Murray Pomerance
Biographic Data
| ID | 5407986 |
|---|---|
| NAME | Murray Pomerance |
| GIVEN NAMES | Murray |
| FAMILY NAME | Pomerance |
| SIGNATURE | POMERANCE M |
| AFFILIATIONS | Toronto Metropolitan University |
| ORCID | 0000-0002-6233-4503 |
| VERIFIED | Yes |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 25 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Crossfire of Knowledge
‘Look At Me Not Looking’
Watching Voice between the Lines
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The elevator film
One must always know the place and accept it as believable. But in most films the design conceit is that when characters are in a place, there is nowhere else they can be found at the moment. This article posits an exception: the ‘elevator’ plot device, in which every place may be multiplied in layers. Many films of the late 1990s and early 21st century recount a story of dimension-shifting or reality substitution. These ‘Elevator films’ invoke a…
Under a Star
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Upstairs, Downstairs
Pretty People
In the 1990s, American civil society got upended and reordered as many social, cultural, political, and economic institutions were changed forever. Pretty People examines a wide range of Hollywood icons who reflect how stardom in that decade was transformed as the nation itself was signaling significant changes to familiar ideas about gender, race, ethnicity, age, class, sexuality, and nationality. Such actors as Denzel Washington, Andy Garcia, H…
The Sound of the Sound
Watching This Space
Hide, Jonathan, Seek
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Visit To a Gallery
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Hamlet Lives in Hollywood
Bells Are Ringing
Angling To Catch a Thief
George Cukor
George Cukor
Assheton Gorton
Hitchcock Goes to the Dogs
Young body on the beach
In cinema, the beach often becomes something beyond the kind of luscious but perfunctory site suggested in classical painting and in the complexities of eighteenth-century therapeutic discourse. It is a setting for notable drama, emphatic, romantic or apotheotic. Screened beach scenes go beyond nature by showing the sands as a heightener of dramatic effect. The beach often sets the display of a particular body, powerful and young but also, like t…
Pretty people
He Did so much!' An Interview with Evans (Evans) Frankenheimer
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What Ever is Happening to M. Night Shyamalan
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Baghdad Bad
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Digesting Steven Spielberg
A modern gesture
No prominent works on this page.
From Hobbits to Hollywood
A modern gesture
Digesting Steven Spielberg
Baghdad Bad
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What Ever is Happening to M. Night Shyamalan
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He Did so much!' An Interview with Evans (Evans) Frankenheimer
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Pretty people
Hitchcock Goes to the Dogs
Young body on the beach
In cinema, the beach often becomes something beyond the kind of luscious but perfunctory site suggested in classical painting and in the complexities of eighteenth-century therapeutic discourse. It is a setting for notable drama, emphatic, romantic or apotheotic. Screened beach scenes go beyond nature by showing the sands as a heightener of dramatic effect. The beach often sets the display of a particular body, powerful and young but also, like t…
George Cukor
George Cukor
Assheton Gorton
Hamlet Lives in Hollywood
Bells Are Ringing
Angling To Catch a Thief
Visit To a Gallery
Preview this article: Visit To a Gallery, Page 1 of 1 /docserver/preview/fulltext/fint/16/4/fiin.16.4.51_1-1.gif
Hide, Jonathan, Seek
Preview this article: Hide, Jonathan, Seek, Page 1 of 1 /docserver/preview/fulltext/fint/17/4/fiin.17.4.96_1-1.gif
Pretty People
In the 1990s, American civil society got upended and reordered as many social, cultural, political, and economic institutions were changed forever. Pretty People examines a wide range of Hollywood icons who reflect how stardom in that decade was transformed as the nation itself was signaling significant changes to familiar ideas about gender, race, ethnicity, age, class, sexuality, and nationality. Such actors as Denzel Washington, Andy Garcia, H…
The Sound of the Sound
Watching This Space
Under a Star
Preview this article: Under a Star, Page 1 of 1 /docserver/preview/fulltext/fint/19/2/fint.19.2.7-1.gif
Upstairs, Downstairs
The elevator film
One must always know the place and accept it as believable. But in most films the design conceit is that when characters are in a place, there is nowhere else they can be found at the moment. This article posits an exception: the ‘elevator’ plot device, in which every place may be multiplied in layers. Many films of the late 1990s and early 21st century recount a story of dimension-shifting or reality substitution. These ‘Elevator films’ invoke a…
‘Look At Me Not Looking’
Watching Voice between the Lines
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Art (20 works) · Art history (9 works) · Cinema and Media Studies (9 works) · Computer Science (9 works) · Visual arts (6 works) · Psychology (5 works) · Aesthetics (4 works) · Motion pictures (4 works) · Digital Games and Media (3 works) · Digital Media and Philosophy (3 works)