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Julieanne Lamond

Biographic Data

ID5406901
NAMEJulieanne Lamond
GIVEN NAMESJulieanne
FAMILY NAMELamond
SIGNATURELAMOND J
AFFILIATIONSAustralian National University
ORCID0000-0002-9172-0075
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS1
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Hansard as Literary Reception

    Open Access•Julieanne Lamond, Fiannuala Morgan et al.•ARTICLE•Journal of Australian Studies•2024

    Hansard—Australia’s record of parliamentary debate—might seem an unlikely site for literary analysis. It is, however, a publisher of original poetry and its criticism a forum for the performance and citation of poetry, and a complex archive of literary reception in Australia since Federation. In this paper, we discuss our findings in relation to the uses of poetry in the Australian Hansard from 1901 to 1950, focusing on how the work of two settle…

  • Dead Horse Gap

    Julieanne Lamond•ARTICLE•Australian Humanities Review•2023

    I WAS walking, as most hikers do, to leave various things behind-responsibility, work, grief-and the air was full of the smell of horse dung.Despite camping by myself I did not feel alone, as throughout the night I was repeatedly woken by the steady sound of a horse tearing grass with its teeth on the other side of my tent wall.The names these creatures go by are fraught with the emotion firing vociferous debates about their presence and numbers …

  • Representative readers

    Open Access•Julieanne Lamond•ARTICLE•Library & Information History•2021

    Continuing public interest in the question of what politicians read reveals a belief in reading as a potential vector of political agency. This article uses historical library loan records to examine this potential in relation to the reading of the Australian politician Matthew Charlton (1866–1948). It considers Charlton’s reading of E. Phillips Oppenheim’s 1903 novel A Prince of Sinners to argue that popular fiction can provide frameworks for th…

  • Test

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2017

  • Test title

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2017

  • Forgotten Books and Local Readers

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2014•Cited by: 1•References: 1

    This essay uses the records of local library borrowers' choices in the early twentieth century to approach a body of fiction that has been given many names: popular fiction, forgotten books, 'the great unread', victims of 'the slaughterhouse of literature'. These definitions are not coextensive but my interest is in works that were once read (widely, or intensively in particular places and times) and are now largely unknown. These are important t…

  • The Anglo-Australian

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2012

    The Right Honourable' exemplifies the transnational nature of Praed's work and career: it is set largely in London, with Australian and English characters who travel between the two places. Place is negotiated in Praed's novels through figuring the movement of individuals between England and parts of its colonial network, as well as other countries, something that also pertains to Praed herself. A. Patchett Martin described her as the 'shining ex…

  • Forgotten Books and Local Readers

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2014•Cited by: 1•References: 1

    This essay uses the records of local library borrowers' choices in the early twentieth century to approach a body of fiction that has been given many names: popular fiction, forgotten books, 'the great unread', victims of 'the slaughterhouse of literature'. These definitions are not coextensive but my interest is in works that were once read (widely, or intensively in particular places and times) and are now largely unknown. These are important t…

  • The Anglo-Australian

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2012

    The Right Honourable' exemplifies the transnational nature of Praed's work and career: it is set largely in London, with Australian and English characters who travel between the two places. Place is negotiated in Praed's novels through figuring the movement of individuals between England and parts of its colonial network, as well as other countries, something that also pertains to Praed herself. A. Patchett Martin described her as the 'shining ex…

  • Forgotten Books and Local Readers

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2014•Cited by: 1•References: 1

    This essay uses the records of local library borrowers' choices in the early twentieth century to approach a body of fiction that has been given many names: popular fiction, forgotten books, 'the great unread', victims of 'the slaughterhouse of literature'. These definitions are not coextensive but my interest is in works that were once read (widely, or intensively in particular places and times) and are now largely unknown. These are important t…

  • Test

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2017

  • Test title

    Open Access•Julieanne Lamond•ARTICLE•Australian Literary Studies•2017

  • Representative readers

    Open Access•Julieanne Lamond•ARTICLE•Library & Information History•2021

    Continuing public interest in the question of what politicians read reveals a belief in reading as a potential vector of political agency. This article uses historical library loan records to examine this potential in relation to the reading of the Australian politician Matthew Charlton (1866–1948). It considers Charlton’s reading of E. Phillips Oppenheim’s 1903 novel A Prince of Sinners to argue that popular fiction can provide frameworks for th…

  • Dead Horse Gap

    Julieanne Lamond•ARTICLE•Australian Humanities Review•2023

    I WAS walking, as most hikers do, to leave various things behind-responsibility, work, grief-and the air was full of the smell of horse dung.Despite camping by myself I did not feel alone, as throughout the night I was repeatedly woken by the steady sound of a horse tearing grass with its teeth on the other side of my tent wall.The names these creatures go by are fraught with the emotion firing vociferous debates about their presence and numbers …

  • Hansard as Literary Reception

    Open Access•Julieanne Lamond, Fiannuala Morgan et al.•ARTICLE•Journal of Australian Studies•2024

    Hansard—Australia’s record of parliamentary debate—might seem an unlikely site for literary analysis. It is, however, a publisher of original poetry and its criticism a forum for the performance and citation of poetry, and a complex archive of literary reception in Australia since Federation. In this paper, we discuss our findings in relation to the uses of poetry in the Australian Hansard from 1901 to 1950, focusing on how the work of two settle…

Art (6 works) · History (4 works) · Sociology (4 works) · Australian History and Society (3 works) · History (3 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Biology (2 works) · Law (2 works)

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