Robert C Schweik
Biographic Data
| ID | 5401111 |
|---|---|
| NAME | Robert C Schweik |
| GIVEN NAMES | Robert C |
| FAMILY NAME | Schweik |
| SIGNATURE | SCHWEIK R C |
| AFFILIATIONS | SUNY Fredonia |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 1 |
Hardy?s ?Plunge in a New and Untried Direction
Painting as "EXPLORING" and Related Metaphors in 20th-Century Art Commentary
From the beginning of the 20th century onward, art commentators have increasingly employed 2 related conceptual metaphors: "PAINTING IS EXPLORING" and "THE PAINTER IS A MORAL HERO." These, over the course of the century, underwent some remarkable changes. Critics have progressively altered the kinds of "fields" and "goals" associated with those metaphors so as to attribute greater significance both to the painter's "exploring" and "moral heroism.…
Rhetorical art and literary form in mill's The Subjection of Women
(1975). Rhetorical art and literary form in mill's The Subjection of Women. Quarterly Journal of Speech: Vol. 61, No. 1, pp. 23-30
A first draft chapter of Hardy's Fat from the Madding Crowd
(1972). A first draft chapter of Hardy's Fat from the Madding Crowd. English Studies: Vol. 53, No. 4, pp. 344-349
Rhetorical art and literary form in mill's The Subjection of Women
(1975). Rhetorical art and literary form in mill's The Subjection of Women. Quarterly Journal of Speech: Vol. 61, No. 1, pp. 23-30
A first draft chapter of Hardy's Fat from the Madding Crowd
(1972). A first draft chapter of Hardy's Fat from the Madding Crowd. English Studies: Vol. 53, No. 4, pp. 344-349
Rhetorical art and literary form in mill's The Subjection of Women
(1975). Rhetorical art and literary form in mill's The Subjection of Women. Quarterly Journal of Speech: Vol. 61, No. 1, pp. 23-30
Painting as "EXPLORING" and Related Metaphors in 20th-Century Art Commentary
From the beginning of the 20th century onward, art commentators have increasingly employed 2 related conceptual metaphors: "PAINTING IS EXPLORING" and "THE PAINTER IS A MORAL HERO." These, over the course of the century, underwent some remarkable changes. Critics have progressively altered the kinds of "fields" and "goals" associated with those metaphors so as to attribute greater significance both to the painter's "exploring" and "moral heroism.…
Hardy?s ?Plunge in a New and Untried Direction
Art (3 works) · Literature (3 works) · Philosophy (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art history (1 work) · Comics (1 work) · Contemporary Literature and Criticism (1 work)