Clara Sitbon
Biographic Data
| ID | 5406900 |
|---|---|
| NAME | Clara Sitbon |
| GIVEN NAMES | Clara |
| FAMILY NAME | Sitbon |
| SIGNATURE | SITBON C |
| AFFILIATIONS | The University of Sydney |
| ORCID | 0000-0001-5997-5281 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Separatist narratives and power subversion in Corsican crime fiction
Habeas Corpus
Carter Brown has an important place in Australian and in French studies. On the one hand, he has become famous for not being famous; indeed, introducing him as the most prolific Australian author that most Australians have never heard of has become something of a cliché. On the other, it is Carter Brown, and not Raymond Chandler or Dashiell Hammett, nor even Peter Cheyney or James Hadley Chase, who, in sheer volume, dominates the catalogue of tha…
L’hétéronymie à l’épreuve de la logométrie
Boris Vian crée son hétéronyme Vernon Sullivan en 1946. Or, leurs romans s’inscrivent dans des sous-genres discursifs bien distincts. Dès lors, peut-on parler de deux romanciers pour une même plume ? Quel rôle joue le genre et son impact endigue-t-il tout point de rencontre ? Au contraire, existe-t-il, malgré tout, des liens intertextuels entre les deux œuvres ? Ces questions résultent d’une rencontre entre trois recherches doctorales qui a permi…
Boris Vian 2.0
L’année 2020 marque le centenaire de la naissance de Boris Vian et les célébrations de cet événement ont mis en exergue la façon dont le nom Vian masque une oeuvre protéiforme fondée sur l’utilisation de multiples signatures. L’aube du deuxième siècle vianien coïncide également avec la démocratisation d’outils numériques et de méthodes permettant d’aborder les textes sous un nouveau jour et d’explorer des aspects de l’oeuvre vianien jusqu’alors s…
Voicing Resilience
A pulizziesca
The rise of regional detective novels in Europe has generated an expanding interest, as is evident in the proliferation of scholarship on works in this genre. One type of crime narrative, however, escapes this rule: Corsican crime fiction. Because it is part of unique editorial, literary, cultural, political, and linguistic dynamics, Corsican crime fiction raises important questions about the future of regional literature within a national, inter…
The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely
Despite Carter Brownâ s status as the least known of Australiaâ s most successful authors, research has been done on his productions, his style, and his bibliography. This work, by its very nature, often precludes close reading of a traditional kind. A certain amount is known for example, of the purchase of the international rights to the Carter Brown mystery series by American publisher Signet in 1958, but no work has been done on the effects th…
Pratiques Scandaleuses
The Série Noire was born out of literary scandals (Henry Miller's Tropic of Cancer and Kathleen Winsor's Forever Amber) and traded on them. Marcel Duhamel's mission statement of 1948 promised readers violence and depravity. Its early focus on translations of so-called American thrillers also led to scandalous cases of French authors masquerading as Americans (Boris Vian's role in the Vernon Sullivan affair shocked Paris in 1946 and shone light on…
Fluctuations auctoriales au sein du hoax littéraire
The literary hoax is a process and/or a final product challenging the place, the function, as well as the credibility of an author. Often reduced to mere trickery, deceit or imposture, the literary hoax is in fact a concept that showcases different manifestations of double or multi-authorship, for it implies, in most cases, a fictitious authorial figure. This multiplicity of authorship creates a mobility that has seldom been analysed. This articl…
Serializing Sullivan
In 2010, 51 years after his death in 1959, Boris Vian entered the canon of French literary immortals: he was published in Gallimard’s prestigious Bibliothèque de la Pléiade collection. Arguably, however, these are the complete fictional works of two authors: French writer Boris Vian and his black American pseudonymous creation, Vernon Sullivan. For critics like Edmund Smyth this must have represented long overdue recognition of the qualities of t…
Traduit de l'américain’ from Poe to the Série Noire
This article reviews the new light shed in 1952 on Charles Baudelaire's translation and critical analysis of Edgar Allan Poe by W.T. Bandy, which exposed the French poet's plagiarism of American sources. Our aim here is to suggest that Baudelaire's Poe project, with its wilful problematisation of originality and translation, author and translator, preempts Marcel Duhamel's own translation project of 1945, the Série Noire. We compare these two Par…
Traduit de l'américain’ from Poe to the Série Noire
This article reviews the new light shed in 1952 on Charles Baudelaire's translation and critical analysis of Edgar Allan Poe by W.T. Bandy, which exposed the French poet's plagiarism of American sources. Our aim here is to suggest that Baudelaire's Poe project, with its wilful problematisation of originality and translation, author and translator, preempts Marcel Duhamel's own translation project of 1945, the Série Noire. We compare these two Par…
Traduit de l'américain’ from Poe to the Série Noire
This article reviews the new light shed in 1952 on Charles Baudelaire's translation and critical analysis of Edgar Allan Poe by W.T. Bandy, which exposed the French poet's plagiarism of American sources. Our aim here is to suggest that Baudelaire's Poe project, with its wilful problematisation of originality and translation, author and translator, preempts Marcel Duhamel's own translation project of 1945, the Série Noire. We compare these two Par…
Serializing Sullivan
In 2010, 51 years after his death in 1959, Boris Vian entered the canon of French literary immortals: he was published in Gallimard’s prestigious Bibliothèque de la Pléiade collection. Arguably, however, these are the complete fictional works of two authors: French writer Boris Vian and his black American pseudonymous creation, Vernon Sullivan. For critics like Edmund Smyth this must have represented long overdue recognition of the qualities of t…
Pratiques Scandaleuses
The Série Noire was born out of literary scandals (Henry Miller's Tropic of Cancer and Kathleen Winsor's Forever Amber) and traded on them. Marcel Duhamel's mission statement of 1948 promised readers violence and depravity. Its early focus on translations of so-called American thrillers also led to scandalous cases of French authors masquerading as Americans (Boris Vian's role in the Vernon Sullivan affair shocked Paris in 1946 and shone light on…
Fluctuations auctoriales au sein du hoax littéraire
The literary hoax is a process and/or a final product challenging the place, the function, as well as the credibility of an author. Often reduced to mere trickery, deceit or imposture, the literary hoax is in fact a concept that showcases different manifestations of double or multi-authorship, for it implies, in most cases, a fictitious authorial figure. This multiplicity of authorship creates a mobility that has seldom been analysed. This articl…
The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely
Despite Carter Brownâ s status as the least known of Australiaâ s most successful authors, research has been done on his productions, his style, and his bibliography. This work, by its very nature, often precludes close reading of a traditional kind. A certain amount is known for example, of the purchase of the international rights to the Carter Brown mystery series by American publisher Signet in 1958, but no work has been done on the effects th…
L’hétéronymie à l’épreuve de la logométrie
Boris Vian crée son hétéronyme Vernon Sullivan en 1946. Or, leurs romans s’inscrivent dans des sous-genres discursifs bien distincts. Dès lors, peut-on parler de deux romanciers pour une même plume ? Quel rôle joue le genre et son impact endigue-t-il tout point de rencontre ? Au contraire, existe-t-il, malgré tout, des liens intertextuels entre les deux œuvres ? Ces questions résultent d’une rencontre entre trois recherches doctorales qui a permi…
Boris Vian 2.0
L’année 2020 marque le centenaire de la naissance de Boris Vian et les célébrations de cet événement ont mis en exergue la façon dont le nom Vian masque une oeuvre protéiforme fondée sur l’utilisation de multiples signatures. L’aube du deuxième siècle vianien coïncide également avec la démocratisation d’outils numériques et de méthodes permettant d’aborder les textes sous un nouveau jour et d’explorer des aspects de l’oeuvre vianien jusqu’alors s…
Voicing Resilience
A pulizziesca
The rise of regional detective novels in Europe has generated an expanding interest, as is evident in the proliferation of scholarship on works in this genre. One type of crime narrative, however, escapes this rule: Corsican crime fiction. Because it is part of unique editorial, literary, cultural, political, and linguistic dynamics, Corsican crime fiction raises important questions about the future of regional literature within a national, inter…
Habeas Corpus
Carter Brown has an important place in Australian and in French studies. On the one hand, he has become famous for not being famous; indeed, introducing him as the most prolific Australian author that most Australians have never heard of has become something of a cliché. On the other, it is Carter Brown, and not Raymond Chandler or Dashiell Hammett, nor even Peter Cheyney or James Hadley Chase, who, in sheer volume, dominates the catalogue of tha…
Separatist narratives and power subversion in Corsican crime fiction
Art (10 works) · History (5 works) · Humanities (5 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Art history (3 works) · Linguistics and Discourse Analysis (3 works) · Cultural Insights and Digital Impacts (2 works) · Economics (2 works)