Marjorie Whylie
Biographic Data
| ID | 5413902 |
|---|---|
| NAME | Marjorie Whylie |
| GIVEN NAMES | Marjorie |
| FAMILY NAME | Whylie |
| SIGNATURE | WHYLIE M |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 0 |
Ernest Ranglin, Creative Activist, Initiator, Innovator, Living Legend
I should luce to share with you a personal testament, a personal review of the varied demonstrations of a musical giant, a gentle genius, a great example of what is right about Jamaica. My comments proceed from listening, observation and appreciation, and are personal, and relate to my musical education, my own musical development. In 1972 at a conference at Indiana University on the The Social Role of Jazz,Richard Abrams, a presenter, spoke of a…
Jamaican Drumming Styles
These survivals are strongest where there is an overall supporting African tradition. Playing the most important role in keeping these musical traditions alive is religious ritual of which drumming is an integral part. The drum salutes gods and ancestral spirits, it accompanies dance, controls possession, attends celebrations and ceremonials for the dead, provides the rhythmic support, the heartbeat for rituals of healing, and is present through …
Some Aspects of Religious Cult Music in Jamaica
No prominent works on this page.
Some Aspects of Religious Cult Music in Jamaica
Jamaican Drumming Styles
These survivals are strongest where there is an overall supporting African tradition. Playing the most important role in keeping these musical traditions alive is religious ritual of which drumming is an integral part. The drum salutes gods and ancestral spirits, it accompanies dance, controls possession, attends celebrations and ceremonials for the dead, provides the rhythmic support, the heartbeat for rituals of healing, and is present through …
Ernest Ranglin, Creative Activist, Initiator, Innovator, Living Legend
I should luce to share with you a personal testament, a personal review of the varied demonstrations of a musical giant, a gentle genius, a great example of what is right about Jamaica. My comments proceed from listening, observation and appreciation, and are personal, and relate to my musical education, my own musical development. In 1972 at a conference at Indiana University on the The Social Role of Jazz,Richard Abrams, a presenter, spoke of a…
Caribbean history, culture, and politics (3 works) · Aesthetics (2 works) · Art (2 works) · History (2 works) · Literature (2 works) · Musical (2 works) · Philosophy (2 works) · Philosophy (2 works) · Sociology (2 works) · Visual arts (2 works)