematic musical figures. The first section of the volume considers issues of biography, with chapters dedicated to Mendelssohn's role in the emerg…
After Apollo
The Cambridge companion to Stravinsky
Stravinsky's work spanned the major part of the twentieth-century and was engaged with nearly all its principal compositional developments. Reflecting the breadth of his phenomenal achievement, this Companion contains a wide range of essays in three broad sections covering the contexts within which Stravinsky worked--Russian, modernist and compositional, with his key compositions--Russian, neoclassical and serial, and with the reception of his id…
Introduction
Finnissy, Michael
Turnage, Mark-Anthony
Birtwistle, Sir Harrison
The Cambridge companion to singing
No, no, Adorno
A Necessary Violence
Lines and Circles
N.B. Prof Cross is now based at the Faculty of Music, University of Oxford. The full-text of this article is not currently available in ORA, but you may be able to access the article via the publisher copy link at JSTOR on this record page. Citation: Cross, J. (1994). 'Lines and circles: on Birtwistle's Punch and Judy and Secret Theatre , Music Analysis 13(2/3), 203-225. [The definitive version is aAvailable at http://www.jstor.org/stable/854259]
Wulfstan's De Anticristo in a twelfth-century Worcester manuscript
Cambridge, St John's College 42 (B. 20) is a Latin manuscript, dated as twelfth century and tentatively placed at Worcester. It contains 136 folios, closely written in double columns of forty-five lines each, in which a range of abbreviations has been used. By these means a quantity of material has been presented, including two collections of homilies/sermons, a calendar, extracts from the works of named authors and miscellaneous smaller items. T…
The Anonymous Parts of the Old English Hexateuch
The use of patristic homilies in the Old English Martyrology
The earlier editors of the Old English Martyrology (OEM), T. O. Cockayne and George Herzfeld, recognized that some notices, or phrases within notices, drew on homilies by named patristic writers. Cockayne identified two entries which closely echoed sentences from two of Gregory's Homiliae in Evangelia , for Emiliana (5 January) from Homilia xxxviii.15 and for Cassius (29 June) from Homilia xxxvii.9. Herzfeld added two more, for Processus and Mart…
Colloquium
A Bibliography of Publications on Old English Literature to the End of 1972
Cynewulf's traditions about the apostles in Fates of the Apostles
After almost a century of discussion of the traditions about the apostles in Cynewulf's poem it is somewhat surprising to find that some simple literary contacts have been ignored. This is true of the latest edition of the poem and of the more recent book, Sources and Analogues of Old English Poetry . In an earlier edition G. P. Krapp had chosen Bede's Martyrology as a source for Fates , but, since Dom Quentin's detailed work on historical martyr…
Mary Magdalen in the Old English Martyrology
Mainly on philology and the interpretative criticism of Maldon
Portents and events at Christ's birth
Many curious traditions are gathered by medieval man to magnify the birth of Christ. Homilies and tracts transmitted the stories of the anonymous apocrypha but this present investigation uncovers well-known names and a different tradition. For the theme in Vercelli homilies v and vi Rudolph Willard blazed the trail when he drew attention to De Divinis Officiis Liber (wrongly attributed to Alcuin) and also to a sequence in Rome, Vatican Library, R…
Oswald and Byrhtnoth
Introduction
Cynewulf's traditions about the apostles in Fates of the Apostles
After almost a century of discussion of the traditions about the apostles in Cynewulf's poem it is somewhat surprising to find that some simple literary contacts have been ignored. This is true of the latest edition of the poem and of the more recent book, Sources and Analogues of Old English Poetry . In an earlier edition G. P. Krapp had chosen Bede's Martyrology as a source for Fates , but, since Dom Quentin's detailed work on historical martyr…
Mary Magdalen in the Old English Martyrology
Oswald and Byrhtnoth
Portents and events at Christ's birth
Many curious traditions are gathered by medieval man to magnify the birth of Christ. Homilies and tracts transmitted the stories of the anonymous apocrypha but this present investigation uncovers well-known names and a different tradition. For the theme in Vercelli homilies v and vi Rudolph Willard blazed the trail when he drew attention to De Divinis Officiis Liber (wrongly attributed to Alcuin) and also to a sequence in Rome, Vatican Library, R…
Mainly on philology and the interpretative criticism of Maldon
Mary Magdalen in the Old English Martyrology
Cynewulf's traditions about the apostles in Fates of the Apostles
After almost a century of discussion of the traditions about the apostles in Cynewulf's poem it is somewhat surprising to find that some simple literary contacts have been ignored. This is true of the latest edition of the poem and of the more recent book, Sources and Analogues of Old English Poetry . In an earlier edition G. P. Krapp had chosen Bede's Martyrology as a source for Fates , but, since Dom Quentin's detailed work on historical martyr…
A Bibliography of Publications on Old English Literature to the End of 1972
The use of patristic homilies in the Old English Martyrology
The earlier editors of the Old English Martyrology (OEM), T. O. Cockayne and George Herzfeld, recognized that some notices, or phrases within notices, drew on homilies by named patristic writers. Cockayne identified two entries which closely echoed sentences from two of Gregory's Homiliae in Evangelia , for Emiliana (5 January) from Homilia xxxviii.15 and for Cassius (29 June) from Homilia xxxvii.9. Herzfeld added two more, for Processus and Mart…
Colloquium
The Anonymous Parts of the Old English Hexateuch
Wulfstan's De Anticristo in a twelfth-century Worcester manuscript
Cambridge, St John's College 42 (B. 20) is a Latin manuscript, dated as twelfth century and tentatively placed at Worcester. It contains 136 folios, closely written in double columns of forty-five lines each, in which a range of abbreviations has been used. By these means a quantity of material has been presented, including two collections of homilies/sermons, a calendar, extracts from the works of named authors and miscellaneous smaller items. T…
Lines and Circles
N.B. Prof Cross is now based at the Faculty of Music, University of Oxford. The full-text of this article is not currently available in ORA, but you may be able to access the article via the publisher copy link at JSTOR on this record page. Citation: Cross, J. (1994). 'Lines and circles: on Birtwistle's Punch and Judy and Secret Theatre , Music Analysis 13(2/3), 203-225. [The definitive version is aAvailable at http://www.jstor.org/stable/854259]
A Necessary Violence
No, no, Adorno
The Cambridge companion to singing
Finnissy, Michael
Turnage, Mark-Anthony
Birtwistle, Sir Harrison
Introduction
The Cambridge companion to Stravinsky
Stravinsky's work spanned the major part of the twentieth-century and was engaged with nearly all its principal compositional developments. Reflecting the breadth of his phenomenal achievement, this Companion contains a wide range of essays in three broad sections covering the contexts within which Stravinsky worked--Russian, modernist and compositional, with his key compositions--Russian, neoclassical and serial, and with the reception of his id…
The Cambridge companion to Verdi
"This Companion provides an accessible biographical, theatrical, and social-cultural background for Verdi's music, examines in detail important general aspects of its style and method of composition, and discusses stylistic themes in reviews of representative works. Aspects of Verdi's milieu, style, creative process, and critical reception are explored in essays by highly reputed specialists. Individual chapters address themes in Verdi's life, hi…
The Cambridge Companion to Mendelssohn
The Companion to Mendelssohn, is written by leading scholars in the field. In fourteen chapters they explore the life, work, and reception of a composer-performer once thought uniquely untroubled in life and art alike, but who is now broadly understood as one of the nineteenth century's most deeply problematic musical figures. The first section of the volume considers issues of biography, with chapters dedicated to Mendelssohn's role in the emerg…
After Apollo
Art (18 works) · Computer Science (11 works) · History (10 works) · Library science (7 works) · Literature (7 works) · Medieval Literature and History (7 works) · Classics (6 works) · History (6 works) · Philosophy (6 works) · Art history (5 works)