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George Toles

Biographic Data

ID5407680
NAMEGeorge Toles
GIVEN NAMESGeorge
FAMILY NAMEToles
SIGNATURETOLES G
AFFILIATIONSUniversity of Manitoba
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS1
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2023
H-INDEX1
  • The Sounds and Silences of Mildred Pierce (1945)

    George Toles•ARTICLE•Film International•2023

  • Almost Understood

    Open Access•George Toles•ARTICLE•Film International•2022

  • Childhood Transformation Rooms in David Lean’s Oliver Twist (1948) and Vincente Minnelli’s Gigi (1958)

    George Toles•ARTICLE•Film International•2022

    Preview this article: Childhood Transformation Rooms in David Lean’s Oliver Twist (1948) and Vincente Minnelli’s Gigi (1958), Page 1 of 1 /docserver/preview/fulltext/fint/20/4/fint.20.4.98_Toles-1.gif

  • Identity Masquerade and Its Discontents in Jonathan Demme’s Something Wild (1986)

    Open Access•George Toles•ARTICLE•Film International•2021

  • Shades of Green Mourning in John M. Stahl’s Leave Her to Heaven

    George Toles•ARTICLE•Film International•2017

  • ‘Cocoon of Fire’

    George Toles•ARTICLE•Film International•2012

    Preview this article: 'Cocoon of Fire': awakening to love in Murnau's Sunrise, Page 1 of 1 /docserver/preview/fulltext/fint/9/6/s2-1.gif

  • The gift of amnesia in John Brahm's The Locket

    George Toles•ARTICLE•Film International•2009

    Preview this article: The gift of amnesia in John Brahm's The Locket, Page 1 of 1 /docserver/preview/fulltext/fint/7/6/s4-1.gif

  • Eloquent objects, mesmerizing commodities in William Wyler's The Heiress

    George Toles•ARTICLE•Film International•2006

  • On a Train to the Kingdom of Earth

    George Toles•CHAPTER•Vittorio de Sica•2000

  • The Metaphysics of Style in Tender is the Night

    George Toles•ARTICLE•American Literature•1990

    As they rode, the darkness lifted and thinned outside and Baby's nerves, scarcely awake, cringed faintly at the unstable balance between night and day. She began to race against the day; sometimes on the broad avenues she gained but whenever the thing that was pushing up paused for a moment, gusts of wind blew here and there impatiently and the slow creep of light began once more. The cab went past a loud fountain splashing in a voluminous shadow…

  • If Thine Eye Offend Thee

    George Toles•ARTICLE•New Literary History•1984•Cited by: 1

    O NCE all the narrative surprises of Alfred Hitchcock's Psycho have been discovered and its more obvious emotional provocations understood, I find that the most potent sources of my uneasiness while viewing it are still unaccounted for. Discomfort with this work is, in my experience, an endlessly renewable response; it is like a slowly spreading stain in the memory. The film feels as stifled and stifling as the indecipherable mind of its protagon…

  • Robert Frost and New England

    George Toles, George E Toles et al.•ARTICLE•The New England Quarterly•1980

  • Frank Capra

    George Toles, George E Toles•ARTICLE•Canadian Review of American Studies•1978

    Leland A. Poague. The Cinema of Frank Capra: An Approach to Film Comedy. Cranbury, N.J.: A. S. Barnes and Co., Inc., 1975. 252 pp. Frank Capra: The Man and His Films. Edited by Richard Glatzer and John Raeburn. Ann Arbor: The University of Michigan Press, 1974. 190 + xiv pp. Donald C. Willis. The Films of Frank Capra. Metuchen, N.J.: The Scarecrow Press, Inc., 1974. 214 pp. Frank Capra. The Name Above the Title. New York: The Macmillan Company, 1…

  • If Thine Eye Offend Thee

    George Toles•ARTICLE•New Literary History•1984•Cited by: 1

    O NCE all the narrative surprises of Alfred Hitchcock's Psycho have been discovered and its more obvious emotional provocations understood, I find that the most potent sources of my uneasiness while viewing it are still unaccounted for. Discomfort with this work is, in my experience, an endlessly renewable response; it is like a slowly spreading stain in the memory. The film feels as stifled and stifling as the indecipherable mind of its protagon…

  • Frank Capra

    George Toles, George E Toles•ARTICLE•Canadian Review of American Studies•1978

    Leland A. Poague. The Cinema of Frank Capra: An Approach to Film Comedy. Cranbury, N.J.: A. S. Barnes and Co., Inc., 1975. 252 pp. Frank Capra: The Man and His Films. Edited by Richard Glatzer and John Raeburn. Ann Arbor: The University of Michigan Press, 1974. 190 + xiv pp. Donald C. Willis. The Films of Frank Capra. Metuchen, N.J.: The Scarecrow Press, Inc., 1974. 214 pp. Frank Capra. The Name Above the Title. New York: The Macmillan Company, 1…

  • Robert Frost and New England

    George Toles, George E Toles et al.•ARTICLE•The New England Quarterly•1980

  • If Thine Eye Offend Thee

    George Toles•ARTICLE•New Literary History•1984•Cited by: 1

    O NCE all the narrative surprises of Alfred Hitchcock's Psycho have been discovered and its more obvious emotional provocations understood, I find that the most potent sources of my uneasiness while viewing it are still unaccounted for. Discomfort with this work is, in my experience, an endlessly renewable response; it is like a slowly spreading stain in the memory. The film feels as stifled and stifling as the indecipherable mind of its protagon…

  • The Metaphysics of Style in Tender is the Night

    George Toles•ARTICLE•American Literature•1990

    As they rode, the darkness lifted and thinned outside and Baby's nerves, scarcely awake, cringed faintly at the unstable balance between night and day. She began to race against the day; sometimes on the broad avenues she gained but whenever the thing that was pushing up paused for a moment, gusts of wind blew here and there impatiently and the slow creep of light began once more. The cab went past a loud fountain splashing in a voluminous shadow…

  • On a Train to the Kingdom of Earth

    George Toles•CHAPTER•Vittorio de Sica•2000

  • Eloquent objects, mesmerizing commodities in William Wyler's The Heiress

    George Toles•ARTICLE•Film International•2006

  • The gift of amnesia in John Brahm's The Locket

    George Toles•ARTICLE•Film International•2009

    Preview this article: The gift of amnesia in John Brahm's The Locket, Page 1 of 1 /docserver/preview/fulltext/fint/7/6/s4-1.gif

  • ‘Cocoon of Fire’

    George Toles•ARTICLE•Film International•2012

    Preview this article: 'Cocoon of Fire': awakening to love in Murnau's Sunrise, Page 1 of 1 /docserver/preview/fulltext/fint/9/6/s2-1.gif

  • Shades of Green Mourning in John M. Stahl’s Leave Her to Heaven

    George Toles•ARTICLE•Film International•2017

  • Identity Masquerade and Its Discontents in Jonathan Demme’s Something Wild (1986)

    Open Access•George Toles•ARTICLE•Film International•2021

  • Almost Understood

    Open Access•George Toles•ARTICLE•Film International•2022

  • Childhood Transformation Rooms in David Lean’s Oliver Twist (1948) and Vincente Minnelli’s Gigi (1958)

    George Toles•ARTICLE•Film International•2022

    Preview this article: Childhood Transformation Rooms in David Lean’s Oliver Twist (1948) and Vincente Minnelli’s Gigi (1958), Page 1 of 1 /docserver/preview/fulltext/fint/20/4/fint.20.4.98_Toles-1.gif

  • The Sounds and Silences of Mildred Pierce (1945)

    George Toles•ARTICLE•Film International•2023

Art (12 works) · Art history (8 works) · Cinema and Media Studies (4 works) · Literature (4 works) · Geography (3 works) · History (3 works) · Aesthetics (2 works) · Contemporary Literature and Criticism (2 works) · History (2 works) · Mathematics (2 works)

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