Christina Spittel
Biographic Data
| ID | 5406964 |
|---|---|
| NAME | Christina Spittel |
| GIVEN NAMES | Christina |
| FAMILY NAME | Spittel |
| SIGNATURE | SPITTEL C |
| AFFILIATIONS | University of Canberra |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
An unsentimental bloke: The life and work of C.J. Dennis
An unsentimental bloke: the life and work of C.J. Dennis." Journal of Australian Studies, 40(2), pp. 242–243
War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac
Two thirds of the way into Jack Lindsayâ s novel The Blood Vote (1937/1985), Dick, one of the numerous returned men to haunt its pages, takes an explicit stance on Anzac, and invites us to read the novel in terms of its politics of memory: â â And warâ s just one black foulnessâ ,â the crippled man tells his brother, the novelâ s protagonist, who has come to visit him in hospital. â â Donâ t you ever believe otherwise. If anyone talks to you abou…
The One Day of the Year and All That: Anzac between History and Memory
Shakespeare under Different Flags: The Bard in German Classrooms from Hitler to Honecker
This article contributes to the study of Shakespeare's appropriation in Germany during the twentieth century, with a particular focus on its two authoritarian regimes: the Third Reich and the German Democratic Republic. Germans have had their very own `German' Shakespeare since the eighteenth century. Goethe and Schiller, among others, claimed the playwright for their projects of literary (and national) self-assertion. Ideologues in the Third Rei…
Remembering the War: Australian Novelists of the InterWar Years
AMONGST the sombre records of war in the stacks at the Australian War Memorial, a couple of bays of shelves stand out, filled with colourful books with equally colourful titles: Forgive Us Our Trespasses, Flesh in Armour, The Turkish Spy. These are Australian war novels, collected despite Charles Bean's opinion that the Memorial should limit itself to providing sources for the official histories and future historians: 'Novels etc. with a war flav…
Remembering the War: Australian Novelists of the InterWar Years
AMONGST the sombre records of war in the stacks at the Australian War Memorial, a couple of bays of shelves stand out, filled with colourful books with equally colourful titles: Forgive Us Our Trespasses, Flesh in Armour, The Turkish Spy. These are Australian war novels, collected despite Charles Bean's opinion that the Memorial should limit itself to providing sources for the official histories and future historians: 'Novels etc. with a war flav…
Remembering the War: Australian Novelists of the InterWar Years
AMONGST the sombre records of war in the stacks at the Australian War Memorial, a couple of bays of shelves stand out, filled with colourful books with equally colourful titles: Forgive Us Our Trespasses, Flesh in Armour, The Turkish Spy. These are Australian war novels, collected despite Charles Bean's opinion that the Memorial should limit itself to providing sources for the official histories and future historians: 'Novels etc. with a war flav…
Shakespeare under Different Flags: The Bard in German Classrooms from Hitler to Honecker
This article contributes to the study of Shakespeare's appropriation in Germany during the twentieth century, with a particular focus on its two authoritarian regimes: the Third Reich and the German Democratic Republic. Germans have had their very own `German' Shakespeare since the eighteenth century. Goethe and Schiller, among others, claimed the playwright for their projects of literary (and national) self-assertion. Ideologues in the Third Rei…
The One Day of the Year and All That: Anzac between History and Memory
War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac
Two thirds of the way into Jack Lindsayâ s novel The Blood Vote (1937/1985), Dick, one of the numerous returned men to haunt its pages, takes an explicit stance on Anzac, and invites us to read the novel in terms of its politics of memory: â â And warâ s just one black foulnessâ ,â the crippled man tells his brother, the novelâ s protagonist, who has come to visit him in hospital. â â Donâ t you ever believe otherwise. If anyone talks to you abou…
An unsentimental bloke: The life and work of C.J. Dennis
An unsentimental bloke: the life and work of C.J. Dennis." Journal of Australian Studies, 40(2), pp. 242–243
History (5 works) · Sociology (5 works) · History (4 works) · Law (4 works) · Media studies (4 works) · Political science (4 works) · Australian History and Society (3 works) · Classics (3 works) · Law (3 works) · Politics (3 works)