Ahmed Khaled
Biographic Data
| ID | 5401125 |
|---|---|
| NAME | Ahmed Khaled |
| GIVEN NAMES | Ahmed |
| FAMILY NAME | Khaled |
| SIGNATURE | KHALED A |
| AFFILIATIONS | Al-Azhar University |
| ORCID | 0000-0002-3497-3586 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Institutions of performance
This article theorizes the academic journal as a theatrical institution that stages the production, negotiation, and legitimization of knowledge. Through a conceptual analysis informed by Foucault, Butler, and performance theory, it argues that the processes of submission, review, and publication constitute a performative dynamic in which authority and intelligibility are continually rehearsed. Within this dramaturgy, the peer review process func…
Queering tragedy in James Ijames’s Fat Ham
Character Networks and Affective Flows
Overlapping spaces and identities in Quiara Alegría Hudes’s Water by the Spoonful
This article discusses the overlapping relationship between setting diversification and character creation as experimented by Puerto Rican American playwright Quiara Alegría Hudes (1977–) in her metatheatrical drama Water by the Spoonful (2011). The play, which emerges in a second chronological order in Hudes’s so-called Elliot Trilogy, presents diasporic characters of different ethnicities and mixed cultural backgrounds as operating interactivel…
Defamiliarizing Reality for Mental and Physical Subjection
While Pinter's earliest plays have been recognized in the modernist history of theatre as comedies of menace and his later plays as political comedies, this article argues that his earliest plays are equally very liable to be interpreted as political comedies. Regardless of their absurdist dramatization of people's helpless exposure to external, unidentifiable threats, a common post-WWII characteristic feature of human experience, I claim that Th…
No prominent works on this page.
Overlapping spaces and identities in Quiara Alegría Hudes’s Water by the Spoonful
This article discusses the overlapping relationship between setting diversification and character creation as experimented by Puerto Rican American playwright Quiara Alegría Hudes (1977–) in her metatheatrical drama Water by the Spoonful (2011). The play, which emerges in a second chronological order in Hudes’s so-called Elliot Trilogy, presents diasporic characters of different ethnicities and mixed cultural backgrounds as operating interactivel…
Defamiliarizing Reality for Mental and Physical Subjection
While Pinter's earliest plays have been recognized in the modernist history of theatre as comedies of menace and his later plays as political comedies, this article argues that his earliest plays are equally very liable to be interpreted as political comedies. Regardless of their absurdist dramatization of people's helpless exposure to external, unidentifiable threats, a common post-WWII characteristic feature of human experience, I claim that Th…
Institutions of performance
This article theorizes the academic journal as a theatrical institution that stages the production, negotiation, and legitimization of knowledge. Through a conceptual analysis informed by Foucault, Butler, and performance theory, it argues that the processes of submission, review, and publication constitute a performative dynamic in which authority and intelligibility are continually rehearsed. Within this dramaturgy, the peer review process func…
Queering tragedy in James Ijames’s Fat Ham
Character Networks and Affective Flows
Shakespeare, Adaptation, and Literary Criticism (3 works) · Theatre and Performance Studies (3 works) · Dramaturgy (2 works) · Performative utterance (2 works) · Politics (2 works) · Scholarship (2 works) · Absurdism (1 work) · Aesthetics (1 work) · Affect (linguistics (1 work) · Agency (philosophy) (1 work)