Christian Griffiths
Biographic Data
| ID | 5406914 |
|---|---|
| NAME | Christian Griffiths |
| GIVEN NAMES | Christian |
| FAMILY NAME | Griffiths |
| SIGNATURE | GRIFFITHS C |
| AFFILIATIONS | Monash University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
The Dixie Chicks 2001–2003
In the aftermath of the 9/11 attacks on the US, the ideological undercurrents of America’s popular music culture were brought into sharp focus, with the music of the pop ‘mainstream’ revealed as being largely consistent with liberal stances, and the broadly defined ‘country’ genre as more naturally aligned to conservative views. Several critical discussions of this ideological divide have focused on the case of the Dixie Chicks, a country group w…
Listening between the Lines
The current issue of Australian Literary Studies represents a significant departure for a journal that has characteristically worked within the boundaries of a single discipline, moreover one that has maintained an emphasis on Anglophone literary traditions. The articles that appear in this issue were all conceived as conference papers for a symposium held at Monash University in June 2014, entitled Listening between the Lines: exploring the rela…
R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia
I want to argue that interdisciplinary approaches to analysing cultural texts allows us to challenge such orthodoxies and open up some surprising new perspectives on artists and works that have otherwise been dismissed as holding little critical interest. I demonstrate this through a detailed analysis of Strauss' 1918 composition Drei Lieder der Ophelia (Opus 67: 1- 3), which sets Ophelia's songs from act 4, scene 5 of Shakespeare's Hamlet. This …
New Jerusalem
The Dixie Chicks 2001–2003
In the aftermath of the 9/11 attacks on the US, the ideological undercurrents of America’s popular music culture were brought into sharp focus, with the music of the pop ‘mainstream’ revealed as being largely consistent with liberal stances, and the broadly defined ‘country’ genre as more naturally aligned to conservative views. Several critical discussions of this ideological divide have focused on the case of the Dixie Chicks, a country group w…
New Jerusalem
Listening between the Lines
The current issue of Australian Literary Studies represents a significant departure for a journal that has characteristically worked within the boundaries of a single discipline, moreover one that has maintained an emphasis on Anglophone literary traditions. The articles that appear in this issue were all conceived as conference papers for a symposium held at Monash University in June 2014, entitled Listening between the Lines: exploring the rela…
R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia
I want to argue that interdisciplinary approaches to analysing cultural texts allows us to challenge such orthodoxies and open up some surprising new perspectives on artists and works that have otherwise been dismissed as holding little critical interest. I demonstrate this through a detailed analysis of Strauss' 1918 composition Drei Lieder der Ophelia (Opus 67: 1- 3), which sets Ophelia's songs from act 4, scene 5 of Shakespeare's Hamlet. This …
The Dixie Chicks 2001–2003
In the aftermath of the 9/11 attacks on the US, the ideological undercurrents of America’s popular music culture were brought into sharp focus, with the music of the pop ‘mainstream’ revealed as being largely consistent with liberal stances, and the broadly defined ‘country’ genre as more naturally aligned to conservative views. Several critical discussions of this ideological divide have focused on the case of the Dixie Chicks, a country group w…
Art (4 works) · Diverse Musicological Studies (4 works) · Sociology (4 works) · Law (3 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Political science (3 works) · Aesthetics (2 works) · Law (2 works) · Music History and Culture (2 works)