Christopher Beach
Biographic Data
| ID | 5407724 |
|---|---|
| NAME | Christopher Beach |
| GIVEN NAMES | Christopher |
| FAMILY NAME | Beach |
| SIGNATURE | BEACH C |
| ORCID | 0000-0001-8585-6470 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
“Seeing in Transparency or Touching a World
International audience
The Collected Writings of Walt Whitman
Book Review| March 01 2000 The Collected Writings of Walt Whitman: The Journalism, Volume I:1834-1846 Ed. Herbert Bergman, Douglas Noverr, and Edward Recchia. New York: Peter Lang. 1998. lxx, 590 pp. $44.95. Christopher Beach Christopher Beach Search for other works by this author on: This Site Google American Literature (2000) 72 (1): 193–194. https://doi.org/10.1215/00029831-72-1-193 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Mai…
The Politics of Distinction
The Politics of Distinction
This text draws on contemporary cultural and historical theory to portray Walt Whitman's poetry as a balancing act between the personal and the social, the literary and the plainspoken
Now Lucifer was not dead
In a series of his notebook entries from the mid-1850s, Walt Whitman carries on a personal debate concerning questions of liberty, race, and slavery. Having decided to leave aside the practical reasons for opposing slavery ("Will it pay?"), he introduces what he considers the deeper argument at stake—the philosophical question of racial and social inferiority: The learned think the unlearned an inferior race. The merchant thinks his bookkeepers a…
ABC of Influence
In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the 'canon' of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist …
Ezra Pound and Harold Bloom
Now Lucifer was not dead
In a series of his notebook entries from the mid-1850s, Walt Whitman carries on a personal debate concerning questions of liberty, race, and slavery. Having decided to leave aside the practical reasons for opposing slavery ("Will it pay?"), he introduces what he considers the deeper argument at stake—the philosophical question of racial and social inferiority: The learned think the unlearned an inferior race. The merchant thinks his bookkeepers a…
Ezra Pound and Harold Bloom
ABC of Influence
In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the 'canon' of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist …
Now Lucifer was not dead
In a series of his notebook entries from the mid-1850s, Walt Whitman carries on a personal debate concerning questions of liberty, race, and slavery. Having decided to leave aside the practical reasons for opposing slavery ("Will it pay?"), he introduces what he considers the deeper argument at stake—the philosophical question of racial and social inferiority: The learned think the unlearned an inferior race. The merchant thinks his bookkeepers a…
The Politics of Distinction
The Politics of Distinction
This text draws on contemporary cultural and historical theory to portray Walt Whitman's poetry as a balancing act between the personal and the social, the literary and the plainspoken
The Collected Writings of Walt Whitman
Book Review| March 01 2000 The Collected Writings of Walt Whitman: The Journalism, Volume I:1834-1846 Ed. Herbert Bergman, Douglas Noverr, and Edward Recchia. New York: Peter Lang. 1998. lxx, 590 pp. $44.95. Christopher Beach Christopher Beach Search for other works by this author on: This Site Google American Literature (2000) 72 (1): 193–194. https://doi.org/10.1215/00029831-72-1-193 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Mai…
“Seeing in Transparency or Touching a World
International audience
Art (6 works) · History (6 works) · Poetry Analysis and Criticism (6 works) · Literature (5 works) · Computer Science (3 works) · Law (3 works) · Philosophy (3 works) · Politics (3 works) · American and British Literature Analysis (2 works) · Art history (2 works)