Günther Haseloff
Biographic Data
| ID | 5406419 |
|---|---|
| NAME | Günther Haseloff |
| GIVEN NAMES | Günther |
| FAMILY NAME | Haseloff |
| SIGNATURE | HASELOFF G |
| AFFILIATIONS | University of Würzburg |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1950 |
| LATEST PUBLICATION YEAR | 1974 |
| H-INDEX | 2 |
Salin's Style I
THE following paper was delivered as a lecture to the Society at its annual general meeting in 1972, and is printed here in an edited form. In it Professor Haseloff examines the origins of Salin's Style I, tracing it back to motifs found in late Roman art. He goes on to differentiate four phases within Style I itself. Finally he considers a group of Style I brooches to which he attributes a Jutlandic origin
Aufsätze. Zum Ursprung der germanischen Tierornamentik— die spätrömische Wurzel
Fragments of a Hanging-Bowl from Bekesbourne, Kent, and Some Ornamental Problems
An Anglo-Saxon Openwork Mount from Whitby Abbey
In a previous volume of this journal a piece of ornamental openwork in lead from excavations at Whitby Abbey was published as a medieval ventilator-screen of the type described by the Rev. Christopher Woodforde. These are likewise of lead and of obvious Gothic shape. The Whitby piece was accordingly dated to the late thirteenth century. A more detailed examination shows, however, that the Whitby openwork is neither Gothic in shape nor a ventilato…
Fragments of a Hanging-Bowl from Bekesbourne, Kent, and Some Ornamental Problems
Salin's Style I
THE following paper was delivered as a lecture to the Society at its annual general meeting in 1972, and is printed here in an edited form. In it Professor Haseloff examines the origins of Salin's Style I, tracing it back to motifs found in late Roman art. He goes on to differentiate four phases within Style I itself. Finally he considers a group of Style I brooches to which he attributes a Jutlandic origin
An Anglo-Saxon Openwork Mount from Whitby Abbey
In a previous volume of this journal a piece of ornamental openwork in lead from excavations at Whitby Abbey was published as a medieval ventilator-screen of the type described by the Rev. Christopher Woodforde. These are likewise of lead and of obvious Gothic shape. The Whitby piece was accordingly dated to the late thirteenth century. A more detailed examination shows, however, that the Whitby openwork is neither Gothic in shape nor a ventilato…
An Anglo-Saxon Openwork Mount from Whitby Abbey
In a previous volume of this journal a piece of ornamental openwork in lead from excavations at Whitby Abbey was published as a medieval ventilator-screen of the type described by the Rev. Christopher Woodforde. These are likewise of lead and of obvious Gothic shape. The Whitby piece was accordingly dated to the late thirteenth century. A more detailed examination shows, however, that the Whitby openwork is neither Gothic in shape nor a ventilato…
Fragments of a Hanging-Bowl from Bekesbourne, Kent, and Some Ornamental Problems
Aufsätze. Zum Ursprung der germanischen Tierornamentik— die spätrömische Wurzel
Salin's Style I
THE following paper was delivered as a lecture to the Society at its annual general meeting in 1972, and is printed here in an edited form. In it Professor Haseloff examines the origins of Salin's Style I, tracing it back to motifs found in late Roman art. He goes on to differentiate four phases within Style I itself. Finally he considers a group of Style I brooches to which he attributes a Jutlandic origin
Archaeology (3 works) · Historical and Archaeological Studies (3 works) · History (3 works) · History (3 works) · Historical Architecture and Urbanism (2 works) · Linguistics and language evolution (2 works) · Ancient and Medieval Archaeology Studies (1 work) · Ancient history (1 work) · Art (1 work) · Biology (1 work)