Hilary Wayment
Biographic Data
| ID | 5405609 |
|---|---|
| NAME | Hilary Wayment |
| GIVEN NAMES | Hilary |
| FAMILY NAME | Wayment |
| SIGNATURE | WAYMENT H |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 1998 |
| H-INDEX | 0 |
The Stained Glass at Chavenage House, Tetbury, Gloucestershire
The windows of the Great Hall, the Chapel, the Porch, the Priest's Chamber and ‘Queen Anne's Bedroom’ are all garnished with stained glass – figures, roundels, coats of arms, and interesting fragments from a variety of sources English and Continental, and of all centuries from the fifteenth to the twentieth. The most striking are perhaps the four Oxford scholars in the Great Hall, wearing their medical gowns, with the seventeenth-century arms of …
VI. The Stained Glass of the Chapel of the Vyne and the Chapel of the Holy Ghost, Basingstoke
Among the few ensembles of stained glass which survive in this country from the early Renaissance the windows of the Chapel of the Vyne, near Sherborne St. John, Hampshire, are one of the most remarkable (pl. XL). Though much smaller in scale and extent than the glass in King's College Chapel, Cambridge, they are no less distinguished in quality, and their state of preservation is almost as good. Moreover, there are still in existence important f…
The East Window of St. Margaret's, Westminster
The glass, now comprising a three-light Crucifixion between two royal figures and their patron saints, reflects the style of Leiden and can be dated c. 1515-27. It may have stood originally in three linked windows in Waltham Abbey Church, and been padded out after the Dissolution to fit the five-light window of the chapel of New Hall, Boreham. On its transfer to Copt Hall c. 1740 William Price the younger replaced some of the glass, and must have…
Bernard van Orley and Malines
The designs of the early sixteenth-century series of five tapestries on the story of Dido and Aeneas at Hampton Court Palace {Collection of H.M. the Queen) were tentatively ascribed by A. E. Popham in 1926, and following him by K. T. Parker, to ‘Aert Ortkens’. But the drawings attributed to Ortkens by successive writers since Friedländer (1921) can now be shown to represent the production of the Malines school of designers for glass and tapestry …
No prominent works on this page.
Bernard van Orley and Malines
The designs of the early sixteenth-century series of five tapestries on the story of Dido and Aeneas at Hampton Court Palace {Collection of H.M. the Queen) were tentatively ascribed by A. E. Popham in 1926, and following him by K. T. Parker, to ‘Aert Ortkens’. But the drawings attributed to Ortkens by successive writers since Friedländer (1921) can now be shown to represent the production of the Malines school of designers for glass and tapestry …
The East Window of St. Margaret's, Westminster
The glass, now comprising a three-light Crucifixion between two royal figures and their patron saints, reflects the style of Leiden and can be dated c. 1515-27. It may have stood originally in three linked windows in Waltham Abbey Church, and been padded out after the Dissolution to fit the five-light window of the chapel of New Hall, Boreham. On its transfer to Copt Hall c. 1740 William Price the younger replaced some of the glass, and must have…
VI. The Stained Glass of the Chapel of the Vyne and the Chapel of the Holy Ghost, Basingstoke
Among the few ensembles of stained glass which survive in this country from the early Renaissance the windows of the Chapel of the Vyne, near Sherborne St. John, Hampshire, are one of the most remarkable (pl. XL). Though much smaller in scale and extent than the glass in King's College Chapel, Cambridge, they are no less distinguished in quality, and their state of preservation is almost as good. Moreover, there are still in existence important f…
The Stained Glass at Chavenage House, Tetbury, Gloucestershire
The windows of the Great Hall, the Chapel, the Porch, the Priest's Chamber and ‘Queen Anne's Bedroom’ are all garnished with stained glass – figures, roundels, coats of arms, and interesting fragments from a variety of sources English and Continental, and of all centuries from the fifteenth to the twentieth. The most striking are perhaps the four Oxford scholars in the Great Hall, wearing their medical gowns, with the seventeenth-century arms of …
Art (4 works) · Art history (4 works) · Historical Art and Culture Studies (4 works) · History (4 works) · Ancient history (3 works) · Chapel (3 works) · Classics (3 works) · History (3 works) · Scottish History and National Identity (3 works) · Archaeology (2 works)