Marsha Gordon
Biographic Data
| ID | 5407554 |
|---|---|
| NAME | Marsha Gordon |
| GIVEN NAMES | Marsha |
| FAMILY NAME | Gordon |
| SIGNATURE | GORDON M |
| AFFILIATIONS | Emily S. Barrett, Tracy R. Andrews, Jason Roy, Patricia Greenberg, Zorimar Rivera-Núñez, Mark Budolfsen, and Panos Georgopoulos are with the Rutgers School of Public Health, Piscataway, NJ. Jeanne M. Ferrante, Daniel B. Horton, Marsha Gordon, Maria B. Pellerano, Alfred F. Tallia, Manuel E. Jimenez, and Shawna V. Hudson are with the Rutgers Robert Wood Johnson Medical School, Piscataway, NJ. Dorothy Reed is with Sister2Sister Inc, Somerset, NJ. Beverly Lynn is with Programs for Parents Inc, Newark, NJ.... |
| ORCID | 0000-0002-1969-4597 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Silent Era Motion Picture Camera Operators
Connect: Cultivating Academic–Community Partnerships to Address Our Communities' Complex Needs During Public Health Crises
This model demonstrates how academic/community partnerships can work together during public health emergencies to develop sustainable relationships
Community- Versus Health Care Organization–Based Approaches to Expanding At-Home Covid-19 Testing in Black and Latino Communities, New Jersey, 2021
At-home COVID-19 testing offers convenience and safety advantages. We evaluated at-home testing in Black and Latino communities through an intervention comparing community-based organization (CBO) and health care organization (HCO) outreach. From May through December 2021, 1100 participants were recruited, 94% through CBOs. The odds of COVID-19 test requests and completions were significantly higher in the HCO arm. The results showed disparities …
Screening Race in American Nontheatrical Film
Nontheatrical Media
Madeline Anderson's thirty-minute documentary I Am Somebody (1969) is about an African American female hospital workers’ strike in Charleston, South Carolina. Anderson shot the film on 16mm and showed it to striking workers in nontheatrical settings after its completion. Its production, exhibition, and reception history suggests some of the complexities at play when considering the categorization of nontheatrical material. According to Anderson, …
Onward Kitchen Soldiers: Mobilizing the Domestic During World War I
Hear the bugle call, The Call to those who stay at home; You are soldiers all, Though you may never cross the foam. . . During World War I, social mobility was promised to American women through governmental propaganda campaigns that became the basis for a cultural re-imagining of women's social roles. On a national level, the Amer- ican home and the women who purportedly ran the American home became crucial components in the mobilization of alli…
Government in Business
Onward Kitchen Soldiers: Mobilizing the Domestic During World War I
Hear the bugle call, The Call to those who stay at home; You are soldiers all, Though you may never cross the foam. . . During World War I, social mobility was promised to American women through governmental propaganda campaigns that became the basis for a cultural re-imagining of women's social roles. On a national level, the Amer- ican home and the women who purportedly ran the American home became crucial components in the mobilization of alli…
Government in Business
Onward Kitchen Soldiers: Mobilizing the Domestic During World War I
Hear the bugle call, The Call to those who stay at home; You are soldiers all, Though you may never cross the foam. . . During World War I, social mobility was promised to American women through governmental propaganda campaigns that became the basis for a cultural re-imagining of women's social roles. On a national level, the Amer- ican home and the women who purportedly ran the American home became crucial components in the mobilization of alli…
Nontheatrical Media
Madeline Anderson's thirty-minute documentary I Am Somebody (1969) is about an African American female hospital workers’ strike in Charleston, South Carolina. Anderson shot the film on 16mm and showed it to striking workers in nontheatrical settings after its completion. Its production, exhibition, and reception history suggests some of the complexities at play when considering the categorization of nontheatrical material. According to Anderson, …
Screening Race in American Nontheatrical Film
Community- Versus Health Care Organization–Based Approaches to Expanding At-Home Covid-19 Testing in Black and Latino Communities, New Jersey, 2021
At-home COVID-19 testing offers convenience and safety advantages. We evaluated at-home testing in Black and Latino communities through an intervention comparing community-based organization (CBO) and health care organization (HCO) outreach. From May through December 2021, 1100 participants were recruited, 94% through CBOs. The odds of COVID-19 test requests and completions were significantly higher in the HCO arm. The results showed disparities …
Connect: Cultivating Academic–Community Partnerships to Address Our Communities' Complex Needs During Public Health Crises
This model demonstrates how academic/community partnerships can work together during public health emergencies to develop sustainable relationships
Silent Era Motion Picture Camera Operators
Art (4 works) · Political science (4 works) · Cinema and Media Studies (3 works) · Law (3 works) · Sociology (3 works) · Art history (2 works) · Computer Science (2 works) · Health equity (2 works) · History (2 works) · Hollywood (2 works)