Stephen Mamber
Biographic Data
| ID | 5415702 |
|---|---|
| NAME | Stephen Mamber |
| GIVEN NAMES | Stephen |
| FAMILY NAME | Mamber |
| SIGNATURE | MAMBER S |
| AFFILIATIONS | Saint Petersburg State University of Cinema and Television |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Henri Meschonnic Reader
Mapeo narrativo
En el presente artículo, Stephen Mamber expone propósitos, categorías y ejemplos del mapeo narrativo, herramienta que ayuda a comprender narrativas complejas en tiempo y espacio, sean películas, hechos periodísticos, novelas u horarios de una estación de trenes. Los mapas narrativos pueden ser tan complejos y centrados en un tema, como un mapa territorial, que se convierten en la interfaz con la que uno realmente accede al texto. Ya que la narrat…
Simultaneity and Overlap in Stanley Kubrik's The Killing
Simultaneity and Overlap in Stanley Kubrick’s The Killing Stephen Mamber ...the cinematographic image is in the present only in bad films. —Deleuze Stanley Kubrick’s racetrack robbery caper film The Killing (1956) is a conceptual exercise in time travel.[1] Using a narrator reminiscent of Dragnet, or the impersonal narrators of Kubrick’s later films, the film goes forward in time most often in overlap, by first going backward to pick up the threa…
Teaching Digital Media
1. Quoted in Vlada Petric, Relating Courses in Filmmaking and Film Studies, University Film Study Center Newsletter 4, no. 5 (June 1974): 1. 2. See Stephen Tropiano's essay, The Internship Experience: A Practical Guide, Cinema Journal 36, no. 3 (spring 1997) for more information on how an internship can contribute to a student's intellectual and professional growth. 3. Brian Henderson, Two Types of Film Theory, Film Quarterly 24, no. 2 (spring 19…
No prominent works on this page.
Teaching Digital Media
1. Quoted in Vlada Petric, Relating Courses in Filmmaking and Film Studies, University Film Study Center Newsletter 4, no. 5 (June 1974): 1. 2. See Stephen Tropiano's essay, The Internship Experience: A Practical Guide, Cinema Journal 36, no. 3 (spring 1997) for more information on how an internship can contribute to a student's intellectual and professional growth. 3. Brian Henderson, Two Types of Film Theory, Film Quarterly 24, no. 2 (spring 19…
Simultaneity and Overlap in Stanley Kubrik's The Killing
Simultaneity and Overlap in Stanley Kubrick’s The Killing Stephen Mamber ...the cinematographic image is in the present only in bad films. —Deleuze Stanley Kubrick’s racetrack robbery caper film The Killing (1956) is a conceptual exercise in time travel.[1] Using a narrator reminiscent of Dragnet, or the impersonal narrators of Kubrick’s later films, the film goes forward in time most often in overlap, by first going backward to pick up the threa…
Mapeo narrativo
En el presente artículo, Stephen Mamber expone propósitos, categorías y ejemplos del mapeo narrativo, herramienta que ayuda a comprender narrativas complejas en tiempo y espacio, sean películas, hechos periodísticos, novelas u horarios de una estación de trenes. Los mapas narrativos pueden ser tan complejos y centrados en un tema, como un mapa territorial, que se convierten en la interfaz con la que uno realmente accede al texto. Ya que la narrat…
Henri Meschonnic Reader
Art (2 works) · Cinema and Media Studies (2 works) · Business (1 work) · Character (mathematics (1 work) · Geography and Education Methods (1 work) · Geometry (1 work) · Humanities (1 work) · Literature (1 work) · Literature, Film, and Journalism Analysis (1 work) · Mathematics (1 work)