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Simon Jervis

Biographic Data

ID5405254
NAMESimon Jervis
GIVEN NAMESSimon
FAMILY NAMEJervis
SIGNATUREJERVIS S
AFFILIATIONSSimpson Weather Associates (United States)
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The Intimacies of George Shaw (1810–76)

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•Journal of the History of…•2025

  • Ornament and Design

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2025•References: 5

    This paper anatomises and illustrates drawings and prints in the British Museum extracted from an early seventeenth-century album. The drawings, which were inserted by the museum into a new album, suggest that the original album originated in the workshop of a London goldsmith with German or central European origins who worked for the royal court and had a connection to Thomas Cecil, Earl of Exeter. Particular attention is paid to forty-four orna…

  • Antiquarian Gleanings in the North of England

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2005•Cited by: 1•References: 6

    William Bell Scott (1811-90) was active as painter, poet, designer, teacher and pundit. His littleknown Antiquarian Gleanings (1851), a wide-ranging anthology of Northern antiquities, with thirty-eight colour plates, is here re-published in its entirety, with a new index, as an appendix to a paper which explores its design and content, and the networks of collectors, many of them associated with the Antiquarian Society of Newcastle, whose treasur…

  • Cabinet (ii)

    Simon Jervis•CHAPTER•2003

  • Roentgen, David

    Simon Jervis•CHAPTER•2003

  • Roentgen family

    Simon Jervis•CHAPTER•2003

  • Anniversary Address 2001

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2001•References: 1

    Long Presidential tenure can go to the head, and sitting on this Chair your President has sometimes wondered how he may appear to Fellows and guests. The extreme images are Laurence Olivier as Richard III, writhing malevolently and misshapenly on his throne, and Reynolds's ‘Mrs Siddons as the Tragic Muse’, shown at the Royal Academy in 1784 and now in Dulwich College Art Gallery, in which the actress has adopted an imposing, even monumental, Mich…

  • Anniversary Address 2000

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2000

    In 1750 our President, the Duke of Somerset, who had been elected in 1724 when the Marquis of Hertford died. We elected in his place the Duke of Richmond whose portrait, given by our Fellow Richard Hatchwell in 1995, hangs on our stairs: Richmond attended the St George's Day dinner in 1750 but did little more for the Society until his death in November of the same year. Our Vice-President Martin Folkes, who had been President of the Royal Society…

  • Afternoon session II

    Patrick Boylan, Elizabeth Esteve‐Coll et al.•ARTICLE•Museum Management and Curatorship•1990

  • Antiquarian Gleanings in the North of England

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2005•Cited by: 1•References: 6

    William Bell Scott (1811-90) was active as painter, poet, designer, teacher and pundit. His littleknown Antiquarian Gleanings (1851), a wide-ranging anthology of Northern antiquities, with thirty-eight colour plates, is here re-published in its entirety, with a new index, as an appendix to a paper which explores its design and content, and the networks of collectors, many of them associated with the Antiquarian Society of Newcastle, whose treasur…

  • Afternoon session II

    Patrick Boylan, Elizabeth Esteve‐Coll et al.•ARTICLE•Museum Management and Curatorship•1990

  • Anniversary Address 2000

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2000

    In 1750 our President, the Duke of Somerset, who had been elected in 1724 when the Marquis of Hertford died. We elected in his place the Duke of Richmond whose portrait, given by our Fellow Richard Hatchwell in 1995, hangs on our stairs: Richmond attended the St George's Day dinner in 1750 but did little more for the Society until his death in November of the same year. Our Vice-President Martin Folkes, who had been President of the Royal Society…

  • Anniversary Address 2001

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2001•References: 1

    Long Presidential tenure can go to the head, and sitting on this Chair your President has sometimes wondered how he may appear to Fellows and guests. The extreme images are Laurence Olivier as Richard III, writhing malevolently and misshapenly on his throne, and Reynolds's ‘Mrs Siddons as the Tragic Muse’, shown at the Royal Academy in 1784 and now in Dulwich College Art Gallery, in which the actress has adopted an imposing, even monumental, Mich…

  • Cabinet (ii)

    Simon Jervis•CHAPTER•2003

  • Roentgen, David

    Simon Jervis•CHAPTER•2003

  • Roentgen family

    Simon Jervis•CHAPTER•2003

  • Antiquarian Gleanings in the North of England

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2005•Cited by: 1•References: 6

    William Bell Scott (1811-90) was active as painter, poet, designer, teacher and pundit. His littleknown Antiquarian Gleanings (1851), a wide-ranging anthology of Northern antiquities, with thirty-eight colour plates, is here re-published in its entirety, with a new index, as an appendix to a paper which explores its design and content, and the networks of collectors, many of them associated with the Antiquarian Society of Newcastle, whose treasur…

  • The Intimacies of George Shaw (1810–76)

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•Journal of the History of…•2025

  • Ornament and Design

    Open Access•Simon Jervis, Simon Swynfen Jervis•ARTICLE•The Antiquaries Journal•2025•References: 5

    This paper anatomises and illustrates drawings and prints in the British Museum extracted from an early seventeenth-century album. The drawings, which were inserted by the museum into a new album, suggest that the original album originated in the workshop of a London goldsmith with German or central European origins who worked for the royal court and had a connection to Thomas Cecil, Earl of Exeter. Particular attention is paid to forty-four orna…

Art (5 works) · Art history (4 works) · Historical Art and Culture Studies (3 works) · History (3 works) · History (3 works) · Medicine (3 works) · Law (2 works) · Law (2 works) · Nuclear medicine (2 works) · Painting (2 works)

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