Hamish Cameron
Biographic Data
| ID | 5405637 |
|---|---|
| NAME | Hamish Cameron |
| GIVEN NAMES | Hamish |
| FAMILY NAME | Cameron |
| SIGNATURE | CAMERON H |
| AFFILIATIONS | Victoria University of Wellington |
| ORCID | 0000-0001-7817-7293 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Escaping Hades
This chapter examines how the critically acclaimed video game Hades (Supergiant Games, 2020) adapts and interprets the classical mythic tradition for a contemporary audience. After contextualising Hades as a game, a narrative, and a cultural artefact, I examine several specific textual moments in the game’s narrative: partial allusions to the stories of Theseus and Ariadne and Callisto and Zeus, the rationalised aetiology of Orphic Zagreus, and t…
Classics at Home Down Under
Mouseion: Journal of the Classical Association of Canada - Volume 17, Number 3, 2020, LIX-Series III
Flemish Brasses of the Fourteenth Century in Northern Germany and their use by Merchants of the Hanse
The largest and finest products of the Tournai school of brass engravers in the fourteenth century commemorate ecclesiastics and are to be found in northern Germany, to where it seems likely they were transported by the merchants of the important Hanse port of Lübeck. One of these, perhaps the finest brass ever produced by the school, commemorated two bishops of that city and lies in the cathedral. Two others, each to two bishops with the name of…
Flemish Brasses to Civilians in England
The earliest brasses of the Tournai school were executed for royalty and for high ranking and local ecclesiastics. With the expansion of overseas trade, particularly by the Hanse, during the fourteenth century the increasingly wealthy merchant class became the principal customers of these Flemish workshops. Their products were in wide demand throughout western and northern Europe. Many of these brasses are now lost and gone but records remain of …
The Fourteenth-Century Flemish Brasses at King's Lynn
Technical Aspects of Medieval Monumental Brasses
Technical Aspects of Medieval Monumental Brasses
The Fourteenth-Century Flemish Brasses at King's Lynn
Flemish Brasses to Civilians in England
The earliest brasses of the Tournai school were executed for royalty and for high ranking and local ecclesiastics. With the expansion of overseas trade, particularly by the Hanse, during the fourteenth century the increasingly wealthy merchant class became the principal customers of these Flemish workshops. Their products were in wide demand throughout western and northern Europe. Many of these brasses are now lost and gone but records remain of …
Technical Aspects of Medieval Monumental Brasses
The Fourteenth-Century Flemish Brasses at King's Lynn
Flemish Brasses to Civilians in England
The earliest brasses of the Tournai school were executed for royalty and for high ranking and local ecclesiastics. With the expansion of overseas trade, particularly by the Hanse, during the fourteenth century the increasingly wealthy merchant class became the principal customers of these Flemish workshops. Their products were in wide demand throughout western and northern Europe. Many of these brasses are now lost and gone but records remain of …
Flemish Brasses of the Fourteenth Century in Northern Germany and their use by Merchants of the Hanse
The largest and finest products of the Tournai school of brass engravers in the fourteenth century commemorate ecclesiastics and are to be found in northern Germany, to where it seems likely they were transported by the merchants of the important Hanse port of Lübeck. One of these, perhaps the finest brass ever produced by the school, commemorated two bishops of that city and lies in the cathedral. Two others, each to two bishops with the name of…
Classics at Home Down Under
Mouseion: Journal of the Classical Association of Canada - Volume 17, Number 3, 2020, LIX-Series III
Escaping Hades
This chapter examines how the critically acclaimed video game Hades (Supergiant Games, 2020) adapts and interprets the classical mythic tradition for a contemporary audience. After contextualising Hades as a game, a narrative, and a cultural artefact, I examine several specific textual moments in the game’s narrative: partial allusions to the stories of Theseus and Ariadne and Callisto and Zeus, the rationalised aetiology of Orphic Zagreus, and t…
Art (5 works) · History (5 works) · Ancient history (4 works) · Archaeology (4 works) · Historical and Archaeological Studies (4 works) · History (4 works) · Classics (3 works) · Flemish (3 works) · Medieval European History and Architecture (3 works) · Anglo saxon (2 works)