Annette Brauerhoch
Biographic Data
| ID | 5415724 |
|---|---|
| NAME | Annette Brauerhoch |
| GIVEN NAMES | Annette |
| FAMILY NAME | Brauerhoch |
| SIGNATURE | BRAUERHOCH A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 1995 |
| H-INDEX | 1 |
Mixed Emotions
What happens when Hollywood is confronted with a female figure who is no longer young but is still beautiful, who has children but is not a real mother, who works but in a profession which is not considered real work? The anxiety and reproach that there is something unaccountable about feminine qualities, that femininity in itself is so often (culturally constructed and produced as) fake, a show, mere illusion culminates in the figure of the star…
Viper
Journal Article VIPER: The Twelfth International Film and Video Convention, Lucerne 22–6 October 1991 Get access Annette Brauerhoch Annette Brauerhoch Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 33, Issue 3, Autumn 1992, Pages 321–323, https://doi.org/10.1093/screen/33.3.321 Published: 01 October 1992
Mixed Emotions
What happens when Hollywood is confronted with a female figure who is no longer young but is still beautiful, who has children but is not a real mother, who works but in a profession which is not considered real work? The anxiety and reproach that there is something unaccountable about feminine qualities, that femininity in itself is so often (culturally constructed and produced as) fake, a show, mere illusion culminates in the figure of the star…
Viper
Journal Article VIPER: The Twelfth International Film and Video Convention, Lucerne 22–6 October 1991 Get access Annette Brauerhoch Annette Brauerhoch Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 33, Issue 3, Autumn 1992, Pages 321–323, https://doi.org/10.1093/screen/33.3.321 Published: 01 October 1992
Mixed Emotions
What happens when Hollywood is confronted with a female figure who is no longer young but is still beautiful, who has children but is not a real mother, who works but in a profession which is not considered real work? The anxiety and reproach that there is something unaccountable about feminine qualities, that femininity in itself is so often (culturally constructed and produced as) fake, a show, mere illusion culminates in the figure of the star…
Art (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Art history (1 works) · Biology (1 works) · Cinema and Media Studies (1 works) · Convention (1 works) · Cultural Industries and Urban Development (1 works) · Fishery (1 works) · Gender, Feminism, and Media (1 works)