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Elspeth kydd

Biographic Data

ID5413986
NAMEElspeth kydd
GIVEN NAMESElspeth
FAMILY NAMEkydd
SIGNATUREKYDD E
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Filmic Autobiography in the Caribbean Diaspora

    Elspeth kydd•ARTICLE•Caribbean Quarterly•2015•References: 2

    Al l hear are the wavesABout hALFwAy thRough isAAc JuLien 's 2004 DocuMentARy Darker Side of Black, there is a moment of intervention of the first person. disembodied, apparently voice-of-God narration unexpectedly shifts from the conventional third-person, factual voiceover to address the audience using the terms both I and we. This is then followed by a use of the second person, addressing not the viewer, but the narrator himself by imagining a…

  • The Ineffaceable Curse of Cain”

    Elspeth kydd•ARTICLE•Camera Obscura Feminism Culture…•2000•Cited by: 1•References: 2

    Elspeth kydd is an associate professor in the Department of Theatre and Film at the University of Toledo. She is currently working on a book about the representation of miscegenation in classical Hollywood cinema

  • The Ineffaceable Curse of Cain”

    Elspeth kydd•ARTICLE•Camera Obscura Feminism Culture…•2000•Cited by: 1•References: 2

    Elspeth kydd is an associate professor in the Department of Theatre and Film at the University of Toledo. She is currently working on a book about the representation of miscegenation in classical Hollywood cinema

  • The Ineffaceable Curse of Cain”

    Elspeth kydd•ARTICLE•Camera Obscura Feminism Culture…•2000•Cited by: 1•References: 2

    Elspeth kydd is an associate professor in the Department of Theatre and Film at the University of Toledo. She is currently working on a book about the representation of miscegenation in classical Hollywood cinema

  • Filmic Autobiography in the Caribbean Diaspora

    Elspeth kydd•ARTICLE•Caribbean Quarterly•2015•References: 2

    Al l hear are the wavesABout hALFwAy thRough isAAc JuLien 's 2004 DocuMentARy Darker Side of Black, there is a moment of intervention of the first person. disembodied, apparently voice-of-God narration unexpectedly shifts from the conventional third-person, factual voiceover to address the audience using the terms both I and we. This is then followed by a use of the second person, addressing not the viewer, but the narrator himself by imagining a…

Anthropology (2 works) · Art history (2 works) · Sociology (2 works) · Aesthetics (1 work) · Art (1 work) · Biography (1 work) · Caribbean and African Literature and Culture (1 work) · Caribbean art (1 work) · Caribbean history, culture, and politics (1 work) · Caribbean region (1 work)

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