Ross Trench-Jellicoe
Biographic Data
| ID | 5405210 |
|---|---|
| NAME | Ross Trench-Jellicoe |
| GIVEN NAMES | Ross |
| FAMILY NAME | Trench-Jellicoe |
| SIGNATURE | TRENCH-JELLICOE R |
| AFFILIATIONS | Lancaster University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 1 |
A richly decorated cross-slab from Kilduncan House, Fife
The article contends that the discovery in late 2001 of a small slab with a sophisticated and, in part, unique decorative programme near the eastern seabord of Fife, raises questions about the cultural affinities and dating of sculpture in Scotland. It is argued that analysis of the Kilduncan slab's carving suggests that the majority of its expected connections of form and ornament lie not with other monuments in eastern-central Scotland but rath…
John the Baptist and the Agnus Dei
The identity of the figure with a lamb carved on the upper stone of the Anglo-Saxon cross at Ruthwell, Dumfriesshire, was interpreted by Paul Meyvaert (in 1982 and 1992), as an apocalyptic image of the Deity instead of John the Baptist. Close inspection of the panel, however, makes it difficult to accept such an explanation. Instead, an adaptation of the early Christian images of the Baptist is proposed, and it is argued that the details of the p…
A missing figure on slab fragment no 2 from Monifieth, Angus, the a'Chill Cross, Canna, and some implications of the development of a variant form of the Virgin's hairstyle and dress in early medieval…
Monifieth 2, a late Pictish-style slab, is decorated with a figure identified as female by the position of her brooch. Part of the brooch is missing and the loss is explained by reference to a Virgin and Child scene on the a'Chill Cross, Canna, which suggests the damaged area of Monifieth 2 originally represented a Christ-child of Adorational type. The unusual form of the Virgin's hairstyle at both Canna and Monifieth is also analysed within the …
The Skeith Stone, Upper Kilrenny, Fife, in its context
Describes a monument located on the ancient road to Kilrenny which has a chi-rho element in its design and is the first of its kind recognised in a Pictish context. Suggests that it is both a route and boundary marker associated with a former monastic site now only seen in earthworks
A missing figure on slab fragment no 2 from Monifieth, Angus, the a'Chill Cross, Canna, and some implications of the development of a variant form of the Virgin's hairstyle and dress in early medieval…
Monifieth 2, a late Pictish-style slab, is decorated with a figure identified as female by the position of her brooch. Part of the brooch is missing and the loss is explained by reference to a Virgin and Child scene on the a'Chill Cross, Canna, which suggests the damaged area of Monifieth 2 originally represented a Christ-child of Adorational type. The unusual form of the Virgin's hairstyle at both Canna and Monifieth is also analysed within the …
The Skeith Stone, Upper Kilrenny, Fife, in its context
Describes a monument located on the ancient road to Kilrenny which has a chi-rho element in its design and is the first of its kind recognised in a Pictish context. Suggests that it is both a route and boundary marker associated with a former monastic site now only seen in earthworks
A missing figure on slab fragment no 2 from Monifieth, Angus, the a'Chill Cross, Canna, and some implications of the development of a variant form of the Virgin's hairstyle and dress in early medieval…
Monifieth 2, a late Pictish-style slab, is decorated with a figure identified as female by the position of her brooch. Part of the brooch is missing and the loss is explained by reference to a Virgin and Child scene on the a'Chill Cross, Canna, which suggests the damaged area of Monifieth 2 originally represented a Christ-child of Adorational type. The unusual form of the Virgin's hairstyle at both Canna and Monifieth is also analysed within the …
John the Baptist and the Agnus Dei
The identity of the figure with a lamb carved on the upper stone of the Anglo-Saxon cross at Ruthwell, Dumfriesshire, was interpreted by Paul Meyvaert (in 1982 and 1992), as an apocalyptic image of the Deity instead of John the Baptist. Close inspection of the panel, however, makes it difficult to accept such an explanation. Instead, an adaptation of the early Christian images of the Baptist is proposed, and it is argued that the details of the p…
A richly decorated cross-slab from Kilduncan House, Fife
The article contends that the discovery in late 2001 of a small slab with a sophisticated and, in part, unique decorative programme near the eastern seabord of Fife, raises questions about the cultural affinities and dating of sculpture in Scotland. It is argued that analysis of the Kilduncan slab's carving suggests that the majority of its expected connections of form and ornament lie not with other monuments in eastern-central Scotland but rath…
Geology (3 works) · Geology (3 works) · History (3 works) · History (3 works) · Medieval Literature and History (3 works) · Archaeology (2 works) · Art (2 works) · Context (archaeology (2 works) · Geography (2 works) · Historical Studies of British Isles (2 works)