Estíbaliz Encarnación-Pinedo
Biographic Data
| ID | 5400855 |
|---|---|
| NAME | Estíbaliz Encarnación-Pinedo |
| GIVEN NAMES | Estíbaliz |
| FAMILY NAME | Encarnación-Pinedo |
| SIGNATURE | ENCARNACIÓN-PINEDO E |
| AFFILIATIONS | Universidad Politécnica de Cartagena |
| ORCID | 0000-0001-5843-8994 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Queer Temporalities, Beat Times
The two terms of our title have long been destined for each other but, in the style of a Hollywood romantic comedy, have taken their sweet time to merge in an embrace. This special issue wants to be a setting for such a moment. We come into this with a double-pronged hypothesis: that “Beat time” is queer time, as it disrupts and rearranges the chronological patterns of straight society, and that recent critical work on queer temporality—the parti…
Ethnicity and Gender in the Beat Generation
Pivoting around the contrast between Jack Kerouac’s On the Road (1957) and Tim Z. Hernandez’s Mañana Means Heaven (2013), this article reopens debates about ethnic appropriation and rhetorical control in the Beat Generation. More specifically, it sets out to investigate whether the textual strategies used in Mañana Means Heaven allow ethnic minorities to escape the discursive control exerted by On the Road. Keeping in mind that Hernandez’s text a…
Off She Went
Through the examples of Brenda Frazer, ruth weiss, Joanne Kyger, and Janine Pommy Vega this article contests the immobility traditionally attributed to women of the Beat milieu. Through the analysis of their poetry and fiction— and with works spanning four decades—it analyses how these poets not only contested narrowing representations of female mobility and agency surrounding the silent chick stereotype, but also used their work to develop a het…
On Webbed Monsters, Revolutionary Activists and Plutonium Glow
Though green readings of Beat works are a relatively new phenomenon, the Beat aesthetic easily meets Lawrence Buell’s criteria for ecocritical texts. Indeed, many writers associated with the Beat movement, such as Diane di Prima and Anne Waldman, often use their work to give shape to environmental concerns. This article studies the development of a green poetics in the work of both di Prima and Waldman. Focusing on works spanning four decades inc…
Intertextuality in Diane di Prima’s Loba
The last three decades have witnessed a significant increase in the academic interest in the Beat Generation. No longer seen as “know-nothing bohemians” (Podhoretz 1958), scholars have extended the scope of Beat studies, either by generating renewed interest in canonical authors, by expanding the understanding of what Beat means, or by broadening the aesthetic or theoretical lens through which we read Beat writers and poets. Among these, the tran…
No prominent works on this page.
Intertextuality in Diane di Prima’s Loba
The last three decades have witnessed a significant increase in the academic interest in the Beat Generation. No longer seen as “know-nothing bohemians” (Podhoretz 1958), scholars have extended the scope of Beat studies, either by generating renewed interest in canonical authors, by expanding the understanding of what Beat means, or by broadening the aesthetic or theoretical lens through which we read Beat writers and poets. Among these, the tran…
On Webbed Monsters, Revolutionary Activists and Plutonium Glow
Though green readings of Beat works are a relatively new phenomenon, the Beat aesthetic easily meets Lawrence Buell’s criteria for ecocritical texts. Indeed, many writers associated with the Beat movement, such as Diane di Prima and Anne Waldman, often use their work to give shape to environmental concerns. This article studies the development of a green poetics in the work of both di Prima and Waldman. Focusing on works spanning four decades inc…
Ethnicity and Gender in the Beat Generation
Pivoting around the contrast between Jack Kerouac’s On the Road (1957) and Tim Z. Hernandez’s Mañana Means Heaven (2013), this article reopens debates about ethnic appropriation and rhetorical control in the Beat Generation. More specifically, it sets out to investigate whether the textual strategies used in Mañana Means Heaven allow ethnic minorities to escape the discursive control exerted by On the Road. Keeping in mind that Hernandez’s text a…
Off She Went
Through the examples of Brenda Frazer, ruth weiss, Joanne Kyger, and Janine Pommy Vega this article contests the immobility traditionally attributed to women of the Beat milieu. Through the analysis of their poetry and fiction— and with works spanning four decades—it analyses how these poets not only contested narrowing representations of female mobility and agency surrounding the silent chick stereotype, but also used their work to develop a het…
Queer Temporalities, Beat Times
The two terms of our title have long been destined for each other but, in the style of a Hollywood romantic comedy, have taken their sweet time to merge in an embrace. This special issue wants to be a setting for such a moment. We come into this with a double-pronged hypothesis: that “Beat time” is queer time, as it disrupts and rearranges the chronological patterns of straight society, and that recent critical work on queer temporality—the parti…
Art (4 works) · Literature (4 works) · Poetry Analysis and Criticism (4 works) · Political science (4 works) · Sociology (4 works) · Law (3 works) · Poetry (3 works) · Politics (3 works) · Ecocriticism and Environmental Literature (2 works) · Gender Studies (2 works)