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Dai Morgan Evans

Biographic Data

ID5405506
NAMEDai Morgan Evans
GIVEN NAMESDai Morgan
FAMILY NAMEEvans
SIGNATUREEVANS D M
AFFILIATIONSKwantlen Polytechnic University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS7
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Lady Ann Clifford

    Dai Morgan Evans•ARTICLE•Archaeological Journal•2013

  • The Society of Antiquaries, 1707–18

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2009•References: 5

    The genesis of this paper lay in the 2007 Tercentenary celebrations of the Society of Antiquaries and the challenge of compiling a tour of the premises used by the Society for its meetings prior to the Society’s move into a permanent home at Somerset House in 1780. The first part of the paper deals with the competing claims of the Bear in the Strand and the Young Devil taverns as the location for the foundation meeting of the Society of Antiquari…

  • Banks is the villain!’? Sir Joseph Banks and the governance of the Society of Antiquaries

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2009•Cited by: 5•References: 10

    The name of Sir Joseph Banks (1743–1820) is well known in scientific and exploration circles – he is undeservedly much less well known as an antiquary. This study considers his roles in relation to the premier antiquarian society of the time, the Society of Antiquaries of London. Using the Society’s records, Sir Joseph Banks is considered as an ordinary Fellow, as a member of Council, as an auditor of the finances and as a scrutator at elections.…

  • King Arthur’ and Cadbury Castle, Somerset

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2006•References: 8

    The major excavations at Cadbury Castle, Somerset, which took place in the 1960s, owed their inspiration in part to the identification of the site as ‘Camelot’, thus forging an association with ‘King Arthur’. John Leland, the sixteenth-century antiquary, was the author of this identification and this paper considers how he might have arrived at this conclusion. Factors identified include the role in Tudor politics of ‘King Arthur’ and of the owne…

  • Et in Arcadia? The Problems with Ruins

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2004•Cited by: 1•References: 2

    The value of ‘the Ruin’ as a stimulus to reflection on the past and the passage of time was well recognized in the eighteenth and into the nineteenth centuries. 1 An essential part of the organic, and therefore changing, ethos of the ruin was that it should be associated with whatever natural vegetation was appropriate and in a state of decay. This is summed up by the Revd William Gilpin's statement in 1786: ‘A Ruin is a sacred thing. Rooted for …

  • Eighteenth-Century Descriptions of the Cerne Abbas Giant

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•1998•Cited by: 1•References: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Banks is the villain!’? Sir Joseph Banks and the governance of the Society of Antiquaries

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2009•Cited by: 5•References: 10

    The name of Sir Joseph Banks (1743–1820) is well known in scientific and exploration circles – he is undeservedly much less well known as an antiquary. This study considers his roles in relation to the premier antiquarian society of the time, the Society of Antiquaries of London. Using the Society’s records, Sir Joseph Banks is considered as an ordinary Fellow, as a member of Council, as an auditor of the finances and as a scrutator at elections.…

  • Et in Arcadia? The Problems with Ruins

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2004•Cited by: 1•References: 2

    The value of ‘the Ruin’ as a stimulus to reflection on the past and the passage of time was well recognized in the eighteenth and into the nineteenth centuries. 1 An essential part of the organic, and therefore changing, ethos of the ruin was that it should be associated with whatever natural vegetation was appropriate and in a state of decay. This is summed up by the Revd William Gilpin's statement in 1786: ‘A Ruin is a sacred thing. Rooted for …

  • Eighteenth-Century Descriptions of the Cerne Abbas Giant

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•1998•Cited by: 1•References: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Eighteenth-Century Descriptions of the Cerne Abbas Giant

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•1998•Cited by: 1•References: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Et in Arcadia? The Problems with Ruins

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2004•Cited by: 1•References: 2

    The value of ‘the Ruin’ as a stimulus to reflection on the past and the passage of time was well recognized in the eighteenth and into the nineteenth centuries. 1 An essential part of the organic, and therefore changing, ethos of the ruin was that it should be associated with whatever natural vegetation was appropriate and in a state of decay. This is summed up by the Revd William Gilpin's statement in 1786: ‘A Ruin is a sacred thing. Rooted for …

  • King Arthur’ and Cadbury Castle, Somerset

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2006•References: 8

    The major excavations at Cadbury Castle, Somerset, which took place in the 1960s, owed their inspiration in part to the identification of the site as ‘Camelot’, thus forging an association with ‘King Arthur’. John Leland, the sixteenth-century antiquary, was the author of this identification and this paper considers how he might have arrived at this conclusion. Factors identified include the role in Tudor politics of ‘King Arthur’ and of the owne…

  • The Society of Antiquaries, 1707–18

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2009•References: 5

    The genesis of this paper lay in the 2007 Tercentenary celebrations of the Society of Antiquaries and the challenge of compiling a tour of the premises used by the Society for its meetings prior to the Society’s move into a permanent home at Somerset House in 1780. The first part of the paper deals with the competing claims of the Bear in the Strand and the Young Devil taverns as the location for the foundation meeting of the Society of Antiquari…

  • Banks is the villain!’? Sir Joseph Banks and the governance of the Society of Antiquaries

    Open Access•Dai Morgan Evans•ARTICLE•The Antiquaries Journal•2009•Cited by: 5•References: 10

    The name of Sir Joseph Banks (1743–1820) is well known in scientific and exploration circles – he is undeservedly much less well known as an antiquary. This study considers his roles in relation to the premier antiquarian society of the time, the Society of Antiquaries of London. Using the Society’s records, Sir Joseph Banks is considered as an ordinary Fellow, as a member of Council, as an auditor of the finances and as a scrutator at elections.…

  • Lady Ann Clifford

    Dai Morgan Evans•ARTICLE•Archaeological Journal•2013

History (6 works) · History (6 works) · Art (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Art history (2 works) · Classics (2 works) · Classics (2 works)

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