Kalli Paakspuu
Biographic Data
| ID | 5407679 |
|---|---|
| NAME | Kalli Paakspuu |
| GIVEN NAMES | Kalli |
| FAMILY NAME | Paakspuu |
| SIGNATURE | PAAKSPUU K |
| AFFILIATIONS | York University |
| ORCID | 0000-0001-5057-6348 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Re-Reading the Portrait and the Archive’s Social Memory
This article examines how Amerindians participate agentially in a circuit of contagious experience as portrait subjects of settler artists and photographers like Benjamin West, George Catlin, E. S. Curtis, and others. Embodiment in a portrait is a dialogical and iterative bridge that enables the subject to contextualize an address to the home community through religion, kinship, or culture
Writing the body: The hypertext of photography
In Canada and the United States the transformative value of a photograph was quickly recognized for nation building, and this new invention soon served a purpose in public memory. Its uses expanded from surveying lands to promoting population growth, tourism, artistic expression and to imagining virtual communities. Photography's narrative, however, offers readers a commentary on knowledge, identity and memory within an interactive space that is …
Winning or Losing the West: The Photographic Act
The visual public record of the early West represents a site of national, continental, hemispheric, and global configurations of territory, power, and imagination. The early photograph reproduces the contradictory encounters between industry, settlers, and Indigenous communities as a particular future is envisioned and contested. The transformative value of a photograph was quickly recognized for nation building and soon served a political purpos…
Re-Reading the Portrait and the Archive’s Social Memory
This article examines how Amerindians participate agentially in a circuit of contagious experience as portrait subjects of settler artists and photographers like Benjamin West, George Catlin, E. S. Curtis, and others. Embodiment in a portrait is a dialogical and iterative bridge that enables the subject to contextualize an address to the home community through religion, kinship, or culture
Writing the body: The hypertext of photography
In Canada and the United States the transformative value of a photograph was quickly recognized for nation building, and this new invention soon served a purpose in public memory. Its uses expanded from surveying lands to promoting population growth, tourism, artistic expression and to imagining virtual communities. Photography's narrative, however, offers readers a commentary on knowledge, identity and memory within an interactive space that is …
Winning or Losing the West: The Photographic Act
The visual public record of the early West represents a site of national, continental, hemispheric, and global configurations of territory, power, and imagination. The early photograph reproduces the contradictory encounters between industry, settlers, and Indigenous communities as a particular future is envisioned and contested. The transformative value of a photograph was quickly recognized for nation building and soon served a political purpos…
Writing the body: The hypertext of photography
In Canada and the United States the transformative value of a photograph was quickly recognized for nation building, and this new invention soon served a purpose in public memory. Its uses expanded from surveying lands to promoting population growth, tourism, artistic expression and to imagining virtual communities. Photography's narrative, however, offers readers a commentary on knowledge, identity and memory within an interactive space that is …
Re-Reading the Portrait and the Archive’s Social Memory
This article examines how Amerindians participate agentially in a circuit of contagious experience as portrait subjects of settler artists and photographers like Benjamin West, George Catlin, E. S. Curtis, and others. Embodiment in a portrait is a dialogical and iterative bridge that enables the subject to contextualize an address to the home community through religion, kinship, or culture
Art (3 works) · History (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Computer Science (2 works) · History (2 works) · Indigenous (2 works) · Linguistics (2 works)