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G McN Rushforth

Biographic Data

ID5405327
NAMEG McN Rushforth
GIVEN NAMESG McN
FAMILY NAMERushforth
SIGNATURERUSHFORTH G M
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS18
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1902
LATEST PUBLICATION YEAR1938
H-INDEX2
  • Two recent gifts to the Society

    Open Access•Bernard Berenson, G McN Rushforth•ARTICLE•The Antiquaries Journal•1938

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Notices of Archaeological Publications

    G McN Rushforth, C de W Crookshank et al.•ARTICLE•Archaeological Journal•1937

  • Notices of Archaeological Publications

    Cyril Fox, G McN Rushforth et al.•ARTICLE•Archaeological Journal•1936

  • Notices of Archaeological Publications

    Alfredo Fontes, A C et al.•ARTICLE•Archaeological Journal•1931

  • A Fourteenth-century Tomb from Little Malvern Priory Church

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1931•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Seven Sacraments Compositions in English Medieval Art

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1929•Cited by: 3

    Émile Mâle says that medieval Christian art in its last period had lost touch with the great tradition of symbolism which had been so important in the twelfth and thirteenth centuries, and still largely dominated the art of the fourteenth. But there was one great symbolical idea which survived, and that was the harmony of the Old and New Testaments; and so we find among the most popular subjects of fifteenth-century Church art the concordance of …

  • The Painted Windows in the Chapel of the Vyne in Hampshire

    G McN Rushforth•ARTICLE•Archaeological Journal•1927•Cited by: 1

  • A lily-crucifix and an unidentified saint in Kenn church, Devon

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1927

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Atti della Pontificia Accademia Romana di Archeologia. Serie III. Memorie, vol. i; Rendiconti , vols. i and ii

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1926

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Baptism of St. Christopher

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1926•Cited by: 1

    When Birtsmorton Church, Worcestershire, was rebuilt in the fourteenth century, a number of its windows were filled with painted glass of the period. The only portions now in situ are the arms of the Ruyhales, the lords of the manor, in the tracery lights of some of the windows in the nave, and of one in the north transept. What remained of the contents of the main lights, together with various fragments in the style of the fifteenth century, had…

  • Lord Cromwell's Rebus in Tattershall Castle

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1926•Cited by: 1

    After the late Lord Curzon had bought Tattershall Castle as an empty shell, he had it roofed, the windows were glazed, and floors were inserted, so that the interior has regained something of its original use and appearance, and, in particular, it is now possible to examine in comfort the famous chimney-pieces which were rescued and replaced by Lord Curzon. As is well known, these are decorated with all the heraldry belonging to the builder of th…

  • Notices of Archaeological Publications

    G McN Rushforth, Ian C Hannah et al.•ARTICLE•Archaeological Journal•1925

  • Medieval Tiles in the Church of Llangattock-nigh-Usk

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1924•Cited by: 1

    Mr. A. Wright, in a letter to our Secretary of 8th November 1923, called attention to a number of medieval tiles found in the church of Llangattock-nigh-Usk, a few miles from Abergavenny. With one exception they belong to the well-known Great Malvern series, made there and at Droitwich about the middle of the fifteenth century, as we know from the discovery of kilns at those places in 1833 and 1837 respectively, still containing some of the tiles…

  • An Indulgence Inscription in Clapton Church, Gloucestershire

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1923•Cited by: 1

    The inscription reproduced in the accompanying plate is cut on the abacus of the northern pier of the chancel arch in the little church of St. James at Clapton, set on the hill-side above Bourton-on-the-Water, Gloucestershire. Attention wasfirstcalled to it by the late Mr. Ulric Daubeny, who assigned the building to the last quarter of the twelfth century. The lettering is of the Early Gothic (popularly called ‘Lombardic’) type, which prevailed f…

  • Magister Gregorius de Mirabilibus Urbis Romae

    Open Access•G McN Rushforth•ARTICLE•The Journal of Roman Studies•1919

    In 1917 Dr. M. R. James, now Provost of Eton College, discovered in a manuscript belonging to St. Catharine's College Cambridge, and printed in the English Historical Review , a description by a certain Magister Gregorius of the most remarkable sights or ‘wonders’ of the city of Rome. The manuscript appears to be English, of the last years of the thirteenth century; and Dr. James thinks that the author was an Englishman, and lived in the twelfth …

  • An Account of Some Painted Glass from a House at Leicester

    G McN Rushforth•ARTICLE•Archaeological Journal•1918•Cited by: 1

  • Funeral lights in Roman sepulchral monuments

    Open Access•G McN Rushforth•ARTICLE•The Journal of Roman Studies•1915

    Among the fragments of the tomb of the Haterii, discovered in 1848 on the Via Labicana, some three miles from Rome, and now in the Lateran Museum, are two scenes in low relief illustrating the burial. The first of these (plate IX) represents a very rare, if not unique, subject—the lying-in-state, as we should call it, in the atrium of the house. Confining our attention to the details which concern our immediate purpose, we see that the central ob…

  • Notices of Archaeological Publications

    G F Hill, Graeme Hill et al.•ARTICLE•Archaeological Journal•1911

  • The Church of S. Maria Antiqua

    Open Access•G McN Rushforth•ARTICLE•Papers of the British School at…•1902•Cited by: 8

    In explanation of the fact, which might at first sight cause surprise, that a paper which consists mainly of a description of paintings is not accompanied by reproductions of the pictures themselves, it is necessary to state that the photographs and other methods by which the appearance of the paintings has been, so far as possible, preserved being the property of the Italian authorities, cannot be published until the official account of the exca…

  • The Church of S. Maria Antiqua

    Open Access•G McN Rushforth•ARTICLE•Papers of the British School at…•1902•Cited by: 8

    In explanation of the fact, which might at first sight cause surprise, that a paper which consists mainly of a description of paintings is not accompanied by reproductions of the pictures themselves, it is necessary to state that the photographs and other methods by which the appearance of the paintings has been, so far as possible, preserved being the property of the Italian authorities, cannot be published until the official account of the exca…

  • Seven Sacraments Compositions in English Medieval Art

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1929•Cited by: 3

    Émile Mâle says that medieval Christian art in its last period had lost touch with the great tradition of symbolism which had been so important in the twelfth and thirteenth centuries, and still largely dominated the art of the fourteenth. But there was one great symbolical idea which survived, and that was the harmony of the Old and New Testaments; and so we find among the most popular subjects of fifteenth-century Church art the concordance of …

  • A Fourteenth-century Tomb from Little Malvern Priory Church

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1931•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Painted Windows in the Chapel of the Vyne in Hampshire

    G McN Rushforth•ARTICLE•Archaeological Journal•1927•Cited by: 1

  • The Baptism of St. Christopher

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1926•Cited by: 1

    When Birtsmorton Church, Worcestershire, was rebuilt in the fourteenth century, a number of its windows were filled with painted glass of the period. The only portions now in situ are the arms of the Ruyhales, the lords of the manor, in the tracery lights of some of the windows in the nave, and of one in the north transept. What remained of the contents of the main lights, together with various fragments in the style of the fifteenth century, had…

  • Lord Cromwell's Rebus in Tattershall Castle

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1926•Cited by: 1

    After the late Lord Curzon had bought Tattershall Castle as an empty shell, he had it roofed, the windows were glazed, and floors were inserted, so that the interior has regained something of its original use and appearance, and, in particular, it is now possible to examine in comfort the famous chimney-pieces which were rescued and replaced by Lord Curzon. As is well known, these are decorated with all the heraldry belonging to the builder of th…

  • Medieval Tiles in the Church of Llangattock-nigh-Usk

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1924•Cited by: 1

    Mr. A. Wright, in a letter to our Secretary of 8th November 1923, called attention to a number of medieval tiles found in the church of Llangattock-nigh-Usk, a few miles from Abergavenny. With one exception they belong to the well-known Great Malvern series, made there and at Droitwich about the middle of the fifteenth century, as we know from the discovery of kilns at those places in 1833 and 1837 respectively, still containing some of the tiles…

  • An Indulgence Inscription in Clapton Church, Gloucestershire

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1923•Cited by: 1

    The inscription reproduced in the accompanying plate is cut on the abacus of the northern pier of the chancel arch in the little church of St. James at Clapton, set on the hill-side above Bourton-on-the-Water, Gloucestershire. Attention wasfirstcalled to it by the late Mr. Ulric Daubeny, who assigned the building to the last quarter of the twelfth century. The lettering is of the Early Gothic (popularly called ‘Lombardic’) type, which prevailed f…

  • An Account of Some Painted Glass from a House at Leicester

    G McN Rushforth•ARTICLE•Archaeological Journal•1918•Cited by: 1

  • The Church of S. Maria Antiqua

    Open Access•G McN Rushforth•ARTICLE•Papers of the British School at…•1902•Cited by: 8

    In explanation of the fact, which might at first sight cause surprise, that a paper which consists mainly of a description of paintings is not accompanied by reproductions of the pictures themselves, it is necessary to state that the photographs and other methods by which the appearance of the paintings has been, so far as possible, preserved being the property of the Italian authorities, cannot be published until the official account of the exca…

  • Notices of Archaeological Publications

    G F Hill, Graeme Hill et al.•ARTICLE•Archaeological Journal•1911

  • Funeral lights in Roman sepulchral monuments

    Open Access•G McN Rushforth•ARTICLE•The Journal of Roman Studies•1915

    Among the fragments of the tomb of the Haterii, discovered in 1848 on the Via Labicana, some three miles from Rome, and now in the Lateran Museum, are two scenes in low relief illustrating the burial. The first of these (plate IX) represents a very rare, if not unique, subject—the lying-in-state, as we should call it, in the atrium of the house. Confining our attention to the details which concern our immediate purpose, we see that the central ob…

  • An Account of Some Painted Glass from a House at Leicester

    G McN Rushforth•ARTICLE•Archaeological Journal•1918•Cited by: 1

  • Magister Gregorius de Mirabilibus Urbis Romae

    Open Access•G McN Rushforth•ARTICLE•The Journal of Roman Studies•1919

    In 1917 Dr. M. R. James, now Provost of Eton College, discovered in a manuscript belonging to St. Catharine's College Cambridge, and printed in the English Historical Review , a description by a certain Magister Gregorius of the most remarkable sights or ‘wonders’ of the city of Rome. The manuscript appears to be English, of the last years of the thirteenth century; and Dr. James thinks that the author was an Englishman, and lived in the twelfth …

  • An Indulgence Inscription in Clapton Church, Gloucestershire

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1923•Cited by: 1

    The inscription reproduced in the accompanying plate is cut on the abacus of the northern pier of the chancel arch in the little church of St. James at Clapton, set on the hill-side above Bourton-on-the-Water, Gloucestershire. Attention wasfirstcalled to it by the late Mr. Ulric Daubeny, who assigned the building to the last quarter of the twelfth century. The lettering is of the Early Gothic (popularly called ‘Lombardic’) type, which prevailed f…

  • Medieval Tiles in the Church of Llangattock-nigh-Usk

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1924•Cited by: 1

    Mr. A. Wright, in a letter to our Secretary of 8th November 1923, called attention to a number of medieval tiles found in the church of Llangattock-nigh-Usk, a few miles from Abergavenny. With one exception they belong to the well-known Great Malvern series, made there and at Droitwich about the middle of the fifteenth century, as we know from the discovery of kilns at those places in 1833 and 1837 respectively, still containing some of the tiles…

  • Notices of Archaeological Publications

    G McN Rushforth, Ian C Hannah et al.•ARTICLE•Archaeological Journal•1925

  • Atti della Pontificia Accademia Romana di Archeologia. Serie III. Memorie, vol. i; Rendiconti , vols. i and ii

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1926

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Baptism of St. Christopher

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1926•Cited by: 1

    When Birtsmorton Church, Worcestershire, was rebuilt in the fourteenth century, a number of its windows were filled with painted glass of the period. The only portions now in situ are the arms of the Ruyhales, the lords of the manor, in the tracery lights of some of the windows in the nave, and of one in the north transept. What remained of the contents of the main lights, together with various fragments in the style of the fifteenth century, had…

  • Lord Cromwell's Rebus in Tattershall Castle

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1926•Cited by: 1

    After the late Lord Curzon had bought Tattershall Castle as an empty shell, he had it roofed, the windows were glazed, and floors were inserted, so that the interior has regained something of its original use and appearance, and, in particular, it is now possible to examine in comfort the famous chimney-pieces which were rescued and replaced by Lord Curzon. As is well known, these are decorated with all the heraldry belonging to the builder of th…

  • The Painted Windows in the Chapel of the Vyne in Hampshire

    G McN Rushforth•ARTICLE•Archaeological Journal•1927•Cited by: 1

  • A lily-crucifix and an unidentified saint in Kenn church, Devon

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1927

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Seven Sacraments Compositions in English Medieval Art

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1929•Cited by: 3

    Émile Mâle says that medieval Christian art in its last period had lost touch with the great tradition of symbolism which had been so important in the twelfth and thirteenth centuries, and still largely dominated the art of the fourteenth. But there was one great symbolical idea which survived, and that was the harmony of the Old and New Testaments; and so we find among the most popular subjects of fifteenth-century Church art the concordance of …

  • Notices of Archaeological Publications

    Alfredo Fontes, A C et al.•ARTICLE•Archaeological Journal•1931

  • A Fourteenth-century Tomb from Little Malvern Priory Church

    Open Access•G McN Rushforth•ARTICLE•The Antiquaries Journal•1931•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Notices of Archaeological Publications

    Cyril Fox, G McN Rushforth et al.•ARTICLE•Archaeological Journal•1936

  • Notices of Archaeological Publications

    G McN Rushforth, C de W Crookshank et al.•ARTICLE•Archaeological Journal•1937

  • Two recent gifts to the Society

    Open Access•Bernard Berenson, G McN Rushforth•ARTICLE•The Antiquaries Journal•1938

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

History (18 works) · History (17 works) · Archaeology (11 works) · Art (11 works) · Ancient Mediterranean Archaeology and History (8 works) · Art history (8 works) · Ancient history (5 works) · Historical and Religious Studies of Rome (5 works) · Historical Studies of British Isles (5 works) · Scottish History and National Identity (5 works)

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