Charis Charalampous
Biographic Data
| ID | 5401305 |
|---|---|
| NAME | Charis Charalampous |
| GIVEN NAMES | Charis |
| FAMILY NAME | Charalampous |
| SIGNATURE | CHARALAMPOUS C |
| AFFILIATIONS | West Suffolk College |
| ORCID | 0000-0002-9134-9683 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Semiotic Pulsions of Dickinson’s Poetry and their Medicinal Virtues
The central thesis of this essay is that Dickinson’s work has significant implications for a critical medical humanities open to the interface between language and embodiment. We show that by employing what Kristeva would refer to as a highly effective and aesthetically potent genotextuality, Dickinson manages to transmit pain and grief. She thereby enables a process of de-insulation and sharing, which can have therapeutic effects on the reader/l…
William of Ockham's Mind/Body Dualism and Its transmission to Early Modern Thinkers
This article has benefited immensely from Andrew Zurcher's continual prompting, enquiring, and guidance. The expertise and patience of the journal's anonymous readers has also been invaluable in
Making Sense of the Unutterable
Early modern tragedians present us with a theory of dramaturgy wherein the view of the body as the mind's instrument is reversed, articulating an ontology in which the mind becomes the body's instrument. During these moments, it is not the audience that create the meanings of the body's language. Rather, the cognitive and emotional states conveyed by the body are generated through a pre-linguistic mode of communication (i.e. gestures, sweat, trem…
No prominent works on this page.
William of Ockham's Mind/Body Dualism and Its transmission to Early Modern Thinkers
This article has benefited immensely from Andrew Zurcher's continual prompting, enquiring, and guidance. The expertise and patience of the journal's anonymous readers has also been invaluable in
Making Sense of the Unutterable
Early modern tragedians present us with a theory of dramaturgy wherein the view of the body as the mind's instrument is reversed, articulating an ontology in which the mind becomes the body's instrument. During these moments, it is not the audience that create the meanings of the body's language. Rather, the cognitive and emotional states conveyed by the body are generated through a pre-linguistic mode of communication (i.e. gestures, sweat, trem…
The Semiotic Pulsions of Dickinson’s Poetry and their Medicinal Virtues
The central thesis of this essay is that Dickinson’s work has significant implications for a critical medical humanities open to the interface between language and embodiment. We show that by employing what Kristeva would refer to as a highly effective and aesthetically potent genotextuality, Dickinson manages to transmit pain and grief. She thereby enables a process of de-insulation and sharing, which can have therapeutic effects on the reader/l…
Art (3 works) · Epistemology (3 works) · Literature (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · Aesthetics (2 works) · Philosophy (2 works) · Philosophy (2 works) · Beauty (1 work) · Catharsis (1 work)